An Ounce of Prevention Is Worth a Pound of Flesh

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So, the last few days turned out to be crazy.

Par for the course in my life, you say? Yeah yeah yeah.

There’s this idea that the more something is worth doing, the more difficult it is. That the universe makes you pay for what you want, in sweat and pain. The old idea of blood sacrifice: if you truly want something you have to sacrifice your life blood to it. Sacrifice, of course, derived partially from the word for blood, for you word whores out there.

The idea is that if you are trying to do something, the universe will throw obstacles in your path, to see if you can be distracted.

If you can be? Alas, you are unworthy.

I’m not sure I believe this. But I’m so close to finishing the Ruthless Revision. Within ten pages, I think. And every time I think I’m there something happens to stop me.

So Jeffe, you ask, why are you writing this blog post instead of those ten pages?

Because I’ve got to be at full power to wind everything up in the elegant way I envision and the meter is running low today.

After a few days in New Jersey and another day downtown working with new clients, I thought I was in striking distance of finishing. And then a big DC muckety-muck had to call a state muckety-muck and I had to be called in. All very exciting and now people are sending glowing emails about how admirable I am.

It’s great to have the career validation. It truly is. And I’m not just saying that because I know my boss reads this blog.

The invidious thing is, nobody asks if I’ve finished the book yet. At least, not because they need it and are anxiously waiting for me to deliver it.

I’m really the only one who cares that I haven’t.

I’ve talked about this before, haven’t I?

At any rate, Allison has had a crazy few days also, with an offer of a book contract and four agents now circling her juicy self. It’s a great problem to have, no doubt, but she’s overwhelmed, sorting details and doing her best to make the best decision, not just for now, but for her foreseeable career.

Which brings me back to something I’ve also said before, that the most rewarding part of writing really occurs between you and your work. That’s the most uncomplicated thrill. It’s intimate and lovely.

Maybe I’ll finish tomorrow and keep it a secret.

Who the Hell Cares What Posterity Thinks, Anyway?

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Those who check in for the “Where Is Jeffe?” updates know I was in New Jersey last week.

Land of mullets and IROC, I’m reliably informed by Allison, who spent the 80s growing up in that state. I had to ask what IROC meant. “Camaros,” she replied, while someone else said International Race of Champions. No dissent over the meaning of mullets.

Though neither was particularly in evidence.

Of course, evidence to the contrary, the 80s are well and truly over. Ann Taylor might be showing decidedly Madonna-wanna-be fashions –it’s true! think frothy lace and big bangles, possibly fingerless gloves — but theoretically mullets and camaros will just never be hip again.

We had dinner at a great place in Princeton, Mediterra, which was lovely and festive. Just the right amount of shine for early onset holiday season. For a Westerner like me, Princeton is old. The whole quaint colonial thing. Gives me a thrill every time. Cobblestones, narrow buildings, boutiques and bright Ann Taylor windows, with 80s-feel outfits. The eras blend.

We went into the bar at Nashua Inn, famous for the carvings in the wood tables of famous people. On the wall hang black and white framed yearbook photos of notable Princeton alums. It’s amusing to peruse the long wall, to see the politicians and movie stars. Yes, Brooke Shields is there. And Donald Rumsfeld.

Then, below and to the left of Donald — no significance there, I’m sure — was Michelle Obama

Class of ’85. With big 80s hair.

I remember my own youth in the 80s and how we’d have 50s day at school. Apparently 30 years is the magic number, for fashion nostalgia. My mom dressed me in what she wore in the 50s. All the other girls were in bright felt poodle skirts and ankle socks. They turned up their noses at my pencil skirt and white button-down, but all the teachers said I had the look nailed. Through no effort of my own of course.

But I remember thinking at the time, that it would be hard to do 80s dress-up day, because we didn’t really havea fashion. It seemed like non-fashion to me. It’s so difficult to have perspective on a thing, when you’re immersed in it.

Michelle’s hair screamed 80s at me. I would have known in a glance, even without the ’85 identifier. This isn’t exactly the one they had, but it gives you the idea. I wondered if she’d been back to the bar at the Nashua Inn, to see she’s now on the wall. And I wonder if she regrets the hair. Not so much that she had it, but that it’s now part of her definition. She’s leapt to the world stage and this is the moment crystallized from her college days

The sad thing is, my hair was even bigger than hers and I had to perm it to get it that way.

I suppose we don’t get to pick these things, what images end up defining us. Just like you don’t get to pick what will be the defining moments of your life. Small choices resonate it ways we can’t predict. What seems like a good idea at the time becomes a regret later.

I make a lot of choices in order to avoid regret.

I learned early on about loss and missed chances — and drew a lesson from that. So I slept with men I might not have slept with, just in case I might regret bypassing the opportunity. I’ve tried to appreciate every moment of my life, every person in it, so I wouldn’t regret later that I didn’t.

But the thing is: immersion makes it impossible to know what you might regret. You simply can’t see it in the moment. Hindsight makes it crystal clear.

In the end, I suppose all one can do is foresake regret altogether. We make choices. We hope they’re good ones. Whether it’s the person you choose for a life partner or a hairstyle.

Only time will tell.

Life, Art and Imitation

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There’s something to be said for waking up to this kind of view.

It’s like having a Georgia O’Keeffe painting on your wall. Only it’s real and ever-changing. I see now, what she saw here.

Of course, I can’t quite capture the image like she could.

I remember a story I read in her biography (autobiography?). The book is still packed, so I’m pulling this out of memory.

When Georgia was a young woman, she drew and painted. She wanted to be an artist. At one point a teacher told her she didn’t have what it took. That her skills and talent were adequate, but that she lacked that something extra that would make her a great artist.

And really, you have to be great if you want to make a living at it. The Pro-Football player analogy.

Georgia went back to her room — she was living at a boarding school, though I don’t recall now if she was still a student or teaching there. And she took all of her work and hung it on the walls. She papered the walls with it and sat there and looked at all of it.

She saw her teacher was right.

None of it had that extra something that would transform it from image into art.

So, she destroyed it all. Burned it, maybe? Or something less dramatic — perhaps she just stuffed it all in the trash can.

I can’t recall the sequence after that, except that she discarded all she knew and started over. She might have not painted for a while. And when she began again: it was there. The thing that makes Georgia O’Keeffe art instantly recognizable.

Sometimes someone would bemoan the art she’d destroyed. She would reply that it was no loss.

Maybe I’m leaving out the important part of the story here, the “how she did it” part. But I don’t think so. Clearly that’s not the part that stuck with me. The part that did is the image of her, standing in the center of her room, with everything she’d done stuck all over the walls. And what it took for her to see that it wasn’t good. To destroy it for that reason.

Every time I see her art now, I think of that moment. It magnifies my admiration.

Those Dear Old Golden Rule Days

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With any luck, this photo of me will get picked up as a current pic and everyone will think of me as 27 forever.

This was taken at the party for my Master’s defense.

I was beyond happy to be done, but it was bittersweet because I was supposed to have gotten a PhD. I spent six years, did all of the course work and all of the research for a PhD. And left with a Masters.

The same degree another guy in my department got for one year of histological work.

I’m pretty much over it now.

We watched “Dark Matter” last night, which has multiple resonances for me.

The movie (spoiler alert) is loosely based on what happened at the University of Iowa when Gang Lu, a Chinese grad student in Physics, lost his nut in 1991 and went on a shooting spree that included his graduate advisor. I’d been a grad student in Neurophysiology for three years at that point and had been shut down on my Masters bypass. Many were the jokes told that day about what we’d like to imitate.

By 1994, I’d made the decision that research wasn’t for me. They’d beaten it out of me. I cut bait, snagged a Masters for my trouble and worked on being a writer. At least the Masters got me a job with a decent salary. In 1996, I published my first essays and was part of a writers group, which included a gal who’d graduated from the famed Writers Circle MFA program at Iowa. Her good friend, Jo Ann Beard, wrote an essay in 1997 that was published in the New Yorker and then in her collection, Boys of My Youth, about Gang Lu and what happened. Jo Ann had been an administrative assistant in the Physics group and only missed being killed because she called in sick that day.

Dark Matter isn’t exactly that story. The way Jo Ann told it, Gang Lu was always a difficult, even scary, personality. Liu Xing, in the movie, is brilliant and misunderstood. Some critics have complained that the movie took the story in a different direction, because one of the writers drew on his own grad school experiences to show the other side of this kind of story.

The whole bit about how they beat it out of you. Liu Xing is not a team player and most grad advisors really hate that.

Looking back, I can see that my advisor and I were a bad match. From the begining, he didn’t like the way I worked. He had particular rules for how everything must be done. He was a manic/depressive Hungarian, so those rules changed. I was his first grad student and not a good rule-follower. He set out to prove that I could not succeed doing things the way I did and he ultimately proved his point.

Looking back, I could have done a few things. I could have recognized that I could never shine in that situation. I could have left. But I didn’t meet David until 1991. So I can’t wish that one away. At one point, a female professor on my committee tried to intercede. She got my advisor to agree to giving me a “Plan B” PhD, where I’d write a paper and go.

I was stubborn.

This is a theme with me and one my advisor and I frequently tangled on. I didn’t want Plan B because I thought I’d be doing a half-assed job. He retorted that I already was doing a half-assed job. Which only stiffened my resolve to see it through and do it right. Which didn’t happen.

So, I don’t have an actual PhD. But I never went on a shooting spree.

I try not to regret what I invested in those years, because I deeply believe all our efforts are for a reason. The lessons all feed into something. Even if it seems impossible to discern what that might be.

Looking back at this picture, I see I was young. I had been full of ambition and hope. Like Liu Xing, I fancied I’d win the Nobel Prize. It’s probably the slap all young, hopeful and ambitious people must take. A slap that academia and graduate committees feel duty-bound to deliver.

Maybe the trick is to find a way to keep the hope and ambition, even after they beat it out of you.

Joy and Other Indoor Sports

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I love this image.

One day I’d like to journey to the remote part of China where this cliff-carving is, just to see it for real.

What I love is how the sculptor(s) capture the sense of movement and joy. The Bodhisattvas, though captured in stone, are dancing.

To me, that’s what life and enlightenment are about: being so filled with joy that it moves you to dance.

Lately I’ve been feeling sensitive to anger. Maybe it’s just a symptom of bad economic times, but I’m noticing so many harsh responses on a variety of fronts.

I’ve been noticing writers criticizing other writers in mean ways. Or making lists of things they think writers shouldn’t do.

One of my favorite bloggers, Heather Armstrong, finally listed with ads all the hateful comments she receives, figuring that if people are goling to pour out that kind of hate, she could at least get revenue from it. I notice she’s taken the page down now. I read a bit and felt so soiled by the things people said that I couldn’t bear to keep going.

A colleague sent a “funny” email to me that was a collection of pics of office refrigerator notes. Again, the parade of passive/agressive rage at people who took or molested food from the communal fridge only left me feeling sad.

Granted, I’m not good with anger. I’m one of those people whose parents never fought in front of her, so she doesn’t like to see people fight. When I hear people yell in anger, I physically flinch. I feel emotionally slapped, even if it’s not directed at me. I’m a big believer that you don’t talk when you’re mad, because once something is said, it can’t be unsaid, regardless of apologies.

In short, I’m a total pansy about conflict.

I know that conflict is part of life and one must deal as it arises. And yet, I think there’s nothing wrong with focusing on the positive. In fact, I think it’s crucial to find the joy and not the rage. I suspect there are very few exceptions to the old rule, that if you can’t say something nice, don’t say anything at all.

It’s hard for me to imagine the dancing Bodhisattva’s leaving hate comments on someone’s blog.

My Old Wyoming Home

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Assumptions are a funny thing.

Never mind the old saw about “assume” makes an ass of u and me. What assuming does is blind you to what’s really there. When a person assumes they know something, it stops them from considering any other options.

So, it was a funny thing: David’s previous boss asked him to spend a few days in Laramie over Christmas break to train a new guy in David’s old job. David and I cogitated on this — because of the holiday pattern this year, the first week of January would be best. But for David to fly up there — driving would really suck that time of year — stay in a hotel for a week, including meals out, would be pretty expensive. We wondered what she was thinking. And no, I didn’t want to go with him. A week in Laramie at the beginning of January? To bring out another old saw: been there, done that. Hope to never do it again.

Turns out, she was assuming we’d be driving up to David’s hometown of Buffalo for Christmas and could just stop in Laramie for a few days. Never mind that this would be an 11-12 hour drive for us now. On nasty winter roads. And that my family isn’t there. She thinks we’d do that because that’s what she would do. I think it’s hard for people back in Wyoming to understand that we don’t miss it at all.

I think sometimes that David’s family believes our move is my influence. That I’ve finally, after nearly 19 years together, wrested him away. I think they make an assumption about who I am and what I want. David’s family is large and very tight. In many ways, even after so many years, I remain an outsider. I don’t think they know that it’s been me who’s pushed him to maintain close contact with his family all this time.

And that, because I love him and want the very best for him, that I helped him find a way to get some distance.

I love this picture of David and me, because it captures so much of what we are together. David picked me because I would be this to him: someone who wanted to journey also. And we’re having a wonderful time on this new adventure of ours.

I’m sure we’ll touch base back in ol’Wyo sometime. Just not quite yet.

Deadlines and Lifelines

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So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her.

There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, `Oh dear! Oh dear! I shall be late!’ (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat-pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge.

Of course you all know that’s from the opening of Lewis Carroll’s Alice in Wonderland. It’s a great set-up. Alice, the human, is feeling sleepy, stupid and lazy. The bucolic wildlife is racing around with important appointments.

It’s clearly unnatural, a rabbit with a watch, running late. That’s how we know the world is turning upside-down. If the rabbit was chewing on daisies and Alice running late, that’s perfectly natural.

Or is it?

Allison posted an interesting blog the other day about the struggling writer and spousal support. Not necessarily financial support, though that’s part of it. More the whole “does he support your writing” question.

And, yes, this is going to be totally about women writers and their male companions.

One thing Allison mentioned is the spousal deadline. This is surprisingly common. I can think of five women offhand whose men have “allowed” them to try the writing thing for a given amount of time, after which, if they haven’t succeeded, they must stop.

No, not all of these women are writing instead of working, though some are.

No, not all of these women are unpublished; they just aren’t necessarily raking in the money.

I suspect this comes from a number of things. Our culture and the male members of it, in particular, are heavily fixed on goals and deadlines. It’s possible these guys think they are being supportive, by helping to create an outside deadline, a framework for measuring success. I think there’s also an element of the husbands feeling like they need to curb the frivolous activities of their wives. Don’t tell me that’s not true: I’ve heard men say it.

We do it to ourselves, of course, too. One gal I know gave herself a year to become a successful writer. Yes, that’s from typing her first word. When she didn’t make her goal, in a fit of despondency she asked me how long I’d given myself.

As long as it takes,” I told her.

As I’ve mentioned, everyone right now is about NaNoWriMo. A writing friend asked me if I was participating and I told her I don’t need more pressure in my life. She said she does — she needs the motivation. She is also one who’s published with an epress, has two young children and whose husband has asked her to stop. A big craze right now is a program called Write or Die. It’s a program that monitors how fast you’re typing and buzzes you if you slow down. If you stop, it will actually start deleting your text.

It all comes down to the eternal question of how you measure success, I suppose.

It was funny to me, the friend who asked how long I’d given myself, because I’ve already acheived some writing success by several measures. Not ones that she thought were relevant, but ones that are important to me.

I live my life by deadlines. As most Americans do. My work deadlines are the kind that, if I don’t make them, I can jeopardize a $24 million contract. For me, writing is a different world from that. I can see a day when, if I’m making approximately my salary by delivering a book on time, then that deadline will matter.

Until then, I’m a fan of write and live.

Paint by Numbers

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Someone called me a fashion plate last week.

Of course, I’ve also been called a trophy wife, which is even farther from the truth.

An actual “fashion plate” was the illustration placed in catalogs, newspapers or magazines, from the days when pictures were carved into metal plates and the image transferred with ink to paper. These then were the ads for clothing — the example of how something could look.

It’s easiest, when you first start trying to dress nicely, or more stylishly, to simply copy the images. Look at how the pros assemble an outfit and show your sincere admiration by imitating away. This can be daunting, however, unless you have an unlimited budget. That’s when you have to get creative. Not necessarily Molly Ringwald, I-can-sew-a-gorgeous-prom-dress-out-of-this-cheap-nasty-one-and-that-vintage-one creative, but being willing to play with clothes.

It’s really about being willing to try stuff out, being willing to take a risk. Combine separates and accessories in way that comes from your own head and not from a picture. And the thing about taking risks is that sometimes other people won’t approve. Much like being perceived as a trophy wife.

It was an older woman who called me that — in her late 50s/early 60s and frumpy with it. I mentioned that David is older than I am (by seven years) and that my stepchildren are now grown and I skipped the having babies part (but I helped raise them since they were five and seven years old). She looked at me — and I was dressed up for the conference, with my eye-catching dress and black wide-brimmed hat — and declared: “You are a trophy wife!”

Arm candy. Oh yeah.

The thing is, people are going to apply their labels regardless. For all that, maybe “fashion plate” is a decent one to get.

Twixt Thee and Me

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It’s always interesting to me which posts get people’s attention.

Or their responses, at least. Which I tend to assume is the same thing and that may not be necessarily so.

But my last post stimulated quite a few reactions. Several people commented. More sent me IM or email notes. The general consensus among my support network is that I was grumpy and had been on the road too long. Reading back over it, I suspect it was my tone that came across grumpy more than the content.

Be that as it may.

It was funny to me yesterday, as I took my three plane flights home, wending my way back west, that the messages and comments on my blog post (including one from my mom showing that Barbara Kingsolver took seven years to write her latest) were comingled with a discussion thread on one of my writers’ loops regarding this article which trashes Dan Brown’s new book. And someone else contributed the Wikipedia link to Literary Criticism of The Da Vinci Code that trashes Dan Brown in general. And an address by Stephen King where he implies that Dan Brown is the intellectual equivalent of Kraft Macaroni and Cheese.

Stephen King has been cutting a bit of a wide swath lately, as I’ve mentioned before. It’s ironic to me that he feels comfortable making pronouncements on who writes well and who doesn’t, when I’ve often heard King’s success held up as the perverted triumph of genre over literature.

I know you’ll be shocked, but I don’t have much of an opinion there.

I’ve read a bit of King and didn’t love it, but then, I don’t really read much horror. I have never read Dan Brown, but I liked the movie fine. I liked Meyer’s Twilight books — I thought she did interesting things with the stories and she kept me hooked.

What I see happening is the “win by putting others down” trend. Also known as, for those of us who labored under grading curves, “it’s not so much that you succeed, but that others fail.” We’ve all known people like this. People who attempt to pump themselves up by putting others down. If King can sneer at Dan Brown and Stephenie Meyer, then he’s clearly not part of their club. I remember a while back when Anne Rice was big on letting people know that her books were being taught in schools, as a way of legitimizing them.

Keena commented on my last post that it’s the genre writers who become literary giants in later generations and she has a point there. Think Jane Austen, Tolkein and Arthur Conan Doyle.

And we’re witnessing a battle now: the literary writers facing precipitously declining sales, fighting to assert that THEY are the true writers, and the genre writers, fighting amongst themselves for the best seat at the mad tea party, all the while pretending they don’t care what the literary types think, yet secretly wishing to have that level of validation.

In the end, I don’t think it matters if you take one month or ten years to write a book. Your process is your process. What matters is what you’re trying to do. If you want to bring in the money, ten years is a stretch unless you’re living on decent royalties. If you’re going for art, maybe you don’t believe a few months is enough for that to occur.

But I’m pretty sure you won’t sell more books by trashing other writers. Just sayin’.