RITA ® Award-Winning Author of Fantasy Romance
//Our topic this week at the SFF Seven is “Your book as a musical: which book would you choose to have made into a musical and which composer/lyricist/songwriter would you have score it?” Come on over for more.
//Our topic at the SFF Seven this week is “Choosing your freedom – Traditional or Self-Publishing?” We’ve been asked which freedom we picked: the freedom to write without getting into the business side or the freedom to control it all? I bet you know what my answer is…
//Our topic at the SFF Seven this week is again eerily timely. We’re talking writer finances. How do you budget for uneven income? What’s your biggest expense?
With so many people struggling financially due to the #COVID19 shutdowns, managing money is heavy on many people’s minds. It’s odd to find myself well-equipped to deal with this because – as a full-time writer with no other income and with a non-salaried spouse who does not provide me with health insurance – I am always juggling the financial balls. Come on over to learn more!
//
Our topic at the SFF Seven this week is “Resurrections: What trope/theme did you think (or wished) had “died” only to be recently resurrected?” Come over to learn why I’m liking baked goods over guns.
//Our topic at the SFF Seven this week is: books vs movies vs games vs comics. Come on over to tell me which game I should vote for!
//
Our topic this week at the SFF Seven is whatever is on our minds. With pretty much the entire world in sparkling isolation, there’s really only one thing on our minds: COVID-19.
We’re also exhausted of thinking and talking and reading about it!
So, I’m asking everyone – what good things have come out of this massive change? I want to hear about how your lives have altered in positive ways. Come on over to hear about mine!
//Our topic this week at the SFF Seven is: Beware the Ides of March: Fav/Most Intriguing Method of (Fictitious) Murder. Come on over to vote for yours!
//
Our topic at the SFF Seven this week is: “The most difficult scene you ever wrote and why.”
I’m guessing that’s why was it difficult, not why we wrote it. Though I do think the why we wrote the scene in the first place is relevant.
There’s a school of thought among writers and writerly-advice givers that if a story becomes difficult – if the writer hits a block and grinds to a stop – then that’s an indicator of Something Gone Wrong. I see this advice a lot. Writers will say – often in response to questions about how they handle Writer’s Block – “When I hit a block, I know I’ve done something wrong, taken a wrong turn somewhere, so I go back and rework the plot.”
You all have heard a version of this, right?
Makes me cringe every time. I’ll tell you why. But you have to go to the SFF Seven to find out.
//This week at the SFF Seven, we’re asking: how do you know who to trust with your writing, especially early drafts and idea bouncing. Come on over for my hard-won lesson on who to trust.
//Our topic at the SFF Seven this week is our favorite blogs and podcasts. Come on over for mine!