RITA ® Award-Winning Author of Fantasy Romance
//A round up of my weekend and the FaRoFeb events I participated in. A new working title for BANDITS, what you have to do to get the ban-hammer on my FB page, and a couple of pieces of cool news!
//The challenges of building a secondary fantasy world while still keeping the pace moving along. Also, the plum blossom rule and how it applies to people always finding something to critique in your work.
//Have some project you really want to do? Why you should put it in motion today! Also thoughts on worldbuilding in Fantasy, monetary systems, making mistakes and fixing them, and how pitching never gets easier.
//How to write a synopsis – or, at least, fake it the way the pros do! Great news on BANDITS and next steps there. Also, why agents/editors ask for partials, why you should include your profession in your query, and other crazy checks.
//About the evolution of recognizing oneself as a writer, claiming the name, and other steps newbies can take to move from the furtive phase of writing to feeling confident in that skin. Also, it’s FaRoFeb!
//I’m back! Talking about the amazing VIP tour of NASA’s JPL facility, the visit from Darynda and our upcoming talk on Twilight, plus reflections on how my business and leisure travel are so intertwined now.
//RUBY is out in the world, completing my re-release of the Facets of Pasion books. Otherwise I’m waxing on about Buffy the Vampire Slayer and my love for Spike, including thoughts on whether their relationship was “abusive.”
//How my day went all to hell yesterday with several pieces of bad luck. More importantly, I’m talking about my bestie Grace Draven, some stuff she’s dealing with, and her upcoming Go Fund Me.
//On husbands and their Opinions™ and other thoughts on women as writing and publishing professionals. (Yes, this particular dynamic is a binary, IMO.) Also maybe my new author headshot?
//Cover reveal for ROGUE FAMILIAR today! I’m also talking more about finances for creatives, monetizing creativity and why there’s a fundamental problem with it, and other aspects of being a professional creative that aren’t widely discussed.
