RITA ® Award-Winning Author of Fantasy Romance
//A round up of my weekend and the FaRoFeb events I participated in. A new working title for BANDITS, what you have to do to get the ban-hammer on my FB page, and a couple of pieces of cool news!
//The challenges of building a secondary fantasy world while still keeping the pace moving along. Also, the plum blossom rule and how it applies to people always finding something to critique in your work.
//Have some project you really want to do? Why you should put it in motion today! Also thoughts on worldbuilding in Fantasy, monetary systems, making mistakes and fixing them, and how pitching never gets easier.
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Exciting day today! For today only, 200 of the most amazing books in Fantasy Romance, Gaslamp Romance, Monster Romance, and Paranormal Romance are FREE! Go load up your eReaders by clicking here https://farofeb.com/freebooks/ Below are some samples of the books available, including my own DARK WIZARD.
This week at the SFF Seven we’re talking about what makes readers invested in a story. It’s an interesting question, really, and the subject of much debate. I think every author would love to know the “magic formula” for making this happen in every book. Sometimes, though, it can be a real surprise what readers latch onto. There’s always an element of unpredictability there that’s part of the joy of creating and storytelling. (Which is one reason why I believe Artificial Intelligence (AI) will never supplant human creativity, but that’s another discussion.)
So, my thoughts on ways to engage readers and entice them into being engaged in a story?
*Of course, none of this is actually simple. It takes craft, talent, and lots and lots of practice. Read widely. Re-read your favorites. Observe how other authors accomplish this and emulate shamelessly!
//How to write a synopsis – or, at least, fake it the way the pros do! Great news on BANDITS and next steps there. Also, why agents/editors ask for partials, why you should include your profession in your query, and other crazy checks.
//About the evolution of recognizing oneself as a writer, claiming the name, and other steps newbies can take to move from the furtive phase of writing to feeling confident in that skin. Also, it’s FaRoFeb!
//I’m back! Talking about the amazing VIP tour of NASA’s JPL facility, the visit from Darynda and our upcoming talk on Twilight, plus reflections on how my business and leisure travel are so intertwined now.
//RUBY is out in the world, completing my re-release of the Facets of Pasion books. Otherwise I’m waxing on about Buffy the Vampire Slayer and my love for Spike, including thoughts on whether their relationship was “abusive.”
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ROGUE FAMILIAR has a cover!! I’ve been loving the enthusiasm for it, too. It’s a great inspiration to me as I write Selly’s hunt for Jadren.
This week at the SFF Seven we’re talking tools for writers who aren’t beginners. I seem to be hearing a lot of interest in this topic lately. I’ve been contemplating setting up some online classes and not long ago I asked for input on what kinds of classes people would like to see from me. (Feel free to comment or message me if you have ideas or requests!) One of the suggestions that came up often was a desire for classes for more advanced writers, targeting those who’ve written several books but want to learn how to keep getting better at it.
So, I’ve been working up some lists of more advanced topics I could teach – and thinking back to where I learned the intermediate and higher stuff. Some of it is always going to be self-study. Reading other authors. Listening to other writers talk about their process. Re-reading favorites to study how those writers accomplished what they did. I think those are the best tools.
But I’d also like to see more craft-focused workshops, classes, and discussions out there. For quite a few years, it seems, the bulk of information offered to writers seems to focus on business. There are countless opportunities to learn Facebook ads, newsletter marketing, keywords, BookBub ads, Amazon ads, ad infinitum, ad nauseam. Why? Because those are easy to teach. Teaching craft is a much more daunting prospect. In fact, I’ve heard debates among creative-writing professors about whether the craft of writing can be taught at all.
At any rate, this isn’t a very informative post, I know. I’m not offering any good tools here (other than the above), but rather food for thought. Improving craft is something we all (well, most of us) want to do. I’m thinking up some ways to get at it. Suggestions welcome!
//How my day went all to hell yesterday with several pieces of bad luck. More importantly, I’m talking about my bestie Grace Draven, some stuff she’s dealing with, and her upcoming Go Fund Me.
