Or ebooks here:
And if you want to be part of a “Thunderclap” – and, hey, who wouldn’t? – you can sign up here:
Fun preview post of the Coastal Magic Convention, which I’ll be attending!
Going Under is now up on Net Galley!
Thunder on the Battlefield, the fabulous anthology that contains Negotiation, the prequel story to The Mark of the Tala, is on sale through Friday, April 11! You can get the digital book for only 99 cents.
Hell of a deal!
The submission window for NestPitch NOW OPEN, and will remain open for 24 hours 12-noon 1st April to 11.59am 2nd April (USA EST) There’s no cut off number. Everyone who submits during the window will make it into the contest.
All entries will receive a receipt. If you don’t, check with Nik Vukoja on Twitter @nestpitch and/or @nik_vukoja
Send your entries to nestpitch @ outlook .com (no spaces)
For formatting instructions and rules go to this post go to: http://nestpitch.wordpress.com/2014/01/19/nestpitch-update-rules-conditions-whats-a-bilby-anyway/
NestPitch is a contest where participants email their 35-word pitches together with the first 300* words of their (finished) manuscript,(100-word for PBs).
The selected pitches will be featured on these blogs:
Brooke Powell www.thecakenovelist.blogspot.com
Kimberly P. Chase http://kimberlypchase.blogspot.com.au/
Jeffe Kennedy http://www.blog.jeffekennedy.com/category/blog/
Tina Moss http://www.tinamoss.com/
Amanda Foody www.amandafoody.blogspot.com
Dannie Morin http://dcmorin.blogspot.com.au/
Sharon M Johnston http://downunderwonderings.blogspot.com.au/
Sharon Bayliss http://sharonbayliss.blogspot.com.au/
Stacey Nash http://www.staceynash.com/
Then agents, their identities hidden, will leave a request for pages, partials and/or fulls of the featured pitches.
Entries must be embedded within email (no attachments) with following:
Name: YOUR NAME
Title: TITLE OF MANUSCRIPT
Genre: Category/Genre of Manuscript (i.e. NA Romance)
Word Count: (nearest 1000)
PITCH: 35-word (max) log-line
Answer to qu:
(question: in one sentence, max 15-words in the sentence: If my Main Character were an Easter Egg, what flavour would he be & why)
First 300-words of your manuscript. If the 300th word falls in the middle of a sentence, go to the end of the sentence. For Picture-book submissions please only submit 100-words. If the 100th word falls in the middle of a sentence, go to the end of the sentence.
(i) your manuscript has not been featured in another Pitch Competition in the past 12 months – that’s ANY pitch competition (not twitter pitches), from the period April 1st 2013 to 31st March 2014
(ii) your manuscript IS NOT published. This INCLUDES self-published.
Our Slush Bilbies & Nest Bloggers will read through the pitches and pick the top 72 pitches for the agent round; April 17th – 18th
We try to get a good mix of various genres, but the writing comes first. Basically, if the submissions aren’t ready, it’s in your best interest that we pass, the last thing anyone wants is your manuscript to be old & tired from “doing the rounds” before its ready.
Sex is a fundamental human experience and arguably the most powerful. The intimacy of sexual interaction can elevate the tension, emotion and visceral impact of most any story. But how do sex scenes best function in the speculative fiction genres?
This class will cover the basic of adding vivid, sensual and heart-pounding sexytimes to any story. In particular, students will explore examples of sex scenes that enhance the world-building and fantastic elements of any speculative fiction tale. Finally, writers will come away with tools for using sexytimes to enhance and build unique excitement in their worlds. Students will be able to submit short scenes to the instructor or the group for feedback.
In the fourth fiery installment of Jeffe Kennedy’s scintilliating Master of the Opera, a woman surrenders-body and soul-to the one man who is everything she desires, everything she craves, and, possibly, everything she fears…
Reeling from the discovery of a dead body in the Sante Fe Opera House, intern Christy Davis is forced to reassess the strange, erotically-charged relationship she’s forged with the mysterious masked man who lives in the labrynths below. Could her masterful lover be capable of murder, and worse? Perhaps it was the thrill of danger that drew Christy to him in the first place-like a moth to the flame-instead of a more conventional romance with the opera house’s handsome benefactor, Roman. For the sake of her sanity, she must at least give Roman a chance. But for the love of her master, she must give in to every wild fantasy, every wicked game, and every whim he commands…
Is Christy prepared to make the ultimate sacrifice? To surrender her heart, her soul, her everything? First she must acknowlege the truth: a woman in love can serve only one master…
and here’s a fun review: (entirety here)
Worldbuilding: I’m thrilled out of my mind about this installment in the serial, but even more so about the next one. As you might have seen from my Genre OCD-ness, in this one we get to see a glimpse of a fantasy world that I CANNOT wait to explore! Aside that, the brilliance of the Santa Fe setting with the Opera in particular still made my heart throb.
Characters: I will admit I found Christy somewhat less likable than in previous parts of the story, but to her credit this is the make or break point (I think) in her and the Master’s chemistry. It makes sense that she’d be confused, hesitant, indecisive – her behavior makes sense to me in the circumstances. Then again, she did end up doing what I wanted her to So all is good. I loved Hally, I always love it each time she shows up because she has this cool, spiritual vibe while being wicked fun at the same time – love the combination.
Characters I’ve previously found annoying got even more so now, and can I just say I hope they get a rash in parts they can’t scratch? If you’ve been reading this serial, you know for sure who it is I’m talking about *coughRomancough*.
Plot: Aside the growing mystery vine, a fantasy tangent made a teasing entrance and I’m dying to follow all these leads to the end of the story.
Writing: Awesome third person narrative, Christy’s POV. The more the Master shows and his world, the more I fall in love with Jeffe Kennedy’s atmosphere-building and relationship-building.
Curb Appeal: Great cover, hooking blurb, instant buy author name = epic win.
All in all, I felt this was a great addition to the serial and that it ended with a huge teaser (for me), making me want to REALLY want to read the next one like right now. But then again I feel that way after reading anything by Jeffe Kennedy, so no surprise there.