Do You Knit… or WEAVE?

Our topic at the SFF Seven this week is… knitting? Did our calendar guru pick this for Mother’s Day week, or is it a coincidence?

Anyway, it’s not the knitting you think. (Or not the knitting *I* thought.) We’re asking each other if we write scenes piece by piece and knit them together, or if we have ever had to knit-in scenes? Come over to find out how I handle this. 

The Mark of the Tala: The Musical

Our topic this week at the SFF Seven is “Your book as a musical: which book would you choose to have made into a musical and which composer/lyricist/songwriter would you have score it?” Come on over for more.

The Freedom of Being a Hybrid Author

Our topic at the SFF Seven this week is “Choosing your freedom – Traditional or Self-Publishing?” We’ve been asked which freedom we picked: the freedom to write without getting into the business side or the freedom to control it all? I bet you know what my answer is…

Real Information on Author Finances

Our topic at the SFF Seven this week is again eerily timely. We’re talking writer finances. How do you budget for uneven income? What’s your biggest expense?

With so many people struggling financially due to the #COVID19 shutdowns, managing money is heavy on many people’s minds. It’s odd to find myself well-equipped to deal with this because – as a full-time writer with no other income and with a non-salaried spouse who does not provide me with health insurance – I am always juggling the financial balls. Come on over to learn more!

Finding the Good in a Changing World

Our topic this week at the SFF Seven is whatever is on our minds. With pretty much the entire world in sparkling isolation, there’s really only one thing on our minds: COVID-19.

We’re also exhausted of thinking and talking and reading about it!

So, I’m asking everyone – what good things have come out of this massive change? I want to hear about how your lives have altered in positive ways. Come on over to hear about mine!

When Writers Block Means to Dig Deeper

Our topic at the SFF Seven this week is: “The most difficult scene you ever wrote and why.”

I’m guessing that’s why was it difficult, not why we wrote it. Though I do think the why we wrote the scene in the first place is relevant.

There’s a school of thought among writers and writerly-advice givers that if a story becomes difficult – if the writer hits a block and grinds to a stop – then that’s an indicator of Something Gone Wrong. I see this advice a lot. Writers will say – often in response to questions about how they handle Writer’s Block – “When I hit a block, I know I’ve done something wrong, taken a wrong turn somewhere, so I go back and rework the plot.”

You all have heard a version of this, right?

Makes me cringe every time. I’ll tell you why. But you have to go to the SFF Seven to find out.