A story about how an indie bookstore cheated me (if you didn’t see it on Threads), my friend who died and people trying to dig for scandalous information, plus my excellent progress this week!
RITA ® Award-Winning Author of Fantasy Romance
A story about how an indie bookstore cheated me (if you didn’t see it on Threads), my friend who died and people trying to dig for scandalous information, plus my excellent progress this week!
I’m questioning why ANY of you watched the presidential “debate.” On more interesting topics, I’m discussing Romantasy, Paranormal Romance, fantasy worldbuilding vs. vibes, and my ongoing lesson in writing more and faster.
Some thoughts on starting for the day and how initial wordcount can be slow. Also Anne McCaffrey, dubious and non-consent, and how insightfully she portrays an ossified, patriarchal society. And The Morning Show finale!
Thoughts today on focus, how to rebuild concentration, and the alarming truth that every interruption costs us 23 minutes of time to regain previous focus. Also more data on trad publishers buying mostly full manuscripts.
Happy to report that my training program to increase creative flow and word count is working! Also, additional thoughts on the ethics of using AI-generated work and how money factors into that for some people.
A round-up of what I’ve been reading lately, including several excursions from my normal reading. I’m thinking about female/femme narratives and how we center those (or don’t) in terms of stories about men.
Paying the price – do we always have to suffer or sacrifice for a reward? Why this is often offered as a writing rule, especially when creating magic systems. Also a report on ROGUE FAMILIAR: coming along!
I’m still head-down on drafting this novel, absorbed in increasing my productivity – with good news to report on that front. Also thinking about invisible friends and creativity. I had them. Did you?
How pushing my wordcount is working – I’ve had my best week since last May – and thoughts on POV: how to teach it, how to choose the “right” POV for a story, and a way of thinking about writing POV well.