I’m still head-down on drafting this novel, absorbed in increasing my productivity – with good news to report on that front. Also thinking about invisible friends and creativity. I had them. Did you?
RITA ® Award-Winning Author of Fantasy Romance
I’m still head-down on drafting this novel, absorbed in increasing my productivity – with good news to report on that front. Also thinking about invisible friends and creativity. I had them. Did you?
How pushing my wordcount is working – I’ve had my best week since last May – and thoughts on POV: how to teach it, how to choose the “right” POV for a story, and a way of thinking about writing POV well.
Why and how I’m going back to the basics in order to improve my creative output. Sharing some of my productivity metrics, why writing every day works for *me*, and how I think metrics helps all creatives.
I’m (finally!) talking about book boxes and their business models. Some are great! Others not so much. How do you tell? Also on scheduling creativity, especially making a living as an author.
How being a career creative means always continuing to learn and refine your craft, showing vs telling, how worldbuilding without info-dumping is an ongoing challenge, and why perfection is an unattainable goal.
More granular insight into my revision process, including how I create and name “new” monsters, stealing from the best houses, and how we all borrow from other creators, whether we realize it or not.
Breaking down my revision process today, including sharing some interesting thoughts from crit readers on where I can improve as a storyteller, and a bit on content/developmental editing.
A bit more on organizing large reader events and how scaling up gradually is super important for all small businesses. Also, how to tell if an agent is legit, or – if legit – the kind of agent you need.
Today’s topic is planning conferences, specifically how contracting with hotels works, what it costs, what you have to commit to, and how inexperienced con organizers can end up owing tons of money.
Businesses that prey on authors – especially indie authors – how their model works, incompetence vs. maliciousness, and how to spot the ones that might provide little to no return, or collapse utterly.