One more pep talk on how it’s REALLY OKAY if you don’t like doing newsletters, examples of successful authors without them, and thoughts on reinvention, flexibility, and how this business is hard.
RITA ® Award-Winning Author of Fantasy Romance
One more pep talk on how it’s REALLY OKAY if you don’t like doing newsletters, examples of successful authors without them, and thoughts on reinvention, flexibility, and how this business is hard.
Building a writing habit and incremental work – when it does and doesn’t work for people. Also an update on loading my audiobooks on YouTube and thoughts on three decades in publishing.
Quitting what doesn’t work for you and getting away from survivorship bias and reverse engineering success. Instead finding out what works for YOU & owning your process. Also putting audiobooks on YouTube.
Marketing vs. promo, what traditional publishing brings to the table (and some examples of big fails), why all authors-regardless of publishing path-should learn promo, AND crunch their sales figures. This means learning to read royalty statements!
I’m talking about debut author expectations, how to learn about the industry, and (hopefully) dispelling the myth that excellence = success = money. Also, exciting upcoming episode with Grace Draven!
Series and the difference in approach to them between traditional and self-publishing, including some numbers on my own series sell-through. Also insights into my filing system for writing projects.
Some straight talk about group anthologies: what works, what doesn’t, why doing it for that USAT Bestseller badge isn’t worth it, and something I didn’t know before. Also, the perils of survivorship bias and how to transcend it.
Some exciting news on an upcoming anthology project, musing on why people always want us to pick a favorite among equally wonderful things, champagne problems, and the value of hanging with successful people in your field.
A random beauty tip today, plus I’m talking about sex scenes in books, how they shouldn’t be gratuitous, but also a new insight into why male and female (caveat on this binary) readers view them differently.
.