Knowing When to Stop

Kindle ranking #2A little while back I mentioned that monsoon season was starting in New Mexico, bringing all that metaphorical and literal goodness to my life. Such a rain of blessings, indeed! Carina Press put Rogue’s Pawn on sale for 99 cents (through July 19, if you haven’t snapped up that deal yet) and it was featured on Book Bub. Amazing results in that it hit #2 in Fantasy Romance. Right behind Dean Koontz, which had us all scratching our heads. Turns out he’s doing more romance and less horror these days.

Still – me and ol’Dean, yanno? Such a major rush to see this book ranked so high.

Br765aqCEAAwF4XI saw this go by on Twitter this week – Henry Miller’s set of “commandments” for himself on getting his work done. I’d never seen it before and thought it’s so very smart.

One aspect I like best here is that he made this list for himself. Who knows, in today’s era he’d maybe have put it up on his blog. But then, he’s clearly addressing himself. I particularly love that he forbids himself from adding more material to “Black Spring.” There are a lot of great nuggets here – the acknowledgment that “creating” doesn’t always feel like it can happen every day, but work can. To work with pleasure and not make it into a chore. The one that really struck me, however – maybe because I’m not sure I’ve seen another writer encounter this – is #4: Stop at the appointed time.

I’ve discovered this is really key for me. We all have the bad days, the tooth-pulling ones. Where every word feels hard-fought. On the worst ones, I don’t get my wordcount and that bothers me. I’ve discovered, though, that sometimes that happens. Sometimes the story needs to cook or I just don’t have the mojo that day. If I’ve put in the diligent effort, I try to cut myself the slack and let it go. Usually the next day is much better. Sometimes I’ll have several days in a row like this and I just have to chip away at it.

The reverse is the true glory. The days that every writer lives for – when the words pour out in a rush, as if from another place, and I only have to type as fast as I can to get it all down. On those days, it can be VERY tempting to keep going. Especially since I usually have time, because I got the wordcount fast and easily. Often I go over on those days by 100 or 200 words.

And I find myself thinking, why not go for an extra 1K?

I used to do this, but I don’t let myself anymore. Which is why I’m fascinated that Henry Miller apparently set this rule for himself, also.

It’s important for a working writer to learn to write through mood. In essence, you can’t let the bad days get you down. I think it’s equally important not to let the good days carry you away. Inevitably, if I milk that flow and push for extra words, push past the appointed time, I incur some damage.

I’m not sure why this is, it just is.

(Okay – I suspect it has something to do with breaking an agreement with my subconscious self, but that gets into complicated territory fast.)

What kind of damage? Usually I’ll trigger a crash and then I’ll get a run of days of shortfall. So much so that, in the overall scheme, I’ll end up behind my timeline instead of ahead of it. Totally not worth it. It would be interesting to know if Henry encountered the same thing.

So this is my rule for myself now, too. I stop at the appointed time or at my wordcount goal and call it done. Has anyone else encountered this? Either in an artistic pursuit or some other arena?

Hope you all have a fabulous weekend!

Jeffe’s Hateful Advice for Crawling Out of a Writer’s Slump

002Winter arrived with a vengeance to my high desert home last week, making for gorgeously frosty vistas.

I’m over at Word Whores today, talking about the only way I know for breaking a writer’s slump. It’s terrible advice, really. I won’t blame you a bit if you don’t go look. Seriously.

On Becoming a Sociopathic Writer

002In the mornings, we get up at six o’clock, get dressed for the gym and leave the house via the garage. This means that, blearily stumbling about as I’ve been – not a chipper morning person – the moment we hit the button to raise the garage door is my first real sight of the day.

This time of year, it’s right at the onset of sunrise and what a spectacular sight it is.

There’s something about the dimness of the garage, the way the heavy door lifts, with its cranking motor, that reminds me of a theater curtain – that unveils the large screen of this.

The outside comes in and steals my breath away.

It’s an amazing way to start my day and I treasure that.

I value so much about my daily life and am truly blessed to have it. Our daily routine is dull by most standards. Most days I don’t leave our property except to go to the gym. I love each phase of my day, from the kitties walking across my pillow when the alarm goes off to ensconcing myself in my reading chair at night with a glass of wine. The sun shines, flowers bloom, rains fall, the sun sets and rises again. It’s a good rhythm. A long-term cycle.

All through this, my steps seem to be set by the words I lay down in whatever I’m writing. I mark the passage of time by the change of seasons and the accumulation of word count. Writing a novel is an exercise in this kind of patience, I’ve found. For long periods of time – days and weeks and months – the the project continues. Every day I add a little more and track my progress. But it’s incremental and I can’t worry about it feeling like it’s taking forever because it takes as long as it takes.

That’s one of the keys to understanding novel-writing. Patience, persistence and endurance.

Until, suddenly, I’m near the end.

That’s where I am now. On Tears of the Rose, Book 2 of The Twelve Kingdoms, I’m at 84, 502 words. I’d originally thought it would end up around 85K, but once I dug in, once I judged the pace and length of Act I, in fact, it became clear that the first draft would top out around 98K. Writing about 2,000 words per day, as I am now, that means I’ll be done in a week.

And I’m filled with all kinds of odd, restless energy.

It’s as if, now that I can see the city on the horizon, I’m no longer satisfied with traveling 65 mph. I want to go faster and to hell with a speeding ticket. I want to drive all night, just to get there already.

I’m filled with impatience for everything else.

News articles – from frivolous to searingly serious – irritate me. People post jokes that I find facile, ridiculous or even infuriating. Every Facebook and Twitter post I see seems to elicit a snarky response from me and I have to stop looking, because I’m afraid I’ll lapse and actually type one of these comments. Even pics of cute baby animals annoy me.

It’s like I become a total sociopath.

I sometimes think that if I were a full time writer, I would take myself and my last 15-20K and just lock myself in a remote cabin or beach house somewhere. Which I find bewildering, because I love my beautiful, peaceful home and the life we have in it, with our lovely daily rhythms.

Somehow, though, this process of completing the book – which means the ending, because I write my stories from beginning to end, no jumping about – absorbs so much of my thoughts and mental energy, that I snarl at anything else impinging on it.

Also, I’m pretty sure I write a post like this every time.

You all are lovely to put up with me, really.

Jeffe’s Five Tricks for Juggling Multiple Projects and Deadlines

004This time of year, all of my flowering vines blossom, like an end of summer special treat. They’ll be the first to go when we get a frost, so they are all the more fleeting for that. Transient and precious.

Speaking of which, Dear Author is giving away three copies of Ruby.As of this writing, the giveaway ends in 36 hours, so hie on over if you’re interested.

I’m over at Word Whores, as I am every Sunday, come holiday or foul weather. This week we’re looking at Juggling Multiple Projects & Deadlines: How to Do It Well.

Is the Market Swinging Back to Longer Books?

007Last weekend we went up to Madrid (pronounced MAD-rid), which is an old gold-mining town on the back road between Santa Fe and Albuquerque. It reminded me more of a place I’d see in Colorado, instead of New Mexico. Lots of fun art, too.

I had an interesting Twitter discussion this morning with E and Has from TheBookpushers.com, along with author Jody Wallace. E and Has like to read a lot of the same things I do. (They also did a very fun joint review of Rogue’s Pawn, which I figure means I did something right!)  We all grew up reading much of the science fiction and fantasy canon, ferreting out those books with sex and romance. We didn’t have to have those elements, but finding them was the cherry topping on the sundae of our readerly joy.

When I was a girl, none of my friends read what I did. A lot of them didn’t read much at all. The ones who did read, mostly liked other books. Of course, genre books like that weren’t considered appropriate for book reports. The upshot it, I rarely had anyone to discuss these stories with. There are few things more frustrating than LOVING a book and having no one else to share it with. As I grew older, I found more kindred spirits. In fact, a big part of my first relationship was getting my guy, Kev, to read so many of the books I loved.

(This is what you get when you fall in love with a nerd girl.)

Now, however, we have the internet and it’s as if we’ve managed to take our reader girl selves and connect them across the country and the ocean. (Has lives in the UK.) We were talking about how we’d browse the library or bookstore shelves and pick out the Very Thickest books, to maximize the reading experience. Longer books were always better. E says it stretched her poor-girl dollar farther. Has said she was less likely to run out of books between library visits. We all wanted the same thing – to be immersed in that world as long as possible.

It’s notable to me because that changed for me over time. Once I hit college, then grad school, then working life and doing All The Things, I hesitated to pick up the big books. They began to look like daunting obstacles, representing weeks of my life and effort that I couldn’t afford.

I’m not really sure why this changed for me, but I know the whole industry went this way. Many publishers don’t want a first time novel longer than 80-110K words. Depending on the print book style, this is in the neighborhood of 350-400 pages. This is as compared to, say, a George R.R. Martin book, which likely clocks in around 225K. Novellas, like my Facets of Passion books, are 26-40K. People like me were preferring shorter books and were more likely to buy them.

(Even Martin’s books, prior to the HBO phenom, were read by a pretty finite crowd for a very long time.)

I think the pendulum is swinging back the other way now and it could be due to books like Martin’s – but it’s also due to eBooks.

See, on an eReader, it’s hard to know how “thick” a book is. Because the fonts are adjustable (FABULOUS feature!), there are no page numbers, just a percentage complete. In some ways it’s frustrating, because you don’t always know what you’re getting into, in other ways it liberates a reader like me, because I don’t have the opportunity to be intimidated by the length. It is what it is.

The other thing that’s happening is that I think eBook buyers are beginning to associate value with length. That’s how the conversation on Twitter started – they recommended a book to me, I grumbled about Macmillan’s high eBook prices and they both assured me that the book is worth it because it’s a “long, solid and satisfying read.”

See? We’re still picking out those books that promise the most by the width of their spines on the library shelf, extending our dollars to maximize our readerly pleasure.

Carina recently asked me to consider writing longer erotic stories – novel length instead of novellas. Readers want longer books, they tell me.

Lately, so do I.