The Pain Box

I love the intensity of the color in these begonias, though it’s hard to capture. An ongoing effort to replicate what my eyes see.

In photography class, though, I learned that we can never make photographs that come close to what our eyes see, because our eyes are so much more sensitive and sophisticated. I suppose I knew that, but it’s important to keep in mind.

I was talking with a writer-friend yesterday about writers groups and people who’ve come and gone in our lives. She mentioned a gal who’d been in her group and had quit writing when she was “thisclose” to getting an agent.

I said I think that’s the most difficult time.

It reminds me of a scene in Dune, Frank Herbert’s classic science fiction novel. It’s been a while since I read it, so forgive me if I get the details wrong. As a test, the young hero has to place his hand inside of a box. He’s told he’ll experience excruciating pain in his hand, but if he can withstand the pain and keep his hand in the box, he’ll receive a reward he’s seeking (I forget what). If however, he tries to pull his hand out, a blade will slice his hand off at the wrist.

Most people can’t take the pain and give in to the desire to pull their hand out, losing it forever. Our hero, naturally, overcomes the fear that his hand is being destroyed as it feels, and emerges victorious.

It’s one of those scenes that makes the reader feel good about ourselves. We like to think we’d be like the hero. We would know that our hand is okay and why would you give in and yank it out, if the certainty is losing your hand? And yet, deep down, we all know how really hard it is to persevere when fear and pain become overwhelming.

This is why the “thisclose” is so difficult.

The proximity of great reward somehow makes the pain of rejections and setbacks just that much worse. It’s really difficult to stay there, with your hand in the box. At some point, losing the hand altogether, so you don’t have to wait and suffer a moment more starts to look really attractive.

That’s why people quit a lot of things. And yes, giving up on a dream is a lot like losing a hand. Oh, you’ll live, but you’ll be missing a vital piece of yourself. Something you could have used to do something special.

To all of us with our hands still in the box? Cheers and steady-on.

The Book of My Right Now

Sometimes our dramatic landscape shows itself in subtler shades. Sunday evening’s storm reduced the mountains to grayscale, with all of the interesting outlines that brings. This is a piece of the ridged horizon I usually show you, my blog-gobblers, just with different perspective.

(I’m also getting better at my telephoto lens.)

When I was a kid, my mom loved to come down to Santa Fe, Phoenix and Tucson for warm-weather breaks. They were within easy striking distance of Denver and she has always loved the desert. Even then I was struck by the way the light down here makes the mountains look two-dimensional. I wrote terrible poetry in my adolescence, as adolescents are wont to do, and I seem to recall that one line went “the mountains are a cardboard cut-out, propped against the western sky.” Good set-design makes you believe a flat is three-dimensional, but the real world doesn’t always have depth.

I find it interesting to think about, but maybe that’s just me.

Kelly Breaky likes to tease me about my interest in perspective, and I suppose she’s right that it’s one of my core “issues.” I often say I’m a grey-area kind of gal. Very rarely am I willing to commit to the absolute yes or no on a scale.

For this reason, I have trouble with writers who talk about their “Dream Agent” or the “Book of Their Heart.” Actually, I never heard the term “the Book of My Heart” until I started hanging with more of the romance community. Granted, we’re more about expressions of love and passion than some other genres, but it’s still an odd idea to me, that there’s one book we’ve written that we treasure above all others. I loved Obsidian, but now I think The Body Gift is a better book. I tend to be passionately in love with whichever book I’m currently writing, in fact.

The Dream Agent hits me the same way. I don’t believe there is such a person for me. I can think of quite a few agents that I think do great work, any of whom I’d be delighted to have represent me. But then, I don’t believe in a One True Love, either. I think each of us probably could have wonderful lifelong relationships with any number of people. Each person and relationship is different and brings something new. Sure, we can’t fall in love and treasure just any person off the street. But the pool is bigger than just one.

The romantic in us loves the idea of the Dream Agent, the Book of Our Hearts, the Happily Ever After. But the practical person in us, who lives in a three-dimensional world, knows that everything runs deeper than that. What is right now, may not be right later.

All we can do is make the best possible choices, given the information we have right now.

The best part about life and the way it always changes? Nothing is truly permanent. If other paths are meant to be, they’ll show up, too.

Just wait for the light to change and show you something different.

We Photograph Light

If I was organized, I’d keep a list of which photos I’ve used on the blog before.

In fact, feeling a surge of organizational enthusiasm, I just started a spreadsheet to track them. I know you’re relieved. Though we walk through the Valley of Chaos, we fear no disorganization, for Excel is by my side.

Okay, yeah, I had fun at the photography class last night.

After I reluctantly dragged myself to it. Working from home, I’ve developed a disconcerting tendency to not want to leave the house. Not to mention in the evening, after a full day of writing and day job. Somehow it feels like so much effort.

Which I know is lame and pathetic.

Fabulous class, really. One thing I should remember about myself is that I’m an auditory learner. My reading comprehension is decent, but there’s nothing like having someone EXPLAIN something to me. Also this guy, Steven Walenta, clearly teaches this Digital Photography class for the Continuing Education end of Santa Fe Community College quite a lot. He had clear, informative slides, took his time and showed patience for all questions.

One of my favorite things he said: We photograph light.

Of course, we kind of know this already, right? We only “see” objects because of the photons bouncing off of them and back to our eyes. So we don’t photograph the rain chain, for example, but rather the light bouncing off the rain chain. This changes how you make decisions about your camera settings.

Suddenly it all makes sense to me.

Oddly, I was the youngest person in the class, with the possible exception of a woman with some kind of Scandinavian accent. She also had gorgeous Scandinavian skin, so I’m not positive of her age bracket. The rest of the ladies – yes, all women taking this class – were more in their 50s and 60s. Do the younger people all understand their cameras already? One of my twitter friends, Chudney, suggested that many people don’t pursue their interests until later in life and I’m ahead of the game. Which is a lovely spin.

But why no men in the class?

In my previous snarky literary circles, and yes, they were famous for being snarky – that’s how you could tell they were literary – authors would bitch about “all the middle-aged ladies” taking writing workshops. Oh, I’ve seen and heard the most disdainful remarks about how these women have money and nothing to do with themselves. Some of these “vacation-type” writers workshops you see now and again that look obscenely expensive? Yes, targeting this type of student.

The implication, of course, is that these are lesser humans, who will never achieve what the teacher has. But we’ll take their money, anyway.

Instead, I find them admirable. They’re dragging themselves out to an evening class to learn something new and intimidating. I think I’m overwhelmed by my new camera? How about the lady in her late 60s/early 70s who’s never downloaded a photograph to a computer?

I watched Steven move around the room, helping people find the settings on their cameras. Never impatient, never disdainful, even though he must have explained pixels ten-thousand times before, he showed a gift for teaching what he knew. And a pleasure in his subject.

The literary snarks could learn something from this.

Blooming Right Along


The cholla are fulfilling their early promise and have burst into full bloom.

Some cholla more than others, which I never quite understand. It’s the same with our desert four o’clocks out front. Ours are big and lush, but haven’t bloomed while smaller (and larger) clumps unattended out in the desert are blooming away. There’s almost certainly a reason, but I don’t know it. In my solipsistic universe, that’s pretty much the same thing.

In a similarly random bit of selection, my photos are up on the contest site, but one didn’t make it, oddly enough. I’m to give them 48 hours, then we’ll see.

I’m confessing right now: I didn’t end up using any of the ones suggested to me, though they were all in the pot. I started out with over 30 finalists and culled down to 12. I didn’t use the cholla blossom, because there are so many other similar and better photos. I didn’t use the Isabel at the horse trough because it wasn’t signature New Mexico scenery. I doubt I’ll come close to winning anything, especially because I have no intention of asking anyone to vote. I really hate the trolling for votes thing. Soon it will cease to be the thing – can’t wait for that day. Swing, pendulum, swing!

Sterling is coming right along. I think I have a real working title now, though I might run it through a few more people. I have one no vote and several enthusiastic yeses so far. I’m reliably hitting 1.5K now. A bit of rest always helps build endurance.

Love these full-bloom days.

A Thousand Words


The desert four o’clocks are in full bloom, lighting up the landscape with their intense purple.

Turns out that the New Mexico Tourism Department is running a photo contest. I think I’ll enter, just for kicks. (No, not with this photo.) I can enter five, so if any of you have opinions on the pics you like best, let me know! I put all my best photos on the blog here, so I’ll likely pick from those.

I don’t expect you to troll through the entire blog archive, unless you’re really excited to to it. The New Mexico photos start almost exactly one year ago, which is a serendipitous coincidence, with I’m Just Wild About Harry in June 2009.

After that week, you’d have to skip into July, for the house-hunting trip beginning with Our Eight Lovely Finalists (which are only pictures of houses). Then it’s to August and Dances with Quail.

Yeah, I got sucked into reading those old posts. Such with the navel-gazing.

You’d be well-advised just to look through the photos. Or not. BUT, if someone suggests a photo and it wins anything, I’ll give you a prize. A gift-certificate to Ten Thousand Waves or to the indie bookstore of your choice.

See? It’s not always about writing.

Although, I can’t help but notice that the saying is that a picture is worth a thousand words, and I write at least a thousand words a day. That means one photograph is the same as writing my 1K?

Yeah, not so much.

We need to reevaluate that saying.

I Love the Crescent Moon, Shining in the Sky

That’s a really pretty crescent moon hanging over sunset’s final exhalation last night.

Were I a better photographer, you could probably even see it…

I added a cropped version, for better viewing. But then you lose the scope of the sunset.

I looked into photography classes this weekend. I figured, hey, I’m in the (relatively) big city now, there must be lots of photography-type workshops for me to take. And there are. I even got excited about this one taught by an Outside Magazine photographer and spent time debating whether I could brazen my way through as an “advanced amateur.” Turns out they had definitions, and advanced amateur requires the ability to understand the manual settings on your digital SLR camera. Since I’d have to Google “SLR” to discover what it stands for, I figure that’s not me. And who knew there were manual settings? Isn’t that why we all ditched those huge film cameras for our sleek little point-and-shoots with the nifty wizards?
I know, I know — my ignorance in this area knows no bounds.
So I determine that I fall into the lowest bracket: Enthusiast. Which I think means I have more enthusiasm than sense. Which actually sounds about right. It’s a nice way of patting me on the head and saying, “but at least you try, dear.” Besides, nifty workshop with Outside Magazine photographer? $1800 for the WEEK.
Yeah, I know.
Cheapest class I’ve found so far is $450, and that’s the “commuter rate” for another week-long deal.
Suddenly I’m a townie.
Apparently being in the Land of Art means that everyone thinks you’re wanting to shell out to be the next Stieglitz. Where is my Saturday afternoon $75 class for enthusiasts who don’t know their digital cameras have manual settings?
I might have to resort to a book. Self-study.
Hmmm…maybe I’ll even read the camera manual!