RITA ® Award-Winning Author of Fantasy Romance
Author: Jeffe Kennedy
//Happy 10th Anniversary to THE MARK OF THE TALA! I’m talking about why that was a milestone book for me and the journey from crack ho to the rise of #Romantasy. Also being an intuitive writer and how that impacts my process, especially revision. And balancing a traditional publishing career with an indie one.
//I’m filling you all in on my editorial meeting with my Tor editors and my agent and, as requested, explaining what it’s like to discuss an upcoming contracted book with only an amorphous idea, as I don’t/can’t outline ahead.
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This week at the SFF Seven, we’re talking about real life people (or celebrities) we’ve based characters on.
That phrasing makes me laugh a little because I’m pretty sure celebrities are still real life people. It puts me in mind of some of my ongoing themes of reminding readers that their favorite authors are still people who get sick and have life drama. But I digress.
I don’t know if I’ve talked about this openly, but in UNDER HIS TOUCH, the second Falling Under book (and this series is contemporary erotic romance, not SFF, fair warning), I totally based the male protagonist on a celebrity. I wanted a Brit man, one who was brooding and not conventionally handsome, full of smoldering sexiness. Guess who I based him on?
Yeah, yeah – I know. Only a book nerd like me would pick someone like that. I don’t think it’s at all obvious in the text to the reader, but he was the guy I envisioned when I wrote it. I even threw in a little Amanda Palmer easter egg, just for fun.
//My interview with Susan Cooper and #authorgoals, process and working with an editor and publishing house, and a breakdown of the plagiarism lawsuit brought against Entangled, an agent, and an author.
//I’m having a rant today, talking about the fantasy genre and how I define it – with supporting details! – and what differentiates Fantasy from a fantasy. Also reviews and thoughts on The Idea of You and Challengers.
//Thanks to you all for the support and kind words on my cat, who is even now having his toxic masculinity excised. Also, why it’s important for writers to share a common language and the role of privilege in creativity.
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I used this photo (Thanks to Craig Chrissinger for taking it!) a couple of weeks ago, but it’s too appropriate for this week’s topic to pass up using it again. Our topic at the SFF Seven is our fantasy dinner party. We’re asking which SFF authors and characters you’d invite to a soiree.
The thing is, one of the best perks of being an author is getting to make other authors be your friends. So my fantasy dinner parties have mostly happened! Case in point: above I’m having dinner with Martha Wells, Darynda Jones, and Kelly Robson. Yes, it was a great conversation. I feel so blessed and fortunate that I pretty much get to have my fantasy dinner parties on a regular basis now.
Last week I got to have dinner with Amanda Bouchet, Maria V. Snyder, Jennifer Estep, H.R. Moore, and Maria Vale. On another evening, I sat between Juliette Cross and Chloe C. Peñaranda, later joined by Carissa Broadbent.
The one person I have yet to meet in person – and hopefully have dinner with! – is Neil Gaiman. But I do have his cell phone number and have chatted with him on the phone, which gives me all kinds of happiness right there. Since it’s a fantasy, Anne McCaffrey, Tanith Lee, and Vonda McIntyre could all come back from the dead and join us.
My younger self would be thrilled.
//I’m struggling with story focus and considering breaking All Of My Rules and writing something else. I can’t decide, which doesn’t help. Also, my cat drama from this week and how that has upset things.
//I’m back from Apollycon and giving my wrap up. I got AMAZING news there, but – fair warning – I can only tease it for now. Otherwise giving my take on the event, what was great, trends I saw, and some of the lovely people I met.
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This week at the SFF Seven, we’re talking about our revision process.
I’m running behind, as I seem to eternally be doing these days, and posting this a day late, but I feel it’s important to talk about my revision process to dispel a huge myth about intuitive writers. I feel strongly enough about making this case that I’m using the term “Pantsing,” which I almost never use.
(As an aside, the reason I don’t like that term is that it comes from “to fly by the seat of your pants,” which implies a lack of control that I think comes from the pre-plotting end of the spectrum. Writing without outlining beforehand does not mean having no control of the story. It also doesn’t mean that intuitive writers don’t plot. All writers plot; otherwise there wouldn’t be a story. The difference lies in whether we determine the plot before writing or during it.)
A consistent message I hear from those espousing pre-plotting is that writing a book without creating an outline first leads to many blind alleys, cutting huge chunks of prose, and spending even longer on revision. While this can be true of some writers – which is fine! Figure out what your process is and own it, I always say – this is not true of me.
Intuitive writers like myself have often internalized story structure. We know how to write the novel without resorting to external guideposts like an outline. I also think that I draft faster by writing intuitively, by submersing myself in the creative flow of the subconscious. It takes me typically 55-60 working days to draft a novel of 90-100K words. Then I spend about 14 working days revising. I typically cut 1-2K words in revision and add ~10K.
Explaining everything I do in revision would take longer than I have in this blog post, but in essence, my process is this:
And that’s all she (I) wrote!