Murky Is as Murky Does

A while back, I took a class in play-directing.

Okay, this was almost twenty years ago. So a titch more than a while.

At any rate, I had several reasons for doing it. I was in grad school getting a PhD in neurophysiology and all the science was making me feel like a left-brain cripple. Some of my best times in college had been running with the theater crowd. I took enough acting classes and performed in enough shows that I could have added a theater minor to my biology major, had it occurred to me. In grad school, I found myself lonely among the science-heads. I auditioned for a play, but I’m really not a very good actress. Where they didn’t know me, they didn’t even toss me the bit parts I’d had before.

(Yeah – the role I played in Equus? I totally got it because the director called me when the actress he’d cast was so offended at the role’s minor nature. Ask Jeffe – she’ll do it! It was fun, too.)

So, I thought I could break into the scene and make some little friends in the bargain, by taking a class. Finally, I was noodling about creative writing and I recalled how the Assistant Director of Equus had been an MFA student in playwriting and his adviser suggested he learn how to direct, to better understand how a script comes alive on stage.

(He also might have been a handsome blond from New Orleans with whom I had a little love affair, but that’s beside the point.)

It didn’t work out so well. I remained an outsider in the theater clique. Plus, because I was an outsider, I had a great deal of trouble casting my scenes – all the best people got snapped up by their friends.

However, I did learn something very interesting that serves me still today.

Though I seem to need to relearn the lesson, over and over.

The course culminated in two nights of One-Act Plays open to the public. Five of us put together about half an hour long plays. Mine was this creepy one (I forget the name) about a cold marriage where the wife kills the husband’s cat – either deliberately or through negligence. The husband then channels the cat (either becomes the cat or just flips out), stalks and attacks the wife.

It was a cool play.

And people liked it. They really liked it! (That’s me channeling Sally Fields.) I loved people telling me how they enjoyed it, with their faces lit up. You don’t get that in science. Then they’d say, “except I didn’t get if she killed the cat on purpose or not.” Or they’d say “I didn’t really understand if he was crazy or if it was the cat’s spirit.” This wasn’t in a contemplative, I’ll have to mull over the implications way. They were genuinely confused.

I realized that, in every spot of this little 30 to 45 minutes, where I hadn’t been crystal clear on what was going on, the audience hadn’t known either.

I thought I could leave some bits murky, but I lost them in every place I did.

Yeah, you know where this is going. I’ve completed the storyboard for The Body Gift. You can see it in all its Post-It glory above. I’m eliminating an entire POV, because its murky and I have a choice of de-murking (yes, that’s a word) or nuking it. I’m not sure I can de-murk, so off it goes.

The pink and dark blue notes? Those are places where I’m not crystal clear on why the characters are doing and saying what they do and say. See, my particular curse as a writer is I follow the characters and write the story as it happens to them. This means that I have to find out things about their world that they don’t tell me straight out. It doesn’t feel to me like I get to make it up.

The writers who plot out ahead of time call us Pantsers, because they see us as flying by the seat of our pants. I prefer the term Mister. That’s how it feels to me – like I sink into the mist and things come to me out of it.

It’s just not always easy to get the exact right thing to come out when I want it.

But, it’s clear I have to. Where I was murky on this story, the readers were confused.

Lesson learned.

And remind me next time.

Smiles and Staycations

David mentioned last week that I’ve been smiling more lately.

This is one of those things people say to you that can be more worrisome than happy-making. At least, it is for me. If I were more Zen, I could likely embrace the current smiling trend and be pleased about it.

Instead I started thinking about why I hadn’t been smiling as much before.

Last week, if I didn’t mention, I was on vacation. The way our company works, our contracts all end on December 31, if not sooner. They can’t go past December 31. Instead, a new contract must be created. Even though we start reminding our clients in October and November to get the new paperwork in, a lot of them wait until January to do it. After all, nobody really does any work after Thanksgiving, right? Then, even when the paper work is submitted, it can take weeks to wend its way through the approval process.

The upshot is, we ending up working pretty hard and frantic to get everything required delivered with a 12/31 date and then we have nothing, or barely anything, for sometimes several weeks. This is one of the feast and famine cycles of consulting. Also, because we work on client billing, like lawyers, if there’s no client to bill to, there’s no working.

So, I’ve gotten in the habit of saving vacation and holiday for early January. Last week I took totally off. David was off school still, so we both hung out at home all week. We slept in until 7 or 7:30 every morning and went for a leisurely work-out. I wrote and worked on two different books all week. We went out to lunch, did some shopping, read a lot.

It was really my perfect calendar.

If I could work my life to follow that schedule all the time, I think I’d be very pleased.

Thus the smiling more.

What I think gets me about that is, I think I’m pretty happy with my life as is. I’m privileged to work from home, with generous pay and benefits, for a company I like with terrific colleagues. The job is flexible enough to allow me time to write. I have possibly the best boss in the world.

It should be enough for me.

I suppose that’s the nature of wanting something in particular, following a dream, chasing an ideal. You’re never quite satisfied with less than that. If you were, you’d stop trying. Dissatisfaction is the spur that drives us on, that goads us to want more than what we have.

And smiling when we have it? That tells us we’re going the right direction.

Piecing It Together

I used to sew a lot. My grandmother was a great seamstress, so I suppose I come by it naturally. In my twenties, I really got into quilting. Some of them turned out pretty fabulous, too, including a King-Size Wedding-Ring quilt I made for a college roomie.

Eventually I had to quit. I quilted more than I wrote, so I finally gave it up. Following a dream requires sacrifices and that was one of mine.

When we moved, I even gave away my sewing machine, along with bags and boxes and piles of fabric. It really kind of broke my heart to see it go. But it was one of those table sewing machines and I absolutely knew there would be no place for it in the new house. Plus I wasn’t sewing. I let it go with a pang, and a promise that if I did want to start sewing again, I’d get a snazzy portable machine.

I really hadn’t given sewing much thought lately, largely because my attention has been on novel-writing, as it should be. But I used the old family Christmas-tree skirt this year, the one my mom forced me to take when we cleaned out her house. That’s the skirt in the top picture. It used to be a white felt skirt, that my mom had everyone in the family sign. Then she embroidered the names in red yarn. We did that when I was about six or seven. Over the years, the white got dingy and stained from various pets and accidents. My mom asked me to cut it up, saving the embroidered names and make a new skirt that matched her living room. Which was *not* red and white.

So I pieced a skirt of mauve silk and burgundy velvet and appliqued the names with a bit of lace edging. I totally don’t remember doing this, just that I did. So this Christmas I used it, as I hadn’t thought I would. It took a bit of cleaning up and so I noticed what a good job I did on it. The seams are strong. It lays nicely, holding up well these twenty years later. I used beads from one of my grandmother’s necklaces as buttons, with satin loops to hook them. Most of the people who signed it are dead now, so I’m glad we saved it.

It’s funny to me to think that I probably could not do as good of a job on it today.

But I’m taking this class, with Alexandra Sokoloff, in an effort to learn her screenwriting tricks to better structure my novel. I needed to make a storyboard and, rather than run to the office supply store, I pulled out my grandmother’s cutting and measuring board.

It’s one of the few pieces of sewing equipment I kept, not only for sentiment, but because it’s a really useful tool that is nearly impossible to find these days.
And now I’m laying out The Body Gift events on it. I’ve only just completed Act I and already I see things I couldn’t before. Blue is the heroine’s POV (point of view, for the uninitiated) and yellow is the hero’s.

Yeah – I’m thinking I’m going to lose his POV altogether. A shocking move that may be exactly what the book needs. Then I’ll applique and embroider in what’s missing.

My grandmother loved to read, too.

Freedom!

No, this really isn’t about George Michael’s Freedom 90 anthem. That’s just the earworm that springs to mind when I think about Freedom.

That and “the Iraqi people don’t love freedom,” but that one irritates me.

I started using a program this week called Freedom. You can get it for Windows or Macs for $10. Basically it shuts down your internet access for as long as you designate – from 30 minutes to 8 hours. If you *have* to get to the internet, you can reboot.

I thought, oh, I don’t need this.

I read my emails, do my blog post, send the notice out on the social media waters, then shut everything down to write. That works.

Pretty much.

Until I pause to think. I get these impulses, not unlike the emotional eating ones I’ve talked about with fasting, where I think, oh, I’ll just see if anyone commented on my blog.

Or replied to my tweets.

Or sent me an email.

Or commented on my Facebook status.

Before I know it, I’ve lost 15 minutes.

Turns out, I really did need this.

Freedom gives me a level of relief. Maybe it’s like a heroine addict taking methadone, but whatever it takes to break the habit. Now I think, oh, I should check the weather forecast, but I can’t, so I keep writing. Or I think, I should Google that, but I can’t, so I keep writing.

I’ve even extended the time now, which is funny to me. The window pops up saying I’ve completed my session and do I want to quit or extend. Twice I’ve extended. As soon as I quit, the email icon pops up and I can’t not look. I extend and it’s like keeping the door shut.

It’s true: I’m weak and pitiful.

I’m Jeffe and I’m a webaholic.

Thank goodness I was granted the wisdom to get Freedom. Offline I go!

Rebuttoning

This is me, making La Peche Chocolate Velvet for Christmas. I rarely do much exotic baking anymore, so it was fun for me to indulge in that kind of creativity.

Yesterday I finished my revise and resubmit on Sapphire. I’m pretty pleased with the result – now it’s just cross my fingers time. I did a final spell check before I sent it off. I’m lucky enough to be a pretty good speller, so spell check mainly catches my odd words. Amusingly, Word doesn’t recognize a number of words I use. Among them:

Mons
Upthrust
Oversensitized
Skeezy
Tsk, tsked and tsking

The winner, however, is:

Rebuttoning, which Word suggested should be “rebut toning.”

Try using that in a sentence. “I would like to rebut toning arguments, but I know I need to work out more.” Erm.

And really, “skeezy” isn’t a word? (Incidentally, Blogger agrees it’s not.)

I like words. Always have. When I was in 7th grade, I started a list of good words. I had stuff on there like exquisite, writhe and oscillate. Words are my medium and I figure I get to work my medium as I see fit. Which means I might make up words now and again.

To me, this is very much like messing around with a recipe while cooking. When you first start baking, or even the first time you make a recipe, it’s best to stick very close to instructions. You have to learn the basics of how a dish comes together. It’s part chemistry, part biology, part magic. But, after you have that stuff down, then you can mess with it. I often reduce sugar and salt. But then, I kind of know how much sugar I really need to make the crystalline structure work correctly, or to feed the yeast. Salt creates a crucial balance to the sweet and brings forth other flavors, but it doesn’t take much.

A good cook also knows how to substitute ingredients. Not that a writer runs out of words like I might run out of, oh, almond extract. (All the grocery stores in Tucson sold out of almond extract – what was up with that??) But, after you’ve used the word “touch” 72 times, you start looking to replace some of those with alternatives. You get creative with it.

Sure, sometimes the substitute doesn’t work. The bread doesn’t rise, the souffle falls flat. Sometimes it’s brilliant.

The best part about writing is, until it hits the press, you can always tweak it.

Left Turns


This morning, as I ran on the treadmill, I saw a woman step out of the Spin class in the shop next door. She’d bundled into her parka, had her hat and gloves tucked under her arm and held her smartphone in the other. Reading some message on the phone, she smiled, pleasure suffusing her face.

I like that about seeing people texting and tweeting and messaging on their various handheld devices. It’s kind of replaced the old pastime of watching people greet each other at the airport, the hugs, squeals and laughter. People’s faces respond to the messages, making the same expressions they’d use in a face-to-face conversation. They grin. Sometimes they laugh out loud.

It’s not always the frowning and blankness detractors like to cite.

Marcella taught an online class recently on using acting devices in writing. She asked me to read over a description of a “left turn” that she wanted to use as an example. Here’s her lesson:

You’ve gone out for the evening, you and your spouse. It’s the first nice dinner you’ve had since the birth of your child. Dinner was relaxing. You actually got to have a glass of wine. You engaged in adult conversation. It was lovely. When you get home, the babysitter greets you at the door with a smile saying everything went fine. The baby is asleep. Looked in not ten minutes ago. You pay the sitter and she hops in her car for the short drive home. You sigh, content, as you and your spouse make your way upstairs to look in on the baby before getting ready for bed. Except, the nursery is still. Silent. Your heart stutters. You reach down to touch the infant. Cold. No breath. No life.

How do you react?

This was an acting scene set up. It isn’t real. Not here. Not today. Shake off any residual emotion, then come back with your response. When I asked, “how do you react?” What was your first, gut response? To scream? That impulse is the most common response to this exercise. It’s expected, which means it’s also a little trite as far as emotional reactions go. This is the point at which a director yells, “Take a left!” meaning, don’t go for the easy reaction. Do something fresh.

We’re not? here to talk about how to find the unexpected actions and emotions in scenes, but actions and emotions that ring true on a gut level for you and for your reader. In the scene set-up above, the actress playing the part turned to the man behind her, all the breath rushing audibly from her lungs, and began pounding her fists against his chest as he stood staring at the crib.

I’m Marcella Burnard. I write science fiction romance for Berkley Sensation. I also spent three years in the acting conservatory at Cornish College of the Arts, which resulted in a BFA in acting. It was there that one of our teachers gave us this scene as a way to introduce text analysis so that we could break down a scene, moment by moment, identify what the people in the scene want (their objectives) and then decide how each person goes about getting what they want (their tactics).

This idea stuck with me, that it can be fruitful for characters to behave in an unexpected way, to take a left turn instead of a right. (A recurring conversation during Christmas was that UPS and Fed Ex drivers are instructed to use only right turns, never left – urban myth or no?) I loved this example of a left turn – a simple thing that instantly enriches the characters and deepens the story.

It’s easy to write about people frowning at their Blackberries, to describe the unsettlingly blank expressions of teens absorbed with the iPhones. Seeing that woman’s smile this morning gave me ideas for ways to show all kinds of character from the one-sided silent conversations people have all around us.

Also? We followed a Fed Ex truck and it totally turned left. It’s all around us.

Wolves

This is from our bedroom window, just a few minutes ago – at 9 in the morning.

I used to put up decorative flags. Oh, I still have them all, but since we moved to Santa Fe, I haven’t put them up. Decorative flags somehow just look wrong on an adobe-style house. But on our old house in Wyoming, I’d change the flags every two weeks or so. I don’t know that anyone cared but me. Still, it was a way to celebrate the changing of the seasons, the passing of holidays. This weekend I would have taken down the flag with the New Year’s sparkly champagne glasses and put up the silkscreen one with the wolves.

Something about early January makes me think of the scavenging wolves, their distant howls on the long, cold nights. Now there are coyotes out my window. One had a rabbit. The long-ago peasant in me wants to stoke the fire and bar the door.

It’s easy to let fears hold us back, reasonable or not. Every time we set foot outside our safe homes, we risk the wolves. Or, so our atavistic selves tell us. The adrenal system doesn’t know wolves from business meetings – it just hears that we’re stressed and fires up.

Some friends and I started up a new venture on January 1 – the Word Whores – and I put up my first post yesterday, explaining why I’d identify myself as a whore in front of all the world. It felt scary and uncertain. Was that a wolf calling in the distance? The last line was maybe too much, too over the edge. I may be bold, but rarely brash. My grandmother’s voice reminded me to be a lady. Being tacky was her greatest sin.

Worse, none of my usual writing buddies were around to consult with me. I wanted someone to tell me it wasn’t too much. I needed to get the post up.

I actually dithered and I really hate dithering.

So I hit the button. PUBLISH POST. There it went, into the immortality of nothing-ever-truly-dies-on-the-internet. Scary, but also liberating. Something like ten minutes later, one of my friends came back from making breakfast, read it and gave me the thumbs up. By then I didn’t need it. I’d made my choice. There’s always strength in a decision made, I think.

I might get criticized yet. The scavengers are always hungry. But I won’t hide in my house.

The world belongs to me, too.

Sea Change

Our big storm finally released its grip, with roaring winds all night, leaving the sky clear and frigid this morning.

So, here we are, saying good-bye to 2010 already. Tomorrow the decorations come down. I’ll clean the house and start the year a new. Fresh slate, carrying forward the best of last year and none of the worst.

I’ll try, anyway.

I talked yesterday about the temptation to make plans for big changes in the new year. It feels like a natural demarcation between old and new. And, hell, everyone else is doing it, right?

I’m starting one new thing for the new year. Tomorrow will see the launch of a new blog I’m participating in, The Word Whores. Our credo comes from Moliere:

“Writing is like prostitution. First you do it for love, and then for a few close friends, and then for money.”

I’m delighted to be in such amazing company, with six other smart, witty, imaginative and supportive women – all of whom I count as friends, as well as sister writers. Believe me, we all want to do it for money.

But this is a small change in the pattern of my life. I’m adding one blog-post a week. Finite, simple. I cringe when I see people resolving to lose weight, exercise more, write more and fix their love life. Yes, these are all wonderful things to do, but it’s TOO MUCH. The goals are vague. What does more mean? How much weight? What does a good love life consist of?

The problem is, if the goals are vague, then they’re doomed to failure. Because you can never reach “more.” There’s always “more” out there. It’s like always jam tomorrow.

The success gurus will tell you to keep your goals specific and attainable. There are good reasons for that.

I’ve long been a fan of tesseract theory. No – you don’t have to know math for this. It’s the idea that the pattern of large things reflects the pattern of its components. Thus the shape of a mountain range echoes the shape of a piece of gravel. A grown person reflects the shape of an embryo. If I want my life to look a particular way, then I try to make each day reflect those priorities. It occurred to me a few years ago that if I wanted my life to be writer’s life, then I might need to spend more than five percent of my day writing.

(Of course, we all turn out to be champion sleepers in the end, but that’s to be expected.)

This kind of change didn’t happen between 12/31 and 1/1. The pattern of my days has morphed gradually over the years, a slow and creeping conversion. A sea change, if you will.

The term “sea change” comes from Shakespeare’s The Tempest (one of my favorites), from Ariel’s song to Ferdinand:

Full fathom five thy father lies
Of his bones are coral made
Those are pearls that were his eyes
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.

For those not well-versed in translating Bard-speak, Ariel is describing Ferdinand’s father’s corpse lying on the bottom of the ocean, slowly accreting the minerals of the water, until his skeleton becomes part of the coral.

The sea changes things, takes them in and makes them its own over time.

I borrowed this rant on the phrase from The Word Detective:

Unfortunately, as “sea change” has gained more popularity lately, its meaning has often been diluted and trivialized (“Gavin believes that this update indicates a sea change for the software and web applications…,” TechRadar.com). In the ultimate insult to the Bard, “sea change” has been harnessed as bizspeak (“Business is in the midst of a sea change when it comes to staffing and retaining superior talent,” New York Times), and I’m sure that somewhere out there right now a trucking company is promising a “sea change in package delivery.” Full fathom five them all, I say.

To me, this reflects our modern philosophy of get it done yesterday. A “sea change” is no longer a long, slow conversion. It happens overnight, according to the business types. Thus we expect our lives to change as quickly.

I know this is one of my periodic rants and I won’t bring it up again for a while, but this is my plea. Yes, absolutely, make those positive changes in your life. You can do that. You can make your life what you want it to be.

But take your time. Make small changes. Take baby steps. Allow for things to happen in their own time. Cast your grains of sand into the ocean and let them become pearls.

Start small. The universe will make it big for you. That’s how it works.

Happy 2011!