I’m (finally!) talking about book boxes and their business models. Some are great! Others not so much. How do you tell? Also on scheduling creativity, especially making a living as an author.
RITA ® Award-Winning Author of Fantasy Romance
I’m (finally!) talking about book boxes and their business models. Some are great! Others not so much. How do you tell? Also on scheduling creativity, especially making a living as an author.
How being a career creative means always continuing to learn and refine your craft, showing vs telling, how worldbuilding without info-dumping is an ongoing challenge, and why perfection is an unattainable goal.
More granular insight into my revision process, including how I create and name “new” monsters, stealing from the best houses, and how we all borrow from other creators, whether we realize it or not.
Breaking down my revision process today, including sharing some interesting thoughts from crit readers on where I can improve as a storyteller, and a bit on content/developmental editing.
A bit more on organizing large reader events and how scaling up gradually is super important for all small businesses. Also, how to tell if an agent is legit, or – if legit – the kind of agent you need.
Today’s topic is planning conferences, specifically how contracting with hotels works, what it costs, what you have to commit to, and how inexperienced con organizers can end up owing tons of money.
Businesses that prey on authors – especially indie authors – how their model works, incompetence vs. maliciousness, and how to spot the ones that might provide little to no return, or collapse utterly.
A round-up of my weekend, including a fun event with the fabulous Melinda Snodgrass. Also thoughts on including twists in stories and what’s required to earn them.
Some discoveries I’ve made on what my time is worth, along with contemplation (yet again) over the concept of what makes a work “good” – and what relationship that has (if any) with the work’s success.
Exciting news from Tor on their new romantic imprint, Bramble. Also thoughts on my struggles with ROGUE FAMILIAR and why I should learn to take my own writing advice.