RITA ® Award-Winning Author of Fantasy Romance
//On Yog’s Law – that money must flow to the creator – and why paying a company to publish your books is a terrible idea. Also, why your creativity will beat “AI” and how you can make a living as a creator.
//The role of luck/serendipity in publishing success, how it’s not who you know, but how you can know people. Also, the problems at NaNoWriMo, and why I believe being a writer and the process of writing is more important than having generated a book.
//Some big news on the official title of the book that was Oneira and a release date! Also, a thing I bought because of Taylor Swift that has Changed My Life, and more on coping as a creative when people hate you/your work.
//About my tumultuous week and how wonderful Mary Robinette Kowal is. Also, by request, an explanation of what AI is and isn’t, and what it has to do with writing stories and creating art.
//The importance of voice, refining it, learning how to get it on the page, how dismissing something like the 3-Act Structure as formulaic is missing the point of storytelling entirely, and why (again) I’m not worried about AI.
//How I’m getting better at balance, increasing my wordcount, getting business done, and having more time to relax! Also, using AI “tools” as a writer and examining the whole point of being a creative in the first place.
//Happy to report that my training program to increase creative flow and word count is working! Also, additional thoughts on the ethics of using AI-generated work and how money factors into that for some people.
//A concern I have about a book cover designer who is offering discounts to authors who approve the use of AI-generated art. Also thoughts on training to improve wordcount and recognizing overdoing it.
//Zencastr borked on me, so there’s an abrupt ending, but I’m talking about self-publishing careers vs. trad-pub ones, AI and creativity, and writing a book that is an artistic conversation with another book.
//How you know when your creativity is flowing, which story ideas have enough juice to sustain a novel or series, and how to handle those New Shiny ideas when you have other works in progress to focus on.
