RITA ® Award-Winning Author of Fantasy Romance
//The importance of voice, refining it, learning how to get it on the page, how dismissing something like the 3-Act Structure as formulaic is missing the point of storytelling entirely, and why (again) I’m not worried about AI.
//A dive into genre today, along with a discussion of whether there’s an identifiable plot arc for Science Fiction or Fantasy (hint: there isn’t), and what I’ve recently discovered about writing a Romance.
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Know what this is?? It’s a teaser for the cover of TWISTED MAGIC, Book #3 in Renegades of Magic!!
Yes, I have the cover – and have had for a while – but I’ve been hanging onto it until I could set up a release date and preorder link. I’m a bit on tenterhooks at the moment, waiting on feedback from Agent Sarah on the book I wrote that fell on me from out of the sky and insisted on being written: ONEIRA. Once I know whether she wants to take it on submission to traditional publishing or if I’ll self-publish it (in August!), then I’ll be able to set a date for the TWISTED MAGIC release. Meanwhile, you can preorder the book via my website store!
This week at the SFF Seven, we’re talking about failure. Ostensibly, the topic is reassuring ourselves that we are not failures and offering wise words to that effect. I say “ostensibly” because I don’t think it’s possible to say that we are not failures. We are all failures, at some point, in some way, on the large or small scale. Failing at something is a natural part of life. Everything, everywhere, fails to do something or another, usually multiple times, probably more often than they succeed.
I’m being persnickety about this because I think the concept of failure gets a bad rap. As if it’s something we’re supposed to avoid at all costs. I can’t be honest and tell you you’re not a failure. I can’t be honest with myself and say that. I’ve failed at all kinds of things I’ve tried to do. I wrestle daily with facing that I’ve failed to reached certain goals. But the answer isn’t some pep talk where I pat myself on the head and console myself with the comforting words that I haven’t actually failed. That doesn’t benefit me. Instead I have to look at why I haven’t succeeded at what I set out to do. A lot of it may not be within my control. A great deal of publishing isn’t. And it’s good for me to look at that and cut away those things I can’t control – and then focus on what I can control. What can I do better? How can I change my strategy? What can I learn from this failure?
Let me emphasize: failure is okay! We learn from failure.
I’m not going to tell you that you’re not a failure because you are one, just like every other living creature. Life is about the attempt; failure and success are only metrics by which to measure the result. Learn, and live.
//I’m digging into how I balance the various demands of being a hybrid author, giving details on my current decision-tree, how I decide what to give my agent to submit to traditional publishing, etc.
//Spoilers for Guardians of the Galaxy 3 and Oppenheimer – I’m talking story structure, breaking the gridlock of chronology (which both of these do), the difference between backstory and flashbacks, and how a climactic beat CAN happen in a flashback!
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I’m teaching a worldbuilding master class in Portland, Oregon on August 4, if you’re in the area or want to be! Check out the Willamette Writers Conference here.
This week at the SFF Seven, we’re talking about writing male protagonists and how to avoid creating an “alphahole.” For those not in the know, an alphahole is an ostensibly alpha male who is actually an asshole, or is perceived as an asshole by the reader. This is a more complex issue than it seems on the surface. The alpha male hero is a popular trope, particularly in Romance, but in other genres, too. The alpha male is a leader, bold, confident, a protector. In some ways, he is often the idealized male. Some readers don’t like this trope or have greater sensitivity to certain aspects of the typical characterizations.
I tend not to take this too seriously. Personally, I like my alpha male heroes like I like my fiction: no relationship to reality required.
That said, I don’t really write alpha males very often, largely because my books almost always center the female protagonist and her journey to complete the quest, etc. The classic alpha male hero doesn’t intersect well with that kind of arc. Though I do love to have two strong, determined leaders butt heads and find common ground in love, learning to lead together.
Three traits of a guy like that?
//For lovers of The Mark of the Tala, I’m asking a question. Otherwise I’m talking about POV choices, how to decide, and rewriting from different POVs. Also, I’m teaching a Worldbuilding class in Portland August 4!
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A new local bookstore, Purple Fern Books, has a lovely display of my books.
This week at the SFF Seven we’re asking: What is the most useful resource you have for writing?
Usually with this sort of topic, we talk about reference materials or computer programs. I think this time I’ll riff on last week’s topic, which included an array of really good advice on self-care and avoiding burnout. I’m thinking about this because one of my Unpopular Opinions is that writers really don’t need Stuff. It’s one of the lowest overhead creative enterprises there is. Yeah, okay, to submit or publish work, a writer needs access to a computer at some point. That’s the world we live in. But no writer actually NEEDS a fancy program or reference books or, or, or…
There are only two necessary resources for writing: a way to put the words down and ourselves.
I mention this because, in our quest for great tools, we tend to forget that WE are the critical component in the equation, the limiting reagent in the magical, chemical reaction that is bringing a book into the world. And yet we don’t always treat ourselves as the treasure we are. Imagine if you had a laptop as expensive as the single-use body and brain you were gifted with. How much would you baby that laptop? Do you treat yourself that well?
I think my most useful resource is a rested body and quiet mind. Do I always go the lengths I should to make sure I’m running at top operating condition? Not always – but I try. I often get in bed around 8 or 8:30pm, if I’m sleepy enough, because getting plenty of sleep is key for my ability to sustainably create. Do people sometimes think I’m weird and crazy for doing that? Yep. Do I care? Nope. It’s easy to let other people push and pull us to suit their ideas of how we should be, but we are the only ones who know what we truly need. Treat yourself as that expensive, delicate, and precious resource that is most important for your writing and see what happens.
//The ROGUE FAMILIAR audiobook is out now! I’m talking about Jacqueline Carey’s CASSIEL’S SERVANT, how it compares to KUSHIEL’S DART, and on making choices about where to begin a story.
//On trusting the Story Brain, making choices and questioning those choices – authors, I’m looking for comments on your experiences – and also how much I loved Naomi Novik’s Scholomance trilogy.
