RITA ® Award-Winning Author of Fantasy Romance
//I’m talking about author finances today and the challenge of a variable income – particularly if you don’t have a salaried spouse – and how that works out for predicting taxes. Also why I don’t think advertising is the be all and end all for Indies.
//Great week for me! Talking about being up front with my new editor on how I *can’t* write an outline, a bit about knife-throwing and learning to relish failure as much as success, and the monsoon rains of autumn.
//Update on my super-exciting news! I’m still having to be circumspect, but I’m sharing broad strokes, what this means to me, how utterly thrilled I am, and what it means to persist and not set a deadline on goals.
//Some exciting (though vague for now) news for me! Also a roundup of the various platforms I use for my self-published books, since I’m wide. Also how “adult” seems to mean erotic now, and how annoying that is.
//About “rules” – on publishing and on creating worlds and magic systems – and how to know when to ignore what other people have to say. Also, the perils of being clever: just… don’t.
//My weekend at Bubonicon: great conversations with other writers and coming home ready to put a new project into motion. Also, how some members of the SFF community treat Romance like antimatter.
//Burnout: how to recognize it, how to define what stage you’re at, and what to do about it. I recommend aggressive refilling of the well for all. Also, vacation, Hurricane Hilary, and doing Beach.
//Critique and other feedback! What makes crit useful and not, how to know what to take and what to discard (Spoiler: it doesn’t get easier), and what we can learn about giving useful critique.
//A story about how Romance continues to be treated like antimatter in some parts of the SFF community. Also, exciting news on ONEIRA, and a bit more about agents and being careful who you pitch to.
//The importance of voice, refining it, learning how to get it on the page, how dismissing something like the 3-Act Structure as formulaic is missing the point of storytelling entirely, and why (again) I’m not worried about AI.
