My bizarre story about mistaken identity and the revelation it gave me on how we talk to each other and – most importantly – how writers communicate with agents. Also, highly recommend the Willamette Writers Conference!
RITA ® Award-Winning Author of Fantasy Romance
My bizarre story about mistaken identity and the revelation it gave me on how we talk to each other and – most importantly – how writers communicate with agents. Also, highly recommend the Willamette Writers Conference!
I’m teaching a worldbuilding master class in Portland, Oregon on August 4, if you’re in the area or want to be! Check out the Willamette Writers Conference here.
This week at the SFF Seven, we’re talking about writing male protagonists and how to avoid creating an “alphahole.” For those not in the know, an alphahole is an ostensibly alpha male who is actually an asshole, or is perceived as an asshole by the reader. This is a more complex issue than it seems on the surface. The alpha male hero is a popular trope, particularly in Romance, but in other genres, too. The alpha male is a leader, bold, confident, a protector. In some ways, he is often the idealized male. Some readers don’t like this trope or have greater sensitivity to certain aspects of the typical characterizations.
I tend not to take this too seriously. Personally, I like my alpha male heroes like I like my fiction: no relationship to reality required.
That said, I don’t really write alpha males very often, largely because my books almost always center the female protagonist and her journey to complete the quest, etc. The classic alpha male hero doesn’t intersect well with that kind of arc. Though I do love to have two strong, determined leaders butt heads and find common ground in love, learning to lead together.
Three traits of a guy like that?
For lovers of The Mark of the Tala, I’m asking a question. Otherwise I’m talking about POV choices, how to decide, and rewriting from different POVs. Also, I’m teaching a Worldbuilding class in Portland August 4!
I’ll be at the Willamette Writers Conference In August! I’ll be teaching a workshop and giving manuscript critiques. I’m not sure yet if I’ll be in person or online, but I’m hoping for the former!
This week at the SFF Seven, we’re discussing which fictional villain we’d totally write a redemption arc for if copyright and trademarks weren’t a thing.
You know, I did this once before – although I was in the clear legally, as the original work had just moved into common domain. My villain? The phantom from The Phantom of the Opera. I don’t know know that I redeemed him, but – SPOILER – I did ensure that the heroine picked the correct guy!
My version is called MASTER OF THE OPERA, and is a contemporary, erotic retelling of the old phantom tale as written by Gaston Leroux. I set it at the Santa Fe Opera house, so it has more of a Southwestern mystical vibe than the Parisian opera house of the original stories. I won’t post the cover(s) here. There are a number of them, as the book was originally published as a serialized ebook, and so had six different covers. Then it was published in print as a single edition with a different cover. Salient and recent good news: I received word that my publisher plans to put a new cover on the book and repackage it! So, stay tuned for that re-release. I’m super excited to see this new cover and a new bounce for this book and my sexy villain.