Tag: Allison

Neverland

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The final dregs of a dark and dramatic sunset. Very all hallows.

I dreamed last night that Allison inherited an amusement park. Very Michael Jackson Neverlandish. I think the hidden meaning here is obvious.

This was probably stimulated our conversation yesterday when Allison asked what I was writing and I told her about this new novella and that it was fun to write. She said she remembered having fun writing. Being the sympathetic writing partner that I am, I replied “wah wah wah.”

After all, she’s got the amusement park. I’m still paying to ride the roller coaster.

But even an amusement park becomes work when you’re the one who runs it, instead of being just a visitor. You don’t get to come and go as you please. The rides have to be maintained every day. You don’t get to skip a day or a week, unless you really love nasty consequences.

The query process is a funny thing because it’s like an incredibly extended job hunt. You refine your resumes, send them out to all kinds of people. Hopefully some friends clue you in on opportunities, recommend you for a job. Of course, we’ve all heard of the person who just blanket-sends a resume to everyone in the phone book. If they like your resume, maybe you get an interview. Maybe you get six interviews, of increasing length and depth. At any point in the process, someone from HR or the marketing department might walk in the room, take one look at you and say no no no.

And you’re done.

It’s like being interviewed to take over as VP of Major Earnings. There’s no starting out in the mail room, or as someone’s assistant. No gradually building your clientele over the course of years.

Then, if you get hired, you’d better perform. Earn that corner office. Increase that profit margin.

No wonder that part isn’t so fun.

But never let it be forgotten that it *is* an amusement park. We choose writing for the wild rides, for the sweetness of the cotton candy, for the sparkling lights and the carnival music.

Oh yeah, sign me up.

A Day in the Life of a New Novel

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The UPS man brought me a special present the other day, courtesy of the fabulously sweet Danielle Poiesz at Pocket Books:

An Advanced Reader Copy (ARC) of Allison Pang‘s A Brush of Darkness!!

Yes, there was much rejoicing. And tweeting of my good fortune.

For those who don’t know, an ARC is an early version of a book, the publisher makes it up to send out to reviewers and so forth. It looks very close to the final product, but has yet to go through a couple more QA passes. ARCs are like teenagers, stepping out into the world, trying things out.

It’s a very exciting time.

So, I thought you might like to see what a day in the life of a new novel is like.

A nice start to the day, with toast and coffee.

Some time enjoying the fall flowers in the garden.

A cruise in the convertible is always fun on a gorgeous day.

After all that excitement, an afternoon nap. Isabel makes fine company.

Refreshed for a night on the town, happy hour with a lovely chardonnay and some taquitos. (Our novel is over 21 now – it’s okay.)

Taking in the historic sights of Santa Fe.

And dinner at the Cowgirl.

Finally, a bit of sexy time and sleep.

Goodnight, sweet novel – tomorrow will be another exciting day!

(Thanks to David, my mom and Dave for assisting in Brush of Darkness’s night on the town!)

Torn Fishnets and All

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Allison’s Cover has been spotted in the wild!

It’s not technically final, according to Pocket, but somehow it leaked and a few bloggers picked it up, so get to show it now. My own personal leak may or may not have shown it to me quite a while ago and it hasn’t changed since then. I suspect this will be it, even though it’s not yet up at Pocket’s very fun community site for urban fantasy readers.

And yes, the burning question is: how did Abby so thoroughly destroy her fishnet stockings?

Trust me, it’s a major plot point in the book.

There’s this pivotal scene where Abby is battling a vampire, an angel and an incubus in a dark alley. She falls to one knee. You know those cobblestones – they’re full of rough edges. She rolls to avoid the slashing sword of an evil Fae. Her fishnets tear on the other leg, hanging by only a few tenacious threads.

That’s when the incubus falls in love with her.

Wouldn’t you?

Okay, that scene may or may not happen in the book. Covers belong to the marketing people and not to the author. Abby may not be a mini-skirt wearing, midriff-baring, torn fishnet flaunting kind of gal, but she is tough. She’s sassy. This picture captures her attitude.

I’m working on getting Allison to pierce her belly button now, so I can buy her this outfit for signings. Wouldn’t that be total Awesomesauce?

Yeah, I think so, too.

There Is No "I" in Book

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A bit of Spring sunset tumult from last night. As with many things, it brewed up to be a big deal, but really produced very little.

Allison and I were talking about self-absorption yesterday. Self-involvement. Narcissism.

These terms get tossed at writers quite often. And usually, I think, by the people who want the writer to be paying attention to them, rather than to what they’re writing. I ended up telling Allison that she’d been necessarily self-involved in completing her Revisions from Hell in record time.

Then I realized, that’s not true at all.

She hasn’t been self-involved; she’s been absorbed in her work. Writers drew the unlucky straw of doing an awful lot of their work in their heads, in dreamy states that are arguably other planes of existence. It tends to make them unavailable for paying attention to the people around them, which can lead to rancor.

Blogging and memoir-writing – often the same thing – are also targets for the self-involvement critics. “Navel-gazing” they love to call it. If that’s so, would going back and reading one’s own blog posts be navel-gazing at navel-gazing?

I say no.

Once you produce the writing, it becomes something outside yourself. It’s art. A painting is not the artist’s self. A symphony is not the musician’s self. An elegant bit of code is not the programmer’s self. All of these things, to varying degrees, do reflect the person who created them.

It’s an interesting thing to me, as I’ve mentioned before here, to go back and read my older blog posts. I particularly like playing “this time, last year.” The May 27 post from last year is full of sadness about getting a “no” from the agent I really had set my hopes on. Quite a bit has changed for me in that time – my strategy, how I’m going about things.

What non-writers may not realize is, reading your own work rarely feels like a familiar thing. I’m often surprised by what I’ve written before. People have quoted my work to me and I failed to recognize it – which irritates them. I understand why it would, but it’s lovely that they’re quoting something I wrote. It just no longer sounds like a piece of me. It has its own life.

So, Allison, I take it back. You haven’t been self-involved at all. You’ve been involved in your book.

And that’s an admirable thing.

Irises and Impressionists

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At last the iris are blooming. I notice everyone in our neighborhood has the yellow ones like this. I’m wondering if other colors don’t do well in this soil. I’d like to try planting some others – perhaps a field of dark blue behind this blanket of yellow, but we’ll see.

Many hybridized colors won’t flourish in non-ideal soils and the flowers revert to the wild type. Pink hydrangeas in non-alkaline soils revert to blue, for example. Or in non-acidic soils – I forget which. If you want to grow pink hydrangeas, you’ll have to look it up.

Yesterday I completed my second round of edits on the Loose Id novella, which is now called, forever and finally, Petals and Thorns. Beauty and the Beast was too close to other titles in their house and the big editors didn’t like Love Lies Bleeding, as my direct editor and I picked out. They seemed to think it was kind of icky.

Alas.

So, Petals and Thorns it is, with a thank you to Allison for not only suggesting it, but essentially loaning it to me, since it’s the name of the gaming website she’s run for lo these many years.

This second round of edits was dead easy. Actually the first round of edits were quite straight forward and didn’t require much brain-strain. This round was mainly approving comma-insertions and space-deletions. From time to time though, my editor quibbled over metaphorical word interpretations.

The one she really doesn’t like? “She felt his eyes on her.” My editor says that means his eyeballs would be on her, which is, naturally, not the feel we’re going for. I personally don’t believe a normal person would read it that literally, but I conceded and replaced with the suggested (and tepid) “gaze.” She also argued with “the rose drew her eye,” wanting that to be “gaze,” also. I said no, to draw the eye to something is a perfectly established expression.

To me, this is the literary equivalent of representational art versus abstract art.

(We won’t get into that this is a BDSM novella and arguably not all that full of ze arte. I’m talking a general principle here – stick with me.)

I’m full of visual art analogies since doing the studio tour the other day.

My mom’s David loves representational art. He likes a landscape, preferably with European elements. He likes it to be what it it. My mom likes art that takes reality and turns it. The Impressionists were the first to really break away from the strict European representational art. This is Renoir’s famous painting Bathing Woman, 1883. It’s famous enough that I couldn’t find an image of it without the watermark.

When I saw the original, it struck me that he’d painted her skin green. If you look at the shadows on her skin, they’re all these blues and greens. So much so that it’s unsettling up close. Standing back, it creates this amazing feel of young, lovely flesh and water. He gave us the impression, not the literal moment.

I think that’s what the literalist readers/editors get into. They’re focusing so much on the words, that they lose the overall impression. I’m not going to fight over it for my BDSM novella epub, but to have someone’s eyes on you gives a different impression than their gaze. It’s a level of intimacy to me.

But this is the soil I chose for this particular story and it will have to take on the characteristics of that place. It will become the color it needs to be.

Another Day

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As I suspected it would, the sun rose again today.

When it set last night, I had a “no” from the agent. I knew it when I saw the email pop up. A lovely “no.” The very best kind of “no,” all of my writing buddies hasten to reassure me.

She says:

Thanks so much for sending the full manuscript of OBSIDIAN and for giving me time to read it!
I love the world you’ve created here and I definitely recognize your talent. Unfortunately, I am going to pass on the offer of representation. For me, I just didn’t fall in love with the characters enough, or their adventures in your wonderful world. I’m sorry – I wish I had better news for you. I know you have lots of excitement going on right now with your work and I know you’ll be in good hands!
Wishing you the very best in your publishing career!

So, here I am, once again with the walk of shame. I gave her everything I had and it wasn’t enough. I know no one knows what makes someone fall in love. And yet, we’ve all been in those relationships where the guy says “it’s not you, it’s me” — and you know, of course it’s you. There’s some reason they can’t see spending their life with you, popping out little baby novels.

But it means nothing in the end. It doesn’t really matter if it’s your annoying mother or the fact that you have a cowlick that can’t be controlled or a tendency to ramble on about how much it annoys you when people speed up when they see you trying to change lanes. They don’t want to buy the cow and that’s all you need to know. Tasty milk, but no thank you.

So, I got back on the horse. Nudged a couple of agents with fulls and partials. Got on Match.com (Publishers Marketplace) and picked out a couple of sexy-looking possibilities. Gave ’em a wink.

The birds and Isabel say it’s Springtime. Mysterious plants are coming up — mysterious because we only moved here in August and someone else planted these spring bulbs. I’m putting my bets on Daffodils and Hyacinths, by their nubby tops.

And meanwhile a project I’ve been seeding for a while at work may be coming to fruition at a time we really need it. My boss is happy and loves me forever.

Also, Allison, who has the lucrative multi-book contract I covet, just received a 26-page revision letter. Single-spaced. It’s like she’s got the wedding all set, and just found out she’s got to have radical cosmetic surgery first. She’s getting over it now, though we were both shocked to read the comments at first. In the end, she’ll have a much stronger book. But, oh, the pain and suffering.

I’m working on the next novel, which is winding into a dark forest of odd characters and a mixed-race little girl witch. Who knows how I’ll sell this one.

The lovely thing for me is, I don’t have to worry about that.

Book Party

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Okay, so we don’t look so cute.

But it was pretty late by this point and we were kind of tired. I really don’t know WHAT was going on with my hair.

By the time Allison picked up the kids from day care and her husband came home, it was coming up on 7pm. Starving, ready to get to our little celebration, we bolted out the door.

It didn’t even occur to me to pop open the suitcase and, say, run a brush through my hair.

This tells you where my head was. I wouldn’t even post this pic, but we look far worse this morning.

But we had fun. Allison drank about nine diet cokes — I told the waitress just to keep ’em coming, I’m generous like that — and I downed plenty of Chardonnay. We stuffed ourselves with enough food to feed a small country and brought home enough leftovers to last through another Snowmageddon.

It’s one of those things, that by the time you sign the book contract, it’s not all that exciting anymore. We toasted her success — three-book contract with Pocket, if you hadn’t seen the previous posts — and then spent the rest of the time talking plots for the next two books and strategizing how she’ll promote them.

We had fun being together and talking real time, instead of our usual non-simultaneous gig.

Next time we’re together, at RWA National, we’ll take far more glam photos, I promise.

Me Time

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I made the mistake of showing my mother my writing schedule last night.

As I mentioned, I’m practicing being full-time writer this week. I have vacation from the day job and need to get the New Novel underway. It’s a good opportunity to see how I’d set up a professional work schedule without co-workers or daily hours expectations.

One of the main things I’m trying to do is make sure I don’t dink on the internet all day. So I’m allowing myself online windows to check email, talk to people on IM, catch-up on Twitter and Facebook, read blogs and articles, etc. Which is why my mom asked, so she’d know when my online windows are. I pasted her my schedule into IM and she freaked.

Now, granted, people are often taken aback by my spreadsheets. I try to explain it’s that little wedge of Virgo peeking through all the Leo. When I was a grad student, there was a blackboard over my desk that I would draw the semester’s calendar on. I filled it in with all of my classes, office hours, and so forth. One professor, glimpsing it, said it looked like displacement activity to him. Some of it might be. But the practice helps me to get my head around what I want to do.

That’s the key to me: this is all about making sure I’m doing what’s most important to me.

One writer friend, Jeri Smith-Ready, announced on twitter recently that she created a screensaver that scrolled the message: “Is what you’re doing right now more important than writing your novel?”

My mom thought my schedule sounded sad, lacked joy and human contact. She wanted me to show it to David, so he could weigh in on whether I’m crazy. He looked at it and said, “She just doesn’t understand what you’re trying to do.”

Which she confirmed this morning, apologizing via IM during my online window.

I suspect a lot of the full-time writers out there would look at this and say I’m still spending too much time online. I wonder if I’d whittle that down over time.

But then, while I told my mom that David counts as human contact, my online time is the bulk of my social life these days. Quite deliberately so. When we moved, I decided not to join any organizations yet. Which I’m wont to do. I love to join. Then I inevitably end up volunteering to be in charge of stuff and suddenly I’m spending my non-work time on planning charity balls and not writing my novel.

When we moved, I sold my sewing machine and all the fabric I’d stored up, because when I’m quilting, I’m not writing my novel.

I can see how this sounds joyless. But for me it’s about making deliberate choices to do everything I can to get to the point of being a full-time writer. Once there, I can judiciously add back in all of those other things.

It’s difficult for people to understand, I think, the need writers have to build fences around the writing time. I suspect it’s because a person writing looks like they’re doing nothing that can’t be interrupted. Just a quick question. Can you do this one thing. The non-writers don’t know how long it takes to get the flow going and how the voice breaking in totally disrupts it. Soon to be published writer Allison Pang is facing this now. She’ll be doing revisions on her current novel, plus outlining and drafting the next two, plus working on a totally different story that she loves. All this while working her full-time job and raising two young children with a husband whose job takes him away from the house a lot. I keep telling her she’s going to have to get mean (not in her nature), carve out that writing time and fence it off. That probably sounds joyless, too.

What it comes down to is, when you want the big prize, you have to sacrifice to get it. Not a lamb or a pound of flesh. What you sacrifice is some of the other things that you decide aren’t as important as writing your novel right now. What will those things be? Individual and carefully chosen.

It’s the question wanna-be writers ask all the time: how do I find the time to write? The short answer is, you don’t. You have to scratch and claw it out of all the other things in your life that compete. You make what other people see as joyless choices.

Fortunately, in the end, the writing itself is a surpassing joy.

What’s Your Game Now – Can Anybody Play?

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I really should scan in some of my photographs, so I don’t have to borrow pictures of my friends’ kids when I’m talking about my own childhood.

Though I love this pic of the red-headed urchin child born to one of my sorority sisters. I see a lot of my friend in this little girl’s face. Which is a lovely thing, I think.

So, I’m changing up my process again a little bit. As you may or may not recall, when I wrote Obsidian, that was a major writing transition for me. I had formed my writing habits around essays. That was a very natural way of working for me. I worked four ten-hour days at my job, then took Fridays off to write. I could generally write a full essay in that one day. Start to finish, I could hold the full idea in my head and get it all on the page.

When I went to write a longer work, which at first were a couple of narrative nonfiction books, I found this didn’t work. I obviously couldn’t write the entire thing in one day, I couldn’t quite hold the whole thing in my head and, if I wrote only one day a week, I would lose too much of it in between.

Eventually I gave in to the “write every day” crowd. At first it was quite painful. The other demands of my life didn’t lend themselves to writing at any other time than early morning. And I am *so* not a morning person. At that time of my life, though, I took or taught classes every night from when I finished work until sometimes 1 am.

Mornings it had to be.

Now it’s my pattern and it works for me. I get up early, exercise and write before starting work. Sometimes I have early meetings and that interferes, but in general, I get my words in every day. I’ve learned how to write a long work in increments, though I did it as I write essays: knowing my starting and ending point and letting the writing process wend me through it.

For a while now I’ve been wedded to that idea, that the true art of writing is letting the story emerge that way.

Several things have come together in the last week or so to change my mind. Allison is dealing with contract stuff and negotiating deadlines for her (very exciting!) three-book deal. She writes like I do, yet she’s expected to provide detailed synopses of Books 2 & 3, neither of which are written yet. The thought makes *me* nervous. I’ve realized that, not only is Allison going to have to change her process, now that writing is her job (albeit a second one), if I get a contract like this, which I want and I’m working towards, I will have to do the same thing.

I might as well start now, without the pressure of deadlines.

I mentioned at the beginning of the week that I’m taking this time to figure out what I’m working on next. I tried writing on my various projects, just to see which one wanted to flow. A new urban fantasy novel stepped forward and she’s going to be my dance partner for the next little while. I’ve been feeling like I should plot it out, but dreading that process. And maybe feeling like that’s an insincere way to approach a story

The other thing that happened was I ran across a quote at some point. I think someone tweeted it and I regret that I didn’t take note of who it was. But when I read it, I didn’t realize it would stick with me the way it did.

I thought it was Jung, so I Googled him and some of the words I recalled and found it on this site, which has a lot of really great quotes on this topic. This is the quote that caught the edge of my attention, attached itself and like a burr finally buried its way in enough to prick me:

Man is most nearly himself when he achieves the seriousness of a child at play.
Heraclitus, Greek philosopher, 535-475 BCE

On the way, I also saw this one:

The creation of something new is not accomplished by the intellect but by the play instinct.
Carl Jung, Swiss psychoanalyst, 1875-1961

That quote by Heraclitus reminded me of my childhood games with Linda Ceriello. We would create these elaborate games with stuffed animals and model horses, such as boarding school. We spent hours and hours in prep, giving each animal a name and sometimes a family history. We created course curricula and interpersonal conflicts. In fact, we rarely ended up playing the actual game for very long because we spent so much time on the set-up.

You’re probably way ahead of me here, but it hit me (sun breaking through the clouds, angels singing) that this was PLOTTING. Something about remembering the seriousness of our play and how gloriously fun it was, showed me that I have been plotting stories all my life. I just didn’t know I was doing it.

And see? Jung wasn’t the correct source, but he has something to serendipitously add: that new things are created through play, not intellect.

This means something to me because lately I’ve been feeling like I’m not as intelligent as I once was — no, I don’t know why I feel this way — and I’m wondering if I even can create a complex world like I have in mind for this novel. Knowing that I can do what I did as a child liberated me and now I’ve been writing up this world, plotting it out.

I still seem to need the process of writing, but I’m just describing things, characters, religions, history. I throw in snippets of dialogue here and there, bits of pertinent interpersonal relationships.

The best part: it’s really fun. Thanks for those days, Linda!

Muddying the Waters

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We’re in this precarious season of freeze and thaw.

It’s a lovely thing, because it feels like Spring already. If we were in Wyoming, with all the snow that’s fallen, we wouldn’t be looking for it to thaw for months. In Santa Fe, the days warm up with gentle kindness, the birds swoop about singing with excitement and the road gets muddy as hell.

I’m talking deep ruts. That freeze at night.

But, aside from a filthy mailbox, it isn’t really that bad. I’m curious to see if I’ll have to wash the mailbox or if the Spring rains will take care of that. I’ve never washed a mailbox in my life.

I printed out my novel, Obsidian, yesterday. I can’t believe I haven’t used “Obsidian” as a label before, since I’ve prattled about it ceaselessly on this blog. What does it mean? Maybe just that I know the title could change (even though I think it’s a really good one). Now that Allison is hashing out her book deal, they’re discussing how to change her title. She doesn’t seem to mind, since Laurell K. Hamilton already stole the title she really wanted.

At any rate, I printed the whole thing out to send to a sci fi/fantasy author friend who (with incredible generosity) offered to read it and help me bypass the slush piles of a few people she thinks might like it.

It’s a huge stack of paper. Heavy.

It surprised me that I hadn’t printed out the whole thing before. And it put me in mind of the days way back when I first set my writerly goals. I was working with the concepts of visualizing what I wanted, but wasn’t sure what I was going to write. I knew, too, that I needed to be specific. (Be careful what you wish for!) So I visualized a manuscript, a stack of paper full of good writing.

When I printed out the final full manuscript of Wyoming Trucks to send to my editor at UNM Press, I experienced a moment of deja vu to see it looked exactly as I’d envisioned.

But with Obisidian, though I’ve sent out the full manuscript, I’ve always sent it electronically. Where paper, the post office and the mailbox used to be such a major part of my writing life — and least the sending it out into the world part — now it’s really all via email. Which is great in many ways: cheaper, faster, more green, less resource-intensive.

It’s also less weighty.

I saw this article yesterday, via the New York Times Science tweet. There have been a number of similar studies lately verifying this phenomenon of our brains, that what we think does have a physical effect on the world. This one is particularly interesting because they found that subjects assigned greater importance to things that were heavier.

You scoff? Go read the article. I’ll wait.

Isn’t that interesting? And you’re thinking the same thing I am, right: ebooks.

After all of the bruhaha over the Amazon/MacMillan tussle over how much ebooks are worth, I wonder about how our animal brains value something that has no weight. That, in some ways, has no physical existence. The publishers insist that a book shouldn’t be worth less because it’s not printed on paper. But all of us know that creating a document electronically and sending it via the ether is cheaper. No matter how you spin it, all of us who no longer budget for paper, toner and postage can tell you that.

Certainly the publishers add value, through selection and refinement of the work. As do the agents who bring it to the publishers. And the booksellers who bring it to the readers. I noticed that, in all of the opinions flying around, most were from the publishers, agents and booksellers. A couple mentioned the readers. Almost no authors have spoken up. An oppressed people, we.

But, if we’re to look at the core value, what people pay for is the story. Which has always been intangible. Which might be why the author’s contribution to the equation tends to weigh less heavily.

I’m thinking, though, for important submissions I might invest in paper. Thick stuff with a formal feel.

I might have to wash the mailbox.