I’ll be at MileHiCon this weekend.
October 18, 19, 20, 2019
Hyatt Regency Hotel – Tech Center
7800 E. Tufts Ave.
Programming is expected to start around 2:00pm Friday October 18th and will continue through Sunday afternoon.
More than 100 science fiction/fantasy/horror authors, artists and other participants will speak and autograph books at the annual MileHiCon science fiction/ fantasy/horror literary convention. For SF/F and speculative fiction lovers, it’s a weekend not to be missed. The convention will feature authors, artists, speakers and programming on every aspect of the science fiction and fantasy genres
Here’s a little tease of the cover of THE FIERY CROWN, sequel to THE ORCHID THRONE, and book two in the Forgotten Empires trilogy. The full cover will be revealed on Wednesday, October 16, at Tor.com. There will also be a sneak peek of the first chapter!
Our topic at the SFF Seven this week is the big career goal to which we currently aspire. Come on over to where I’m spilling mine.
We’re to have a hard freeze Thursday night – our first freezing temps of the autumn – so I’ve started bringing in the house plants from the patio. It’s always a glut of blooms, fallen leaves, and much shuffling of saucers and ideal locations. This, more than anything else, is the first sign of fall for me.
I’ve been working on THE FATE OF THE TALA, and talking a lot about that process on my podcast, First Cup of Coffee. If you want an (almost) daily insight into my process, that’s the place to listen in. As an overview, however, I’ve been talking about beginnings and how to decide where to start a story. This isn’t an easy decision or process. For example, I’m on my fourth opening in FATE – and I think this one will stick. It takes a lot of trial and error to find where the story truly begins, and what counts as preceding events that will be woven in as backstory.
The thing is, newer writers don’t always realize how much effort goes into finding this sweet spot, because we mostly see only the finished product.
I realized this truth (yet again) the other day when I was helping a friend – a not-yet-published writer – with her book. The beginning simply wasn’t working, for a number of reasons. I gave her some specific advice to improve beginnings in general. (In particular, I pointed her to this Twitter thread by Mary Robinette Kowal that really lit me up – all stuff I knew, but framed in a way that I found super helpful.) I also pointed her to a book opening in the same genre by another author friend, pointing out how that person set up the character, world and genre.
The aspiring author came back with a mix of admiration, envy, and despair – agreeing that the (very accomplished) author’s opening was amazing. And I realized that I need to clarify that this amazing and gorgeously executed beginning was the result of easily six months of effort on the professional author’s part. Not only has she published many novels in the genre, but I happened to know she’d torn apart this beginning multiple times. Eventually she started with an entirely different POV character, which is when the story began to sing.
So, it’s important to remember, when looking at examples to follow, that published work has been through countless rounds of revision, editing, and more revisions. Finding the best place to start a story, and writing it well, is possible – but it also takes time, effort, and patient revision.
It was a fun event and I so appreciate all the folks who took the time to come out.
Our topic at the SFF Seven this week is Writing Fight Scenes. Now, I – somewhat famously, if I want to give myself that much credit – don’t like writing fight scenes. Come on over for advice on writing fight scenes from someone who hates writing them.