A few thoughts today on marketing, newsletters, why you can be like Enya and not HAVE to do anything, why empty, supposedly “Inspirational” sayings annoy me, and some thoughts on Brotopia by Emily Chang.

RITA ® Award-Winning Author of Fantasy Romance
A few thoughts today on marketing, newsletters, why you can be like Enya and not HAVE to do anything, why empty, supposedly “Inspirational” sayings annoy me, and some thoughts on Brotopia by Emily Chang.

A historical perspective today on the LKH bruhaha this week regarding self-publishing, including Gen X cane-shaking, salacious gossip, and insight into how profoundly the publishing landscape has changed in 30 years.

Author branding for the long game, being original instead of trying to draft off of someone else’s success, authors using gimmicks to get attention, and the audacity of a woman failing to laugh at a man’s joke.

The TWISTED MAGIC audiobook is on its way! Also thoughts on reading subjectivity, how reading a book even a few years apart can totally change, sample bias, residual impacts of the pandemic, and writing the whole book.

On beauty standards, vanity, aging, skin-care, Botox, and choosing your author brand. I promise they’re related! Also Indie authors going to Traditional Publishing and the pitfalls, and a cool data point on series drop-off.

Some advice today for newbie writers on writing your first book, including the importance of finishing and keeping it simple. Also, different muscles we use for writing and how approaching a work with various strategies exercises them.

Happy New Year! I’m back from an (almost) unprecedented two-week break, talking about working smarter not harder really panned out in 2023 and a deep dive into author finances as a full-time writer.

The new portmanteau term “Romantasy” being used for Fantasy Romance and Romantic Fantasy, my own personal history with writing cross-genre and being a crack ho, and how I got namechecked in a most validating way!

How do we feel about Alexander Skarsgård being cast as SecUnit in the upcoming Murderbot series? Also the advantages for creatives of working in a corporate environment and Taylor Swift: dedicated businesswoman.

A theory I’ve been mulling on a major influence on series sell-through, but that might be even more difficult than most to quantify. Also, a bit on author taxes, a quasi-epiphany on my work plan for December and being good with scaling back.
