RITA ® Award-Winning Author of Fantasy Romance
//TWISTED MAGIC is done and coming tomorrow! Also, the ROGUE FAMILIAR audiobook is free on YouTube. I’m also talking gratitude for being alive and about my writing/publishing plans for the next year.
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TWISTED MAGIC is finally (almost) here! Releasing on Tuesday, November 28, 2023, the book is available for preorder now – including in print!
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Their love makes them stronger together… Unless the world rips them apart
Jadren El-Adrel knows he’s a mess. He’s a cobbled-together monster pretending to be a wizard, still unable to master the magic that makes him pretty much immortal and is useless for anything else. Though he’s tried to learn to work with his familiar, Seliah, he’s still terrified to discover what might happen if he gives himself full access to the depths of her powerful magic. Some questions should never be answered.
Seliah Phel got her happy ever after. Jadren loves her; they’re together in a safe and beautiful place; and they’re finally learning to work together as wizard and familiar. But even she must recognize that Jadren continues to stew in his black moods, brooding that only worsens when he receives a missive from home, his horrible family demanding the unthinkable: that they both return to House El-Adrel.
As the denizens of House Phel fight an increasingly pitched battle against the enemies determined to destroy them forever, Jadren and Selly fight their own war—against the past and to overcome their own failings. To become truly stronger together.
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And yes, there will another trilogy in this world! I haven’t set dates yet, or even titled the trilogy, but I hope to have all three out in 2024. Stay tuned!
//Balancing the desire to strive for more and better against the need to recognize how far we’ve already come and having gratitude for what we’ve achieved. Also, the role of serendipity in any creative career.
//Some thoughts on starting for the day and how initial wordcount can be slow. Also Anne McCaffrey, dubious and non-consent, and how insightfully she portrays an ossified, patriarchal society. And The Morning Show finale!
//I’m back from my Hawaiian Hiatus with thoughts on writer’s conferences, bar-conning, and what conferences serve writers best. Also my amazing trip up the Na Pali coastline which was truly transformative.
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Our topic at the SFF Seven this week is classes – what are we learning and from whom?
I have a bit of a jaundiced view of classes targeted at authors these days. There’s such a proliferation of “pay me to make you successful” schemes out there targeted at writers, most of which are predatory. Maybe you’ll learn something? Probably not. Also, unfortunately (to my mind), the ones that seem to be the most successful are those that make people feel good without giving them real, helpful advice or tools.
There are good teachers out there, and good advice-givers of other kinds, but the best way to get good at doing anything is to do a whole lot of it. That’s why, though I occasionally teach workshops – I really like teaching Master Classes! – I’m mostly mentoring, coaching, and advice-giving through my Patreon. (I know, I know – seems like everyone has a Patreon these days!) Mine is modest in size (and in advice-giving, really) and works mainly to give me a place to offer insights from my experience to people who care enough to invest in hearing from me. We have a terrific, supportive community and I’m really loving it!
Come and join for as little as $5/month!
//How the patriarchy affects book covers, what about book covers makes books sell and other variables with a direct correlation. Also, revision and how I know when it’s time to stop drafting and start revising.
//Why do some tasks feel more difficult that others and what makes them easier all of a sudden? Also, reader events and my process for deciding which to attend. And a recommendation for a really great, data-filled podcast!
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Our topic at the SFF Seven this week is “Judging a book by its cover: cover trends and what you look for as an author or a reader.”
There have been excellent posts this week exploring why we buy covers, what we look for and love in covers, even being misled by covers. What I’m going to talk about is what a cover ISN’T for an author. And yes, this is something that’s hard to hear. Stop now if you’re not ready for a little tough love.
What a cover isn’t: It is not an expression of the author’s creativity.
I say this because I’ve heard more than one – usually a newer author – say that they want it to be. I recall one time that my aunt asked me to talk to a friend of hers who was a first-time author working with a small press to publish her memoir. She was super unhappy with the cover they developed and fighting with them about it. I think she fully expected me to give her ammunition in that fight. Instead, I gave her this tough love talk:
The cover of the book is not an expression of your creativity. The BOOK – what’s inside the front and back cover – is the expression of your creativity. You got all those words and pages to convey the story you want to tell. The cover is not, and should not, be an extension of that story.
Now, I’m not saying that the cover CAN’T reflect the story, but a book cover has two jobs:
That’s it. Simple, but also very difficult. That’s plenty of work for an image and a few words to do. Those jobs don’t need to be further complicated by putting the author’s story-vision into an image. In fact, when authors try to insert that vision, they can get in the way of the primary two functions of the cover.
So, I know it’s hard. I have been there and I have had covers I hated, where the characters looked NOTHING like what I had in my head. I have had covers I loved that did nothing to sell the story inside. I’ve had horrible covers that I’m convinced tanked sales. I’ve had covers that readers rhapsodized over for no reason that made sense to me. When I work with my cover designer on the covers of my indie books, I really have to take off my author hat and put on the publisher one – and remind myself of the two rules. Tough love for myself, too!
//Battling the proliferation of secondary characters, and why that’s key to shorter works. Shipping Alex and Paul on The Morning Show and ruminations on love and unconditional support.
