RITA ® Award-Winning Author of Fantasy Romance
//I’m following up on the Thread I posted this week on the supposed “divide” between traditionally and self-published authors, how we’re all in this business together, and why I think everyone will be hybrid eventually.
//A rant today on author coaches and the predatory nature of scavengers who feed on creatives, prompted by a request I received to share my “query letter” for a “free database.” So much no to these people!
//Some schooling today on business, things authors should really know, and arcania on how traditional publishing decides how to handle releases. Also, the “new” genre term Romantasy and why I think it came to be coined.
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//Saying goodbye to Stepdad Dave, my third father, and musings on life and death and choosing happiness. (An explanation of where I’ve been all this time.)
//How writing a novel is like building a road brick by brick, and how some days you’re nose in the mortar and other days you lift your head to look. Also thoughts on revision, the 3-Act structure, story logic, and knowing whether you have brain juice or not.
//On busy brain work, how I’m not yet done with the book, nice words from my editor on gatekeeping and letting people in, even nicer words from Maria Vale on NEVER THE ROSES, and the loneliness of caregiving
//Sharing the OFFICIALLY OFFICIAL super exciting news today on NEVER THE ROSES, the book I sold to Tor. I’m explaining the Publisher’s Marketplace lingo, how foreign sales work, and why creatives can’t be thick-skinned.
//Some big news on the official title of the book that was Oneira and a release date! Also, a thing I bought because of Taylor Swift that has Changed My Life, and more on coping as a creative when people hate you/your work.
//My Friday Freakout and how even experienced authors have emotional crises about their books, along with insight on shaken baby syndrome in books, how interruptions cause issues, and Longshot: an underrated movie.
//On Sheryl Sandberg’s LEAN IN and great advice for women in business that’s given me insight into my own writing career, including keeping my eye on long-term and 18-month goals, and why I don’t love the heroine’s journey.
