Burnout: how to recognize it, how to define what stage you’re at, and what to do about it. I recommend aggressive refilling of the well for all. Also, vacation, Hurricane Hilary, and doing Beach.
RITA ® Award-Winning Author of Fantasy Romance
Burnout: how to recognize it, how to define what stage you’re at, and what to do about it. I recommend aggressive refilling of the well for all. Also, vacation, Hurricane Hilary, and doing Beach.
Critique and other feedback! What makes crit useful and not, how to know what to take and what to discard (Spoiler: it doesn’t get easier), and what we can learn about giving useful critique.
A story about how Romance continues to be treated like antimatter in some parts of the SFF community. Also, exciting news on ONEIRA, and a bit more about agents and being careful who you pitch to.
The importance of voice, refining it, learning how to get it on the page, how dismissing something like the 3-Act Structure as formulaic is missing the point of storytelling entirely, and why (again) I’m not worried about AI.
A dive into genre today, along with a discussion of whether there’s an identifiable plot arc for Science Fiction or Fantasy (hint: there isn’t), and what I’ve recently discovered about writing a Romance.
I’m digging into how I balance the various demands of being a hybrid author, giving details on my current decision-tree, how I decide what to give my agent to submit to traditional publishing, etc.
Spoilers for Guardians of the Galaxy 3 and Oppenheimer – I’m talking story structure, breaking the gridlock of chronology (which both of these do), the difference between backstory and flashbacks, and how a climactic beat CAN happen in a flashback!
For lovers of The Mark of the Tala, I’m asking a question. Otherwise I’m talking about POV choices, how to decide, and rewriting from different POVs. Also, I’m teaching a Worldbuilding class in Portland August 4!
The ROGUE FAMILIAR audiobook is out now! I’m talking about Jacqueline Carey’s CASSIEL’S SERVANT, how it compares to KUSHIEL’S DART, and on making choices about where to begin a story.
On trusting the Story Brain, making choices and questioning those choices – authors, I’m looking for comments on your experiences – and also how much I loved Naomi Novik’s Scholomance trilogy.