THE FIERY CROWN has a cover!

THE FIERY CROWN has a cover – and it’s gorgeous! I love the fiery colors. Some of you may recall that this second book in the Forgotten Empires trilogy was originally titled “The Fiery Citadel.” Then St. Martins asked if I’d mind changing the title to THE FIERY CROWN so we could have a crown on the cover instead of a much-less visually appealing citadel. I happily agreed (the title still totally works) and here we are!

Out May 26, 2020!

“A timeless tale of love and survival amidst a lush backdrop teeming with greed and deceit.”–New York Times bestselling author Darynda Jones

A desperate alliance. . A struggle for survival. And a marriage of convenience with an epic twist of fate. . .

WILL THEIR LOVE STAND THE TEST OF TIME

Queen Euthalia has reigned over her island kingdom of Calanthe with determination, grace, and her magical, undying orchid ring. After she defied an empire to wed Conrí, the former Crown Prince of Oriel—a man of disgraced origins with vengeance in his heart—Lia expected the wizard’s prophecy to come true: Claim the hand that wears the ring and the empire falls. But Lia’s dangerous bid to save her realm doesn’t lead to immediate victory. Instead, destiny hurls her and Conrí towards a future neither could predict…

OR TEAR THEIR WHOLE WORLD APART?

Con has never healed after the death of his family and destruction of his kingdom—he’s been carefully plotting his revenge against his greatest enemy, Emperor Anure, waiting for the perfect opportunity to strike. When Lia’s spies gather intelligence suggesting that Anure is planning an attack against Calanthe, Con faces an agonizing choice: Can he sacrifice Lia and all she holds dear to destroy the empire? Or does his true loyalty exist in the arms of his beguiling, passionate wife—’til death do they part?

The Forgotten Empire series is:

“Captivating…engrossing.” —Romance Reviews Today

“Sensual fantasy romance you won’t want to miss!”—Amanda Bouchet, USA Today bestselling author of The Kingmaker Chronicles

“Action-packed…sexy…highly recommend.”—Harlequin Junkie (Top Pick)

 

Being Careful with Back Cover Copy – Especially Sequels!

003I have this sentimental love for Easter lilies. Especially at this time of year. Though I don’t really do anything else Easter, I always buy an Easter lily.

Back cover copy for books is a funny realm. Referred to casually as the “BCC” in the publishing biz, those are the (usually) two paragraphs on the back of paper books, or accompanying the description with the eBook. If you’re much of a reader, you’ve probably read hundreds of these in your life. You spot the book on the shelf and pick it up. Maybe you like the author or the title intrigues you or the cover catches your eye. What’s the next thing you do? That’s right – flip it over and read the BCC. Then you might read the inside jacket copy, which is longer. Then maybe the first page. Same essential process with an eBook.

So the BCC is considered crucial in the buying decision – a position that’s hard to argue with. And, like with covers, authors only get so much input into what the BCC says. The marketing people keep a firm grip on this and it can be fascinating to see how they phrase concepts to entice readers. For example, this is my final BCC for Platinum.

Althea Grant is doing fine. Sure, her Charleston gallery is suffering from the bad economy, and her artistic aspirations have gone nowhere. But she’s happy enough. When rugged metal sculptor Steel rides up on his motorcycle looking to rent studio space, his infusion of cash is more than welcome. But his art is raw, visceral, sexual-and completely inappropriate for her pastel world of watercolor landscapes.

Steel, fascinated by Althea’s rare albino coloring, sees in her the key to his next piece: a metal satyr that can be used for bondage games. Moving into her gallery basement is the first step; seducing the coolly polite lady into modeling for him is the second.

As Steel peels away her careful manners and tasteful outfits, Althea begins to realize her life isn’t just fine at all-it’s as pale and washed-out as the watercolor paintings she’s failing to sell. Can she transform her life and accept her most secret desires?

What happens is, a person who works for Carina writes the BCC and sends it to me and my editor for input. We come up with all sorts of changes, most of which they refuse. For example, we suggested “cool Southern Belle” instead of “coolly polite lady.” Nope. I wanted to call Steel a bad boy. No dice. But the thing we really fought for was to change the final line. The one you see now is one of three possibilities we suggested.

Because what they had originally was a TOTAL SPOILER.

Really.

I won’t tell you what it was because, um, it was a total spoiler. But it essentially went “Can she do the thing she does at the end to solve her problems?”

No no no.

Surprisingly, this happens A LOT with BCC. It’s funny because writers really have to learn to say how their stories end, in dealing with the publication process. When you write a synopsis, you *have* to say how it ends. Because it’s crucial to the decision-making process for agents and editors. It’s hard to get over, this “giving-away” of the ending. Like learning to get over standing there naked while a tailor measures you for clothes. But this is how publishing works – and the people in publishing get so inured to this, that they forget not to give the ending away.

So, as the author (or editor), it’s something to really stay on top of.

I saw a new permutation of this the other day. A book had been on my Kindle for quite a while. Along with Carien at Pearls Cast Before a McPig, I’ve bee engaged in the TBR Orphan Project – where each month we read a book that’s been in our To Be Read pile for longer than three months. I saw that the book’s sequel was coming out soon, so I thought, ooh! good timing to read the first book.

I started it, got about 20% in and was liking it fine, not love love love, but just fine. Then I happened to see the BCC for the second book.

And it totally ruined it for me.

No lie.

The BCC for book 2 totally gave away the ending of book 1. Blatantly. Along the lines of “now that these terrible things happened to the heroine and now that the hero hates her and is struggle to recover from these terrible things…” I stopped reading book 1 immediately. Deleted it from my Kindle. I couldn’t keep reading, knowing how it turned out.

Now, you could argue that if I’d known it would have a happy ending, I might have kept going. Maybe? It depends on how how it was described. But this BCC was so explicit that it removed too much mystery from the story.

I don’t know if the author realized, or if she and her editor fought to change it and couldn’t. But wow.

Definitely something to keep in mind.

This is No Fairy Tale…

Another lilac picture for you, because they’re so beautiful this year, you all need to see them often. So there.

So, I have my official back cover copy for Rogue’s Pawn now! You know what I mean – if you were holding a paper book in your hand and you turn it over to read the back to see what it’s about? Yeah, that.

This is no fairy tale…

Haunted by nightmares of a black dog, sick to death of my mind-numbing career and heart-numbing fiancé, I impulsively walked out of my life—and fell into Faerie. Terrified, fascinated, I discover I possess a power I can’t control: my wishes come true. After an all-too-real attack by the animal from my dreams, I wake to find myself the captive of the seductive and ruthless fae lord Rogue. In return for my rescue, he demands an extravagant price—my firstborn child, which he intends to sire himself…

With no hope of escaping this world, I must learn to harness my magic and build a new life despite the perils—including my own inexplicable and debilitating desire for Rogue. I swear I will never submit to his demands, no matter what erotic torment he subjects me to…

This is kind of a weird moment for most authors, I think – seeing the final condensation of the story. For better or worse, I will now see these three paragraphs ALL THE TIME. Any time someone reviews the book or mentions it, these words will tag along. It’s not a bad thing, just part of the business. I’ve always wondered how bands feel singing their signature songs twenty or thirty years later. I mean, does Stevie Nicks sing Landslide and think “Blah blah blah?” Or does Aerosmith, when they perform “Dream On,” which will have released forty years ago next year, think “When will this song ever die?” Never mind that Steven Tyler can’t hit the notes anymore. Or are they just grateful that they managed not to OD and that people still want to hear their music?

Probably a mix of both.

So, it’s funny to get this copy and be given the green light to spread it around. I’ve seen it a few times now – from what they sent me and then what my editor, the incisive and insightful Deb Nemeth, worked up from it. I suppose I’ll be lucky to be still looking at it forty years from now.

No cover yet – I’m promised it any day now. But I know who’s designing it: http://www.kixbydesign.com. There are some amazing covers on the site, so I’m feeling all tingly and hopeful. Think good thoughts!