RITA ® Award-Winning Author of Fantasy Romance
//The new portmanteau term “Romantasy” being used for Fantasy Romance and Romantic Fantasy, my own personal history with writing cross-genre and being a crack ho, and how I got namechecked in a most validating way!
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A weird thing about me: I’m always a bit ahead of my time. I don’t know why this is, but it’s been true all of my life. And it’s not nearly as cool as it sounds (if it does sound cool). In truth, it’s not a great thing at all, because it means I’m never in the full swing of the cultural zeitgeist. I’m the odd duck, the one not marching along with everyone else.
Many of you have heard these stories of my trajectory (which implies a straight course and steady momentum which would be entirely incorrect). In summary:
Fast forward to today and the coining of the term Romantasy.
A number of readers have contacted me recently, having just encountered the term, largely via the new Goodreads Choice Awards category. I’m not sure who coined the term, but the portmanteau of Romance + Fantasy has now come to encompass Fantasy Romance and Romantic Fantasy. This has been occurring first in the Indie spaces and now is moving into traditional publishing as they catch onto the trend. Just last February – on Valentine’s Day – Devi Pillai, Publisher at Tor, the notable publisher of science fiction and fantasy (SFF), announced that they’d created a new imprint: Bramble. Monique Patterson, Editorial Director at St. Martin’s Press, moved over to head up Bramble, which will be SFF + Romance.
In very cool news for me, Monique was featured in Publisher’s Weekly Notables of 2023 and namechecked me! (Along with my friend and colleague, Amanda Bouchet.) Monique said:
Romantasy may be the shiny new portmanteau on the block, but the fusing of speculative fiction and romance, Patterson notes, is nothing novel. She points to series by such authors as Amanda Bouchet and Jeffe Kennedy that would likely be categorized as romantasy now, but came out before the term was coined. It was tough putting out such books in years past, but they “would probably do wonderfully now,” she says.
Isn’t that cool? I was so pleased to be mentioned in this context. From Crack Ho to Trailblazer!
Ain’t that just the way it goes?
//How do we feel about Alexander Skarsgård being cast as SecUnit in the upcoming Murderbot series? Also the advantages for creatives of working in a corporate environment and Taylor Swift: dedicated businesswoman.
//A theory I’ve been mulling on a major influence on series sell-through, but that might be even more difficult than most to quantify. Also, a bit on author taxes, a quasi-epiphany on my work plan for December and being good with scaling back.
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This week at the SFF 7, we’re asking what is the website you use the most while writing?
I’m going to answer this a bit contrarily. While writing – that is, while drafting – I don’t use any websites at all. I do my best to stay entirely offline while drafting. Anything I feel I might need to look up, I put in square brackets and save for the revision stage. On my most recently completed book, TWISTED MAGIC, I had nearly 200 square brackets when I stopped drafting and started revising, which was at about 75% through.
(Sometimes I draft all the way to the end, then revise; with other books I stop at some point and go back to the beginning, revise from there, then go to the end. There’s no rhyme or reason to it. Each book is different. But that’s another topic.)
Now, when I’m revising the website I use the most is… Plain Ol’Google.
(What a world we live in now, where I can write down Google search as an old-fashioned method.)
Now, my Google-fu is strong. I use [word] + etymology a lot to find better words for what I’m trying to say, or that word in another language. I look up specifics on things I want to research more. I look up names. I stay away from rabbit holes, even while revising.
For me, the internet is anti-writing, so I steer clear. Maybe that’s true for you?
//The kerfuffle in the writing world this week-where an author created sockpuppet accounts to downvote other books and upvote her own-why writers aren’t in competition and the key importance of friendship.
//Some pitfalls to watch for in contracts with traditional publishing and literary agencies. Also author finances and taxes, why owning your process doesn’t mean loving it, and why experienced authors find it hard to teach.
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Our topic at the SFF Seven this week is what to do when you’re stuck. Stuck writing, I presume, since other kinds of stuck aren’t really what we’re about here.
I’m sure there will be lots of great advice this week from all the contributors on the various tricks and techniques for getting unstuck while writing. Mine is going to be at the far end of the spectrum at Tough Love.
When I get stuck? I push.
I’m a believer in chipping away at that block and smashing a hole through it. Inevitably there’s juicy stuff on the other side. I think the universe sometimes makes us work for it, and that’s what I do.
Now, I will caveat this advice by saying that I absolutely don’t advise anyone beating themselves brainless against a brick wall. Use your head, and not as a battering ram! There are tools for this process; use them. This is where craft comes in and skill, where having a well-cultivated imagination will fuel the process, where having excellent work habits allows for focused attention.
Push through those sticking places – but use your words, not your fists.
//Authors behaving badly to other authors – signs to watch for, recognizing serendipity, plus a great cautionary tale. Also different revision processes and a fun December reader event: FaRoAdvent!
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Their love makes them stronger together… Unless the world rips them apart
Jadren El-Adrel knows he’s a mess. He’s a cobbled-together monster pretending to be a wizard, still unable to master the magic that makes him pretty much immortal and is useless for anything else. Though he’s tried to learn to work with his familiar, Seliah, he’s still terrified to discover what might happen if he gives himself full access to the depths of her powerful magic. Some questions should never be answered.
Seliah Phel got her happy ever after. Jadren loves her; they’re together in a safe and beautiful place; and they’re finally learning to work together as wizard and familiar. But even she must recognize that Jadren continues to stew in his black moods, brooding that only worsens when he receives a missive from home, his horrible family demanding the unthinkable: that they both return to House El-Adrel.
As the denizens of House Phel fight an increasingly pitched battle against the enemies determined to destroy them forever, Jadren and Selly fight their own war—against the past and to overcome their own failings. To become truly stronger together.