RITA ® Award-Winning Author of Fantasy Romance
//I’m back from Apollycon and giving my wrap up. I got AMAZING news there, but – fair warning – I can only tease it for now. Otherwise giving my take on the event, what was great, trends I saw, and some of the lovely people I met.
//The new portmanteau term “Romantasy” being used for Fantasy Romance and Romantic Fantasy, my own personal history with writing cross-genre and being a crack ho, and how I got namechecked in a most validating way!
//
A weird thing about me: I’m always a bit ahead of my time. I don’t know why this is, but it’s been true all of my life. And it’s not nearly as cool as it sounds (if it does sound cool). In truth, it’s not a great thing at all, because it means I’m never in the full swing of the cultural zeitgeist. I’m the odd duck, the one not marching along with everyone else.
Many of you have heard these stories of my trajectory (which implies a straight course and steady momentum which would be entirely incorrect). In summary:
Fast forward to today and the coining of the term Romantasy.
A number of readers have contacted me recently, having just encountered the term, largely via the new Goodreads Choice Awards category. I’m not sure who coined the term, but the portmanteau of Romance + Fantasy has now come to encompass Fantasy Romance and Romantic Fantasy. This has been occurring first in the Indie spaces and now is moving into traditional publishing as they catch onto the trend. Just last February – on Valentine’s Day – Devi Pillai, Publisher at Tor, the notable publisher of science fiction and fantasy (SFF), announced that they’d created a new imprint: Bramble. Monique Patterson, Editorial Director at St. Martin’s Press, moved over to head up Bramble, which will be SFF + Romance.
In very cool news for me, Monique was featured in Publisher’s Weekly Notables of 2023 and namechecked me! (Along with my friend and colleague, Amanda Bouchet.) Monique said:
Romantasy may be the shiny new portmanteau on the block, but the fusing of speculative fiction and romance, Patterson notes, is nothing novel. She points to series by such authors as Amanda Bouchet and Jeffe Kennedy that would likely be categorized as romantasy now, but came out before the term was coined. It was tough putting out such books in years past, but they “would probably do wonderfully now,” she says.
Isn’t that cool? I was so pleased to be mentioned in this context. From Crack Ho to Trailblazer!
Ain’t that just the way it goes?
//
THE ORCHID THRONE, book one in the completed Forgotten Empires trilogy, is on sale this month! A great time to escape from winter and revel in this enemies to lovers (she imprisons and plans to execute him!) epic fantasy romance set in a tropical paradise.
This week at the SFF Seven, we’re talking about finding your niche. We’re asking each other, what subgenres speak to you as an author?
This is an easy one for me! My niche has pretty much ALWAYS been epic fantasy romance, even before anyone knew what to call it. That’s just how the stories came out. Which is not a great thing, if you’re writing in a niche before the niche exists. It’s like being a creature ahead of the evolutionary curve, ready for that climate change that has not yet occurred. You can survive (maybe), but not necessarily flourish.
That history makes yesterday’s news particularly exciting for me! Tor Publishing Group announced that they’re kicking of a new romantic imprint! I love that this is clearly publisher Devi Pillai’s baby, as she truly loves to read this sort of SFF/R crossover. Monique Patterson will head up the imprint, and she is a much-admired editor who comes over from the SMP Romance side of Macmillan. Exciting times!