The ROGUE FAMILIAR audiobook is out now! I’m talking about Jacqueline Carey’s CASSIEL’S SERVANT, how it compares to KUSHIEL’S DART, and on making choices about where to begin a story.
RITA ® Award-Winning Author of Fantasy Romance
The ROGUE FAMILIAR audiobook is out now! I’m talking about Jacqueline Carey’s CASSIEL’S SERVANT, how it compares to KUSHIEL’S DART, and on making choices about where to begin a story.
On trusting the Story Brain, making choices and questioning those choices – authors, I’m looking for comments on your experiences – and also how much I loved Naomi Novik’s Scholomance trilogy.
Creativity and vacations/holidays, moving from writing as a hobby to a career, taking your mental health seriously, maintaining writing productivity, meeting deadlines, and methods for aggressively filling the well.
Tough love talk on how our families and the people who love us most can be the biggest obstacles to getting that writing time. Related: wants and needs, the difference between them and how other people try to tell what ours are.
How I’m getting better at balance, increasing my wordcount, getting business done, and having more time to relax! Also, using AI “tools” as a writer and examining the whole point of being a creative in the first place.
What it takes to be a career author – particularly a novelist – the kinds of sacrifices you have to make to carve out enough silence to hear the words of a story, and how there are no straight line trajectories.
Ruminations today on what we mean by the “strong female character” and why this might be a more relevant conversation than I thought, given the state of feminism and challenges some female friends are facing.
Happy to report that my training program to increase creative flow and word count is working! Also, additional thoughts on the ethics of using AI-generated work and how money factors into that for some people.
A concern I have about a book cover designer who is offering discounts to authors who approve the use of AI-generated art. Also thoughts on training to improve wordcount and recognizing overdoing it.
A round-up of what I’ve been reading lately, including several excursions from my normal reading. I’m thinking about female/femme narratives and how we center those (or don’t) in terms of stories about men.