Crying Wolf

The bright day after the big snowstorm. The snow is melting fast and I’m betting it will be all gone by midafternoon. 

Our topic this week at the SFF Seven is an open author riff, an invitation to talk about whatever’s on our minds. 

I ended up complaining about bad security advice on the Internet. Because I couldn’t help myself. Don’t bother reading it – it’s a boring rant. Really. 

Firing that Inner Critic

Something I get asked quite a bit in the various workshops I teach, is essentially how to deal with the inner critic. The questions come to me like this:

How do you deal with worrying about family reading your sex scenes?

My (sister/mother/father/aunt) says I can’t write about this because I’ll hurt people – what do I do?

Every time I try to finish my story, I get bogged down in editing – how can I get past this?

All of these are evidence of the inner critic at work. Even those voices that “sound” like they come from someone else, those are simply concerns that we’ve internalized. It’s like a part of our brains is a tape recorder, faithfully taking down every criticism leveled at us. Then, when we got to write, it “helpfully” plays all of that back for us.

So, a lot of the time I tell people this is part of the gig (which it is) and you simply have to get good at exercising the discipline of shutting this voice off (which is also true). At the most basic level, it’s like learning to exercise regularly. At some point you have to shuck the excuses, laziness and don’t-wannas and just do it.

Write the sex scene anyway.

Write the memoir anyway.

Don’t go back and edit until you’re done.

All of that makes it sound easy, which it isn’t. It’s simple, but not easy. But I haven’t had better advice than this. 

Recently, however, I discovered a tool for myself that I want to share.

Because – don’t mistake me – these things don’t go away. I’ve never met any writer, no matter how practiced or successful, who’s said they no longer hear these undermining voices. The syndrome can come and go, depending on overall life and emotional health, and on the project. 

I struggled with this not long ago because of a chain of events where several people said critical things to me. A couple of them were angry with me and said things deliberately to hurt me. Even though I knew that intellectually, my inner tape recorder faithfully took down all of it, playing it back for me over and over, along with other stuff – negative comments from reviews, chance remarks that no one meant in a bad way. It became this inescapable ear worm that filled my head when I tried to write, making it both difficult and agonizing.

Finally, I made a stack of blank paper squares. I set them on my writing desk with a stainless steel mixing bowl (nothing special about that – just so I wouldn’t set my desk on fire, as appealing as the notion was at the time), and a lighter I use to light the candle in my tea warmer.

Every time one of those repeated phrases came into my head, I immediately wrote it on a square of paper and then burned it. Witness my pile of ash above!

You know what?? It worked like a charm. Those confidence-sapping earworms disappeared. And stayed gone. So much so that I can’t remember now what they were, much as I’d like to give you examples.

I’m encouraging you all to try this. Let me know how it works out!

When Mentors Go Bad: Writing Advice Red Flags

This clematis I planted late last summer has been early to bloom this spring. Such a lovely new visitor to the garden!

Our topic this week at the SFF Seven is Paying it Forward: How We Serve as Mentors for Tomorrow’s New Writers. There’s lots of ways to do this, and I look forward to hearing what others of the SFF 7 say they do, but I want to come at this a little sideways by giving a warning about what is NOT helpful.

I Believe in Unicorns

This week we’re asking the question: What’s the Greatest Myth or Legend You Wish Were True & Why?

 

My reply to this sort of thing, deep in the still idealistic abyss of my heart – which I’ve carried surprisingly untainted by collisions with reality since my childhood – is “what makes you think they’re not true?”

 

I believe in unicorns. Come find out more. 

The Tide Is Shifting!!

THE SHIFT OF THE TIDE is taking shape! If you haven’t been under a rock these last two days – and if you have, hey, I don’t judge – then you’ve already seen the cover. So much gorgeousness! The incomparable Ravven did this for me. Many people (who haven’t been under a rock, but that’s okay, too) have asked if this is the same artist who did the covers for (RITA finalist!)  THE PAGES OF THE MIND and THE EDGE OF THE BLADE.

The short answer is: no.

But Ravven did an AMAZING job of matching the look and feel of those previous covers. Those were done via my publisher, Kensington. They hired artist Cliff Nielsen to create the images and Kensington’s in-house cover designer, Kristine Mills, took it from there. Ravven did both jobs and managed to capture the same vibe while pinpointing everything about Zynda as I described her.

Because, yes, that’s Zynda – the Tala cousin of the three princesses of the original Twelve Kingdoms trilogy. She’s a powerful shapeshifter, capable of taking many animal forms, and she’s also a sorceress. Just how much can she do? Well, we don’t know for sure! But, like her cousin Andromeda (Andi), she is of Salena’s potently magical line. Zynda has an interesting role to play in unraveling the riddles that plague their realms.

Oh, wait – you’re wondering why I’m doing this book on my own, when the previous five were with Kensington? Yeah, savvy readers will have picked out that THE SHIFT OF THE TIDE will be self-published rather than traditionally published. This partly by my choice, partly not.

See, this is how traditional publishing works, is that they might decide they no longer want to publish a series even though the author (and possibly readers!) think there’s more story to tell. In Kensington’s case, they were happy the books were so well received and have gotten great awards, but the sales weren’t what they wanted. Specifically the print sales. All of these books have sold great in ebook form – which is very typical for romance – and have sold through on the advances Kensington gave me. The print sales, however, weren’t as good as they wanted. What did they want? I don’t know. These decisions are rarely made clear to the authors. Instead, what they do – and did with THE SHIFT OF THE TIDE – is pass on the “option book,” which is the next book I’m contractually obligated to offer them.

Once they passed on SHIFT, which came as no surprise to me for a number of reasons – frankly, I was luckier than most to go that long as many authors get two books and that’s it – I had the freedom to self-publish the rest of the series. That’s pretty huge, by the way. Back in the Bad Old Days, I would not have had this option. The infrastructure to self-publish simply wasn’t there. You know how some of your favorite series suddenly seemed to just… stop? 95% of the time, that’s the reason why. (The other 5% being author going off the edge, burning out, or dying, pretty much in that order.) 

So, I’m planning to do this book and at least one more. After that… it depends! I’ll have to see where the overall arc is and how you all are with it. I’ll have to make my own sales decision. For the time being, I’m *thrilled* that this cover continues the look of the series in grand style. In additional exciting news, my editor for the first five books is freelancing, so Peter Senftleben will be editing these also! I’m also fortunate to have my same production editor, Rebecca Cremonese, who makes sure all of my books are as perfect as my stubborn nature allows. 

I’m shooting for August 15 release date on this. Amazon only allows a 90-day lead on setting a pre-order date, so by mid-May, when we can actually DO it, I’ll know for sure that I can commit.

This is the initial blurb. It will change as, you know, I write the actual story. If you want to learn something about how my process does (and doesn’t!) work, save this and compare it to the final. Could be entertaining!

Free from the hand of a tyrant, the Twelve Kingdoms have thrown all that touch them into chaos. New allies appear–and enemies encroach–from all sides. To survive, they must adapt to this new reality without a moment of doubt…

Growing up in a country where magic was common as dust, Zynda never had to worry about her enchantments upsetting the balance of nature. But the land beyond the borders of the thirteenth kingdom calls to her. It may be foreign and ugly, but the strangeness is laced with an excitement she has never known. Outside her homeland, Zynda’s shapeshifting and sorcery are a potent advantage to nations grasping for dominance–and the thrill of power lures her even as she recognizes the threat she poses to these magic-buffeted realms.

A ruthless enemy stalks them, promising destruction if she does not fight with all her strength–but if she upsets the equilibrium of the land, all will pay, the common people most of all. And a man of this outside world fascinates her, a mossback with no scrap of magic in him. He knows nothing of the fears and temptations pulling at her. But in his steady embrace she learns she must choose well–for the consequences may reach farther than she ever imagined…

 

quail scuffing in the April snow for seed

How Not to Promote Your Book

quail scuffing in the April snow for seedWe’re having a lovely April snowstorm today, which means the quail are here in force, and looking for food. They kick up the snow and gravel with their claws, to get at the dropped seed below the feeder. I took this photo from my office window. They scratch for seed while I scratch for words. It feels very companionable.

So, I realize my title probably brought about ten thousand suggestions to the tip of your tongue. It’s a large, fraught topic. And it’s complicated by the fact that most authors don’t really love self-promotion in the first place. We like tippy-tapping on our keyboards while the peaceful quail peck around outside. Some authors are really good at marketing, but others aren’t so much. Unfortunately this awkwardness can lead to creating the opposite effect of what they’re hoping for. 

They end up driving people away instead of attracting them.

I’m going to focus on one aspect of this syndrome today: the impetuous social media insertion. 

This is what happens:

  1. Author joins Social Media site (this can be any of them)
  2. Author posts intro post saying
    1. Hi!
    2. I’m new here
    3. I don’t know what I’m doing
    4. Normally I don’t have time for this sort of thing
    5. But it’s hit me that my book is coming out so I’m trying to do things like this!
    6. So, any ideas to help me?
  3. [Fill in likely response]

You guys have all seen this before, right? I see it all the time. I saw one like it just this morning, which is what got me brewing on this. 

Let’s break down why I find this problematic.

  1. I’ve said this before, but apparently it bears revisiting. Social Media is social. You join one, it’s like walking into the cafeteria at a new school, carrying your lunch tray and a hopeful smile. Sure you have a right to be there, just like anyone, but that doesn’t guarantee you a seat at any of the tables. Don’t expect the room to stand up and applaud your presence. It’s gonna take a little while to make friends.
  2. Intro posts are never easy. Twitter likes to show us our first tweets and they’re invariably something like, “This is my first tweet. I have no idea what I’m doing.” We’re all in that same boat. It’s awkward when the teacher asks us to stand up and say where we moved from, our hobbies, and how we spent the summer vacation. (Packing and moving, then unpacking. Duh!)
    1. All I can suggest is, keep it to an intro post. Say hi and gracefully retreat from the field. Your next step is making friends, so let that happen naturally.
    2. Well, yes, but that’s fine to say as much. Honesty is good.
    3. Okay, authenticity is good, too. But maybe don’t dwell on this. The old hands probably already figured this out. Nobody expects you to know where your classroom is. Just ask for directions. Don’t keep apologizing.
    4. Whoa! So, right off the bat you’re telling me that your time is more valuable than mine. Because you’re talking to a vast room full of people who’ve decided this thing IS worth their time. Because we all understand that it’s not about how much time you have, it’s about how you choose to devote your time. WE ALL HAVE THE SAME AMOUNT OF TIME. Nobody gets extra portions of time for good behavior. We can only control how we portion out that time. By saying this, an author is essentially saying, “this thing that you do was never important enough to me before, but now it is and I’m asking you to give me your time and attention.”
    5. Aha! And now we know your motivation. It’s not really that this social thing we do is suddenly interesting to you. Essentially you’ve told me that you’re interested in being my friend ONLY because you think I might be helpful in selling your book. Can you imagine doing this in real life? Picture sitting down at the lunch table with nothing but your books on your tray and saying, “Hi! Normally I have better ways to spend my time than eating lunch like you people, but today I thought I’d come sit with you, be all friendly, and see if you’ll buy or help me sell my books.” I don’t think that would go over well.
    6. And now you want me to offer ideas for you? Well, yes, social networking is a great place to get this kind of help – I advocate for that all the time. But you don’t get to just walk up to the food co-op and help yourself, right? You have to put in the time and effort. By suggesting that people should jump to offer you ideas and support, having done nothing for them before, you come across as a special snowflake. This is especially true when you’re talking to a bunch of other authors. People who are also  invested in selling their books. 
    7. [Fill in likely response]
  3. My likely response in this scenario? It’s super easy to delete, ignore, scroll past, unfollow, unfriend, you name it. MUCH easier than devoting my time and energy. There will be some people, ones who are undoubtedly kinder, more patient, and more generous than I, who will offer help. But – wow – when it’s so simple to delete, forget, and move on? That’s gonna happen a lot. 

The book gets forgotten before it’s found in these scenarios. Social media takes an investment of time and good will. Even then it can go wrong. But at least we can try to put our best foot forward. 

And, yes – you can always come sit at my lunch table, but not if you only want to talk about your books, okay?

Early Stages – Who Should Help You Plot?

In keeping with our story-writing theme – last week we talked about how much space to give to the denouement – our topic at the SFF Seven this week focuses on the Early Stages of Plot Development. Do we work alone, with critique partner, developmental editor, or in a round-table group.

 

My answer is that this has changed dramatically for me over the course of my writing career – and it can vary by book. Plus, just recently I’ve done something Totally New, which isn’t even on that list. Come on over to find out what that is!