Our topic at the SFF Seven this week is: books vs movies vs games vs comics. Come on over to tell me which game I should vote for!
Last week I attended SFWA’s Nebula Conference and got to meet our 2018 Grandmaster, Peter S. Beagle. I legit teared up when we talked and he signed my battered old copy I received forever and a day ago. I felt like a teenager again and all those feelings that led into my early love of fantasy rose up and swamped me.
The conference in 2019 will be at the Marriott Warner Center in Los Angeles. I highly recommend it! It’s become my absolute favorite gathering of SFF writers and industry professionals.
Our topic this week at the SFF Seven is “Where do you get your ideas – the least popular question ever.” Come on over for three avenues I rely on for ideas.
Isabel as gatekeeper. You shall not pass.
I hear the titular advice a lot: “If you’re bored, your readers will be too.” It’s that kind of advice you see on inspirational posters. It’s simple enough to fit in a small space. It sounds good at the outset. And, like, many of those, it’s not very helpful.
In this case, I think it’s actually the kind of bad advice that can cause real problems because it’s absolutely not true.
See, writing is a painstaking process. Especially writing a longer work like a novel. Even for people lucky enough to write fast, or on those fantastic days when the words pour out, there’s days when the writing isn’t like that. And there’s revision, which can be torturous. If you write a lot, then you perforce spend a lot of time writing. It’s absolutely unreasonable to expect to be thrilled and fascinated every moment of the process.
Certainly not at the level you hope the readers will be.
This is the key, so I’m going to all cap it. Because, what else is the Caps Lock key for?
READING AND WRITING ARE DIFFERENT EXPERIENCES.
Do I need to say it again for the people in the back? I’m guessing no, because we all recognize that this is true. There are few more contradictory feelings for an author than releasing a book we spent the last six months or a year writing and at various levels of editing, only to have readers message within hours that they LOVED it and when is the next one coming out? On the one hand, it’s fabulous and exhilarating that people are so excited for the story that they read it immediately. There’s really no greater compliment. (So, Readers – don’t stop! That’s not what I’m saying.) On the other hand, however, it’s daunting that readers can devour so quickly what takes so long to produce.
Which is why this whole “if you’re bored, the reader will be, too” thing is a false equivalence.
What it takes me a day of work to write might feel like a slog. Let’s say I write 3,000 words/day, which is my usual goal. At my typical average of 271 words/page (this is remarkably steady across all my work), that’s about 11 pages. (That’s in Word, Times New Roman 12pt, double spaced, 1″ margins all around.) How fast do you read 11 pages? At the average reading speed of 200 words/minute, that takes 15 minutes to read what I spent hours drafting. And that’s not counting any of the editing that comes after.
OF COURSE my experience is slower and less exciting!
Neil Gaiman says that writing a novel is a lot like paving a road with bricks. (I think this was on his Tumblr – I haven’t been able to find it again. If anyone knows, please link me to it! Edited to add, I asked him on Twitter and he suggested this post, which isn’t exactly how I recalled it, but is full of awesome.) He says it can be like laying down one brick after another, slowly making progress. Laying bricks is, by nature, tedious. Painstaking, even.
You don’t go into brick-laying for the thrills; you do it because you want a paved road.
Same with writing.
If you’re bored, that’s okay. Keep going. Seek the next brick, layer on the mortar, carefully set it in place. Keep going.
If you do your job right, the reader will cruise along on a smooth road, never guessing what it took to put it there.
Exactly as it should be.
We’ve been on a long road trip this last week, seeing all kinds of family. And leaving the cats behind, like the monsters we are. Here is Jackson showing off his best Pitiful Abandoned Kitty face.
Thus, I’m late posting today. But so it goes!
I’ve shared this news elsewhere, but I’m happy to share again here! Many of you have asked what I’m up to with various writing projects, including a few delayed ones. (Yes, the next Sorcerous Moons books are coming – I promise!) Basically what happened is that I changed agents back in February/March. And then I worked up something entirely fresh for New Agent Sarah Younger. Basically I gave her a list of ideas, we debated them, and I wrote 100 pages of one of her top three choices – the one I loved best. We went back and forth on it with several revisions. That’s a great benefit of working with an agent as sharp as Sarah. She gave me great feedback on the book, tightening it up and making it the best it could be. Basically we spent three months working on this.
Which meant I kept setting aside other writing projects to work on the next round of THRONE OF FLOWERS, THRONE OF ASH. Thus my entire schedule getting delayed and shuffled. The beautiful part is, when Sarah took this out on submission, we had tons of interest, multiple offers, and a sale two weeks later. And here it is!!
These books won’t start coming out until 2019, so now I can go back to a regular schedule. Which absolutely means finishing both the Sorcerous Moons and Missed Connections series. The other thing that happened is that Kensington, who published my Twelve Kingdoms and Uncharted Realms books, started up a new SFF (Science Fiction and Fantasy) imprint. They wanted to publish THE SHIFT OF THE TIDE, but that would have delayed its release until March of 2018 and I knew you all would have fits. (See? I do love you and want you to be happy. I really do!)
So, we said no on that, but they really wanted me to be part of this new imprint, so we settled on me writing a trilogy for them set in the Twelve Kingdoms world. It will be high fantasy, which means less of a romance arc. BUT, I’m pretty sure it will be Jenna’s story. For those of you who know what that means! We finished talking about that right before the other submission, so that got announced at the same time.
All that taken care of, our topic this week is Scrapbooking—taking stories from real life as the springboard for your stories and subplots. Come on over to get my take on blender settings.