Being Careful with Back Cover Copy – Especially Sequels!

003I have this sentimental love for Easter lilies. Especially at this time of year. Though I don’t really do anything else Easter, I always buy an Easter lily.

Back cover copy for books is a funny realm. Referred to casually as the “BCC” in the publishing biz, those are the (usually) two paragraphs on the back of paper books, or accompanying the description with the eBook. If you’re much of a reader, you’ve probably read hundreds of these in your life. You spot the book on the shelf and pick it up. Maybe you like the author or the title intrigues you or the cover catches your eye. What’s the next thing you do? That’s right – flip it over and read the BCC. Then you might read the inside jacket copy, which is longer. Then maybe the first page. Same essential process with an eBook.

So the BCC is considered crucial in the buying decision – a position that’s hard to argue with. And, like with covers, authors only get so much input into what the BCC says. The marketing people keep a firm grip on this and it can be fascinating to see how they phrase concepts to entice readers. For example, this is my final BCC for Platinum.

Althea Grant is doing fine. Sure, her Charleston gallery is suffering from the bad economy, and her artistic aspirations have gone nowhere. But she’s happy enough. When rugged metal sculptor Steel rides up on his motorcycle looking to rent studio space, his infusion of cash is more than welcome. But his art is raw, visceral, sexual-and completely inappropriate for her pastel world of watercolor landscapes.

Steel, fascinated by Althea’s rare albino coloring, sees in her the key to his next piece: a metal satyr that can be used for bondage games. Moving into her gallery basement is the first step; seducing the coolly polite lady into modeling for him is the second.

As Steel peels away her careful manners and tasteful outfits, Althea begins to realize her life isn’t just fine at all-it’s as pale and washed-out as the watercolor paintings she’s failing to sell. Can she transform her life and accept her most secret desires?

What happens is, a person who works for Carina writes the BCC and sends it to me and my editor for input. We come up with all sorts of changes, most of which they refuse. For example, we suggested “cool Southern Belle” instead of “coolly polite lady.” Nope. I wanted to call Steel a bad boy. No dice. But the thing we really fought for was to change the final line. The one you see now is one of three possibilities we suggested.

Because what they had originally was a TOTAL SPOILER.


I won’t tell you what it was because, um, it was a total spoiler. But it essentially went “Can she do the thing she does at the end to solve her problems?”

No no no.

Surprisingly, this happens A LOT with BCC. It’s funny because writers really have to learn to say how their stories end, in dealing with the publication process. When you write a synopsis, you *have* to say how it ends. Because it’s crucial to the decision-making process for agents and editors. It’s hard to get over, this “giving-away” of the ending. Like learning to get over standing there naked while a tailor measures you for clothes. But this is how publishing works – and the people in publishing get so inured to this, that they forget not to give the ending away.

So, as the author (or editor), it’s something to really stay on top of.

I saw a new permutation of this the other day. A book had been on my Kindle for quite a while. Along with Carien at Pearls Cast Before a McPig, I’ve bee engaged in the TBR Orphan Project – where each month we read a book that’s been in our To Be Read pile for longer than three months. I saw that the book’s sequel was coming out soon, so I thought, ooh! good timing to read the first book.

I started it, got about 20% in and was liking it fine, not love love love, but just fine. Then I happened to see the BCC for the second book.

And it totally ruined it for me.

No lie.

The BCC for book 2 totally gave away the ending of book 1. Blatantly. Along the lines of “now that these terrible things happened to the heroine and now that the hero hates her and is struggle to recover from these terrible things…” I stopped reading book 1 immediately. Deleted it from my Kindle. I couldn’t keep reading, knowing how it turned out.

Now, you could argue that if I’d known it would have a happy ending, I might have kept going. Maybe? It depends on how how it was described. But this BCC was so explicit that it removed too much mystery from the story.

I don’t know if the author realized, or if she and her editor fought to change it and couldn’t. But wow.

Definitely something to keep in mind.

Is It Really Harder Writing a Sequel?

These are scarlet gilia blossoms – big favorite with the hummingbirds. Such a vivid color.

It’s interesting how each new book I write is a different experience. Over the years, I’ve heard writers make note of this, but I suspect it’s one of tose things that, when you experience it for yourself and it hits home, you have that big “ohhh” moment.

In some ways it’s a satisfying feeling. “I’m a big girl writer now and I get what all these other long-established writers have been talking about.” But it’s also kind of daunting. Because you suddenly realize that you do not have this gig down. That you will never have this gig down. That each new book brings a new set of challenges.

Which is a good thing, right? All that learning and growing and development of craft and art.

This is on my mind because it came up in comments on yesterday’s post and also because I’ve started the sequel to Rogues Pawn, which will be Book 2 in the Covenant of Thorns series. Kev suggested I call it Rogue’s Spawn, which I am just SO tempted to do, if I didn’t think the Carina marketing team would kill me for it. It wouldn’t be inaccurate since Rogue does want her firstborn child – and that’s not a spoiler because it’s right there in the blurb. So, for now, I’m just calling it RP2.

Thing is, this is the first sequel I’ve written. The other follow-ups are same world, same general idea, but new characters, new story. This is the same characters and a continuing story.

And it’s HARD.


Usually I love drafting a new story, but this has just been a slog so far. The first chapter has taken forever. I have to keep going back to the first book and my notes to make sure the continuity is right. It’s kind of pissing me off.

So, I did what every good writer does: I whined to my CP Laura Bickle about it. She cheerfully came back with “Oh yeah – writing a sequel sucks.”

Which took me aback. She’d never mentioned.

“The first half is always a slog. I never feel good about it until I get halfway,” she continued, all perky. “You’ll be fine. Just keep slogging.”

So, now I know.

So, how about you all who’ve written sequels? Can you verify Laura’s assessment? Any tips or tricks?

Or chocolate?

That works, too.