RITA ® Award-Winning Author of Fantasy Romance
//On busy brain work, how I’m not yet done with the book, nice words from my editor on gatekeeping and letting people in, even nicer words from Maria Vale on NEVER THE ROSES, and the loneliness of caregiving
//Sharing the OFFICIALLY OFFICIAL super exciting news today on NEVER THE ROSES, the book I sold to Tor. I’m explaining the Publisher’s Marketplace lingo, how foreign sales work, and why creatives can’t be thick-skinned.
//Some big news on the official title of the book that was Oneira and a release date! Also, a thing I bought because of Taylor Swift that has Changed My Life, and more on coping as a creative when people hate you/your work.
//My Friday Freakout and how even experienced authors have emotional crises about their books, along with insight on shaken baby syndrome in books, how interruptions cause issues, and Longshot: an underrated movie.
//On Sheryl Sandberg’s LEAN IN and great advice for women in business that’s given me insight into my own writing career, including keeping my eye on long-term and 18-month goals, and why I don’t love the heroine’s journey.
//Happy (almost) Mardi Gras! I’m talking planning author finances over the longer term, offering some predictions on the rise and (inevitable, eventual) decline of Romantasy, and looking at the 10 year anniversary of THE MARK OF THE TALA.
//More foreign rights news, this time Russian! Also a fun panel on Romantasy tomorrow at Beastly Books and Instagram Live. And thoughts on influencing social media algorithms being the new superstition.
//Fun news on covers and Italian rights – along with some info on how selling foreign rights works. Also, my recent experience with a published book contest and how negative comments can be devastating.
//A deep(ish) dive into my process today, to give an idea of how far down the intuitive writer spectrum I am. Also more on nuking the idea that slower = higher quality, and quieting the conscious mind to liberate the subconscious.
//The TWISTED MAGIC audiobook is live! Also sharing a call for authors influenced by Tanith Lee. And why I think classes teaching “plotting for pantsers” are damaging to intuitive writers, and other thoughts on process.
