Regarding manuscript length and (seriously) what traditional publishing does and does not require, but signs that a book is really too long. (See pacing.) Also knowing when rewriting is FAR better than revising, and new earrings!
RITA ® Award-Winning Author of Fantasy Romance
Regarding manuscript length and (seriously) what traditional publishing does and does not require, but signs that a book is really too long. (See pacing.) Also knowing when rewriting is FAR better than revising, and new earrings!
The RELUCTANT WIZARD audiobook is available wide! Preorder NEVER THE ROSES at B&N for 35% off today only! Also, my editorial meeting, participation in VOW for Girls, and the unbearable loudness of casita-building.
All about my Marketing & Publicity meeting with Tor/Bramble, my upcoming editorial meeting and how creative angst is just a fact of life and never goes away. Also, two more books/series out on submission and can I finish STRANGE FAMILIAR in time???
Updates on edits on NEVER THE ROSES, the ups and downs of maternity leave, women supporting women, the amazing show UNBELIEVABLE that I want you all to watch, and the enduring pain of asking for endorsement quotes.
I’m filling you all in on my editorial meeting with my Tor editors and my agent and, as requested, explaining what it’s like to discuss an upcoming contracted book with only an amorphous idea, as I don’t/can’t outline ahead.
On busy brain work, how I’m not yet done with the book, nice words from my editor on gatekeeping and letting people in, even nicer words from Maria Vale on NEVER THE ROSES, and the loneliness of caregiving
Some pitfalls to watch for in contracts with traditional publishing and literary agencies. Also author finances and taxes, why owning your process doesn’t mean loving it, and why experienced authors find it hard to teach.