Zencastr borked on me, so there’s an abrupt ending, but I’m talking about self-publishing careers vs. trad-pub ones, AI and creativity, and writing a book that is an artistic conversation with another book.
RITA ® Award-Winning Author of Fantasy Romance
Zencastr borked on me, so there’s an abrupt ending, but I’m talking about self-publishing careers vs. trad-pub ones, AI and creativity, and writing a book that is an artistic conversation with another book.
A roundup of my travels and socializing: Nebula Conference, the Santa Fe International Literary Festival, New Mexico Writers, literary snobbery, tail-sniffing, and repping genre writers who keep the industry going!
A bit of advice on how Patreon works, about my meeting with Graphic Audio and how fantasy words like “Cosmere” become part of the industry lingo, and some <
My roundup of Apollycon and attendant fabulousness, along with thoughts on how industry events have shifted, particularly within the romance circles, and a bit on manifestation and gratitude.
How to graciously answer that invidious question: “Have I heard of you?” Also, some lovely early feedback on ROGUE FAMILIAR – just released!!! – and how we don’t always know what we’re writing.
Sharing insights I gained from being a guest author at the Jack Williamson Lectureship, including thoughts on emotion in stories and the critical importance of endings – and why you HAVE to finish that book!
A special guest on the show today! Multi-bestselling author Darynda Jones and I discuss ideas, how to know which ones are good and have staying power, and how to continue to grow as writers.
Should you throw out the first 30 pages of your manuscript? Um, no. Bad advice. BUT, figuring out where to start a story is an ongoing challenge, craftwise, and also because the marketplace changes rapidly.
My Patreon and Discord community are live! I’m also talking about one of the best pieces of writing advice I ever got and how, if you want to be a writer for the right reasons, there’s no fire to put out content.
What to do when an author’s editor leaves the house, the one question to ask career authors, studying movies made from books to understand theme and what subplots/side characters aren’t important.