RITA ® Award-Winning Author of Fantasy Romance
//Critique and other feedback! What makes crit useful and not, how to know what to take and what to discard (Spoiler: it doesn’t get easier), and what we can learn about giving useful critique.
//A story about how Romance continues to be treated like antimatter in some parts of the SFF community. Also, exciting news on ONEIRA, and a bit more about agents and being careful who you pitch to.
//The importance of voice, refining it, learning how to get it on the page, how dismissing something like the 3-Act Structure as formulaic is missing the point of storytelling entirely, and why (again) I’m not worried about AI.
//A dive into genre today, along with a discussion of whether there’s an identifiable plot arc for Science Fiction or Fantasy (hint: there isn’t), and what I’ve recently discovered about writing a Romance.
//I’m digging into how I balance the various demands of being a hybrid author, giving details on my current decision-tree, how I decide what to give my agent to submit to traditional publishing, etc.
//Spoilers for Guardians of the Galaxy 3 and Oppenheimer – I’m talking story structure, breaking the gridlock of chronology (which both of these do), the difference between backstory and flashbacks, and how a climactic beat CAN happen in a flashback!
//For lovers of The Mark of the Tala, I’m asking a question. Otherwise I’m talking about POV choices, how to decide, and rewriting from different POVs. Also, I’m teaching a Worldbuilding class in Portland August 4!
//The ROGUE FAMILIAR audiobook is out now! I’m talking about Jacqueline Carey’s CASSIEL’S SERVANT, how it compares to KUSHIEL’S DART, and on making choices about where to begin a story.
//On trusting the Story Brain, making choices and questioning those choices – authors, I’m looking for comments on your experiences – and also how much I loved Naomi Novik’s Scholomance trilogy.
//Creativity and vacations/holidays, moving from writing as a hobby to a career, taking your mental health seriously, maintaining writing productivity, meeting deadlines, and methods for aggressively filling the well.
