Beyond Book Sales: Other Ways to Earn Income as an Author


This week at the SFF Seven, we’re asking about book-related income that is specifically not from book sales.

There was an asterisk to that, specifying that the question was in relation to the Authors Guild 2023 Income Survey, which I didn’t read. (I have Opinions about that survey, which I won’t go into.) But I assume the question comes from the survey dividing author income into book-related and not, and the person asking is wondering what the “not” might be. It’s a good question because I’m a firm believer that long-term success in this fickle business relies on diversifying income streams.

I actually have a line on my income spreadsheets that says “Other Writing Income,” as opposed to the “Book Sales” line. What kind of income is that?

  1. My Patreon: https://www.patreon.com/JeffesCloset. This is how I offer mentoring and coaching to other writers. Plus, it’s a great little community that’s truly supportive and positive in a non-toxic way.
  2. Other kinds of coaching. I also offer various kinds of one-on-one mentoring and coaching.
  3. Workshops, presentations, and master classes. I love giving talks and I especially love it when they pay me!
  4. Articles and similar nonfiction writing. Love getting paid for those, too!
  5. YouTube. I have a podcast, First Cup of Coffee with Jeffe Kennedy, with enough subscribers that I earn income from the views.

Leveling Up Your Craft as a Writer


This week at the SFF Seven, we’re asking each other if our writing changed – and, if so, how?

It might seem disingenuous to say this, but yes my writing has changed: I’ve gotten better.

I mean, one would hope so!

And I realize that “better” is a nebulous descriptor, so I’ll attempt to define it. One thing about writing skill that it seems I end up telling newbies over and over is that I absolutely have gotten faster at every stage of the process. It’s like when you learn to drive a car. (And I learned on a stick shift, so there was an extra layer of learning curve there.) At first you consciously think about a hundred different aspects of the task: the brake, the accelerator, (maybe the balance between the clutch, the brake, and the accelerator, which was a real treat), steering, watching the front, the side, the rear view, reading street signs and traffic signals, and thinking several cars ahead, and remembering where you’re going… It’s a LOT to think about and overwhelming at first. But later, after you’ve been driving for years, you don’t think about all of that anymore, right? Mostly I think about where I’m going and how to best get there – and sometimes I zone out and forget even that, defaulting to familiar routes – but otherwise the rest is subconscious.

Writing is the same way! (I include revising in this.) After time and practice, you don’t have to think about the zillion details of craft, liberating your mind to focus on storytelling.

I think this is something that more experienced writers forget – how much we’ve internalized the mechanics of the process, allowing us to allocate more resources to our creative selves. This freedom allows us to try new things, write more difficult and complex stories, to test our writing chops. Maybe it’s like, to extend the analogy, learning to drive a race car or fly a plane. Going for the fancier skills is predated by learning the basics.

The thing is, I think a lot of us who grow up reading the works that inspire us (which should be all of us, really) have this idea that we can leap directly to doing THAT. Everybody loves the concept of the wunderkind, the prodigy, the creative who makes a list like “30 under 30,” as if that’s meaningful in any way. Spoiler: it’s not meaningful; it’s just unusual, which is why we’re fascinated.

So, do what I advise the writers in my mentoring Discord: take your time, learn the basics. It *will* get easier. And THEN you can deliberately choose to make it harder!

The Secret of Hobbies in Keeping Us Sane

 

This week at the SFF Seven we’re talking about those hobbies that take the pressure off writing.

This is relevant for more than curiosity because hobbies are key for creatives to fend off burnout. It’s interesting, because it seems like when we talk about “hobbies,” we’re already assigning whatever project it is a lesser status. A hobby is something you do on the side, for pleasure and no other reason. I’m going to add that a hobby usually doesn’t generate income (until it does). You might not even be that good at it, because if you were good at it, people would pay you, right?

We talk about hobbies in a slightly indulgent, somewhat disparaging way:

“Oh, my spouse’s hobby is woodworking, but mostly they just putter in the garage.”

or

“My spouse reads countless books. It’s a cute hobby, but an expensive one!”

See what I mean?

The thing about hobbies, though, is that they are critical to our wellbeing. They keep us sane. For creatives, hobbies refill the well, which is what we need to avoid burnout.

What happens for a lot of us making a living from our creative work – I’ll stick with writing as my example – is that what started as a hobby becomes a job. The thing we did for fun, for pressure release, simply out of love, becomes the thing we must do to pay the mortgage and keep the lights on. We lost our hobby and frequently don’t replace it. Because we’re doing what we love for work! That should be enough, right?

Spoiler: it’s not enough.

One of the most important things any creative can do is have a non-monetized creative outlet or two. AKA, hobbies. The non-monetized aspect is important, because it allows us to be creative without that feeling of needing to pay the bills or track sales or make business decisions. I met a US Poet Laureate who also painted – and very well – but had a solid rule never to sell his work. He only gave his paintings as gifts. I’ve remembered that lesson ever since.

What do I do? I confess that, in the eight years since I became a full-time, career author – as in supporting my family with my writing – I have not been super great at keeping up hobbies. I’ve burned out once, too, and come close to it a couple of other times. I’m trying to do better. What do I do?

  1. Gardening
  2. Reading
  3. Interior Decorating
  4. Hiking
  5. Yoga

 

It was instructive to make this list coming at it from the lens of a “hobby” rather than “non-monetized creativity.” I’ve been trying to implement creative things I can do, but I’m just now realizing that these other activities – even something as prosaic painting my living room (I decided to include an in-process photo), as I’m doing this weekend – also count as leisure-time, restorative activities. Theoretically, everything on my list could be monetized.

(Maybe not. Can you be paid to hike? And I will never, ever be that good at yoga! Trust me: a yoga teacher I will never be.)

Anyway, celebrate those hobbies! They aren’t silly or pointless. They’re what feeds us as human beings.

 

Leveling Up – Whether We Want To or Not

This week at the SFF Seven we’re asking each other: do you look for new skills to try each year? Or with each book?

My first reaction is that this isn’t an annual process for me, but an ongoing one. Because it’s absolutely something that happens with every book. And not because I plan it that way! Quite the reverse. With 65 published titles, I often go into new books thinking something along the lines of “This one will be a fast and easy write because x, y, z.”

I am, inevitably, always always wrong.

That’s not to say that some books don’t write easier than others, but they all pose unique problems. It seems to be the nature of the beast, that the creative process goes to a new and more challenging place every time.

I have two caveats to this:

  1. I do kind of look at this on a yearly basis because of my agent, Sarah Younger at Nancy Yost Literary Agency, who sets up annual chats with all of her clients at the beginning of each year. (She jokes that she has to dig some clients out of their caves once a year for this. You know who you are.) I really love this about Sarah because it’s part of what she brings to the table: long-term career strategy. She says she keeps a goal book for each of her clients and we revisit those goals and set new ones each year. For me, a big part of this conversation is always how can I grow and expand? What do I need to do to level up?
  2. The second caveat is that I save some ideas for when I have the chops to execute them. Writers often talk about (and are asked) where they get their ideas and how we choose what to write next. (See above for that.) For many of us, ideas arrive all the time, but that doesn’t mean we’re ready to write them. The second novel I ever wrote was like that – only I didn’t know that I didn’t have the chops to execute the concept. So, over the years, I’ve gradually been adding skills as the stories demand them. In Shadow Wizard, book one of the Renegades of Magic trilogy, I added extra points-of-view (POVs). That was the first time I wrote in more than two POVs. In book three of that trilogy, Twisted Magic, I had five POVs. Who knows where it will end??

 

Except that someday (maybe?), I’d like to go back and rewrite that second novel. I bet I could pull it off this time.

 

Three Places I Find Inspiration

Happy New Year!

On this New Year’s Eve day, I’m busy crunching year-end financials in preparation to go to quarterly tax-reporting. Author finances, however, are not the topic of the week at the SFF Seven. Instead we’re discussing a much happier topic: sources of inspiration.

The two are somewhat tied together for me as I’ve spent the last two weeks refilling my creative well. I finished my revision of ONEIRA (final title to come) on December 15 and sent it off to my editor. Since then, I’ve taken a break from writing work – very unusual for me. The time has been consumed largely by Christmas prep, travel, visiting family, and doing business like the above crunching of year-end financials. Looking at this, I’ve realized that I’ve been relying on passive well-refilling: hoping that if I simply leave the creative well alone, that the vast water table of the universe will seep in and top that puppy off for me.

And, to some extent, that’s true.

However, I’m realizing I haven’t been following my new tenet of aggressively refilling the well. That would mean finding ways to actively pour juice into that well. And that’s where inspiration comes in. What are my top three?

Media

I’m putting a lot under this heading, much like my sibling-under-the-skin, Murderbot. One thing I have been doing is a full re-read of this excellent series by Martha Wells. Reading books – particularly brilliantly written ones by authors I admire – is a great source of inspiration for me. I also include listening to music under this heading. While road-tripping, I put my music library on All Songs Shuffle, which unearths interesting stuff I haven’t listened to in ages. A Cat Stevens song – The Wind – turned up, so now I’m diving into a full Cat Stevens song shuffle. What an amazing songwriter, to communicate so much in so few words. Finally, I love watching movies for inspiration. I got a great idea just the other night from a movie and now I’m sizzling to write this series. Though it will have to wait, the sparkle of that excitement adds to my overall feeling of creative flow.

Nature

I’m fortunate to live in a beautiful place. My desk overlooks a spectacular view and my morning walk with the dog is replete with huge skies, distant mountains, and beauty of all kinds. I say I’m lucky to have this – and I am! – but I also sought out this place, because being outside in a beautiful place is super important to me. Just living here refills my well.

Silence

Longtime readers probably know that I’m an advocate of silence for creative flow. By this I don’t necessarily mean the absence of ambient sound, though it sometimes means that for me. I’m talking primarily about the silence of the mind, the emptiness that allows creativity to flow in, that enables us to hear the voices scintillating through the veil, telling us their stories. Taking time off from the “noisier” parts of my life has been invaluable for that.

Huh… Turns out I’ve been doing better at aggressively refilling the well than I thought!

Best wishes for an inspiring 2024 for us all!

 

Me and the Rise of Romantasy

A weird thing about me: I’m always a bit ahead of my time. I don’t know why this is, but it’s been true all of my life. And it’s not nearly as cool as it sounds (if it does sound cool). In truth, it’s not a great thing at all, because it means I’m never in the full swing of the cultural zeitgeist. I’m the odd duck, the one not marching along with everyone else.

Many of you have heard these stories of my trajectory (which implies a straight course and steady momentum which would be entirely incorrect). In summary:

  1. No one knew how to market the weird cross-genre stuff I was writing, starting back in 2007ish.
  2. Catherine Asaro told me to keep going and just know that writing cross genre would be like wading through hip-deep snow.
  3. Agent at a conf in 2010 told me my work fell in the cracks between genres. I cried. Friends dubbed me “Crack Ho.”
  4. I didn’t know I was writing Fantasy Romance until Carina Press took a chance on a crazy, cross-genre kid and published my books under that genre label.

 

Fast forward to today and the coining of the term Romantasy.

A number of readers have contacted me recently, having just encountered the term, largely via the new Goodreads Choice Awards category. I’m not sure who coined the term, but the portmanteau of Romance + Fantasy has now come to encompass Fantasy Romance and Romantic Fantasy. This has been occurring first in the Indie spaces and now is moving into traditional publishing as they catch onto the trend. Just last February – on Valentine’s Day – Devi Pillai, Publisher at Tor, the notable publisher of science fiction and fantasy (SFF), announced that they’d created a new imprint: Bramble. Monique Patterson, Editorial Director at St. Martin’s Press, moved over to head up Bramble, which will be SFF + Romance.

In very cool news for me, Monique was featured in Publisher’s Weekly Notables of 2023 and namechecked me! (Along with my friend and colleague, Amanda Bouchet.) Monique said:

Romantasy may be the shiny new portmanteau on the block, but the fusing of speculative fiction and romance, Patterson notes, is nothing novel. She points to series by such authors as Amanda Bouchet and Jeffe Kennedy that would likely be categorized as romantasy now, but came out before the term was coined. It was tough putting out such books in years past, but they “would probably do wonderfully now,” she says.

Isn’t that cool? I was so pleased to be mentioned in this context. From Crack Ho to Trailblazer!

Ain’t that just the way it goes?

 

Stay Offline While Writing!


This week at the SFF 7, we’re asking what is the website you use the most while writing?

I’m going to answer this a bit contrarily. While writing – that is, while drafting – I don’t use any websites at all. I do my best to stay entirely offline while drafting. Anything I feel I might need to look up, I put in square brackets and save for the revision stage. On my most recently completed book, TWISTED MAGIC, I had nearly 200 square brackets when I stopped drafting and started revising, which was at about 75% through.

(Sometimes I draft all the way to the end, then revise; with other books I stop at some point and go back to the beginning, revise from there, then go to the end. There’s no rhyme or reason to it. Each book is different. But that’s another topic.)

Now, when I’m revising the website I use the most is… Plain Ol’Google.

(What a world we live in now, where I can write down Google search as an old-fashioned method.)

Now, my Google-fu is strong. I use [word] + etymology a lot to find better words for what I’m trying to say, or that word in another language. I look up specifics on things I want to research more. I look up names. I stay away from rabbit holes, even while revising.

For me, the internet is anti-writing, so I steer clear. Maybe that’s true for you?

Stuck?? Push!

Our topic at the SFF Seven this week is what to do when you’re stuck. Stuck writing, I presume, since other kinds of stuck aren’t really what we’re about here.

I’m sure there will be lots of great advice this week from all the contributors on the various tricks and techniques for getting unstuck while writing. Mine is going to be at the far end of the spectrum at Tough Love.

When I get stuck? I push.

I’m a believer in chipping away at that block and smashing a hole through it. Inevitably there’s juicy stuff on the other side. I think the universe sometimes makes us work for it, and that’s what I do.

Now, I will caveat this advice by saying that I absolutely don’t advise anyone beating themselves brainless against a brick wall. Use your head, and not as a battering ram! There are tools for this process; use them. This is where craft comes in and skill, where having a well-cultivated imagination will fuel the process, where having excellent work habits allows for focused attention.

Push through those sticking places – but use your words, not your fists.

 

TWISTED MAGIC Is Almost Here!

TWISTED MAGIC is finally (almost) here! Releasing on Tuesday, November 28, 2023, the book is available for preorder now – including in print!

 

***

Their love makes them stronger together… Unless the world rips them apart

Jadren El-Adrel knows he’s a mess. He’s a cobbled-together monster pretending to be a wizard, still unable to master the magic that makes him pretty much immortal and is useless for anything else. Though he’s tried to learn to work with his familiar, Seliah, he’s still terrified to discover what might happen if he gives himself full access to the depths of her powerful magic. Some questions should never be answered.

Seliah Phel got her happy ever after. Jadren loves her; they’re together in a safe and beautiful place; and they’re finally learning to work together as wizard and familiar. But even she must recognize that Jadren continues to stew in his black moods, brooding that only worsens when he receives a missive from home, his horrible family demanding the unthinkable: that they both return to House El-Adrel.

As the denizens of House Phel fight an increasingly pitched battle against the enemies determined to destroy them forever, Jadren and Selly fight their own war—against the past and to overcome their own failings. To become truly stronger together.

***

And yes, there will another trilogy in this world! I haven’t set dates yet, or even titled the trilogy, but I hope to have all three out in 2024. Stay tuned!

What Can I Teach You?

Our topic at the SFF Seven this week is classes – what are we learning and from whom?

I have a bit of a jaundiced view of classes targeted at authors these days. There’s such a proliferation of “pay me to make you successful” schemes out there targeted at writers, most of which are predatory. Maybe you’ll learn something? Probably not. Also, unfortunately (to my mind), the ones that seem to be the most successful are those that make people feel good without giving them real, helpful advice or tools.

There are good teachers out there, and good advice-givers of other kinds, but the best way to get good at doing anything is to do a whole lot of it.  That’s why, though I occasionally teach workshops – I really like teaching Master Classes! – I’m mostly mentoring, coaching, and advice-giving through my Patreon. (I know, I know – seems like everyone has a Patreon these days!) Mine is modest in size (and in advice-giving, really) and works mainly to give me a place to offer insights from my experience to people who care enough to invest in hearing from me. We have a terrific, supportive community and I’m really loving it!

Come and join for as little as $5/month!