And Now For a Little Beach Time

I’m writing this overlooking the ocean.

One of my very favorite things.

Since I was in Baltimore last week for work, and I have to be in Philadelphia for more work Monday morning, it wasn’t worth it to me to spend all that time flying home. So, instead, I’m here in Ocean City, Maryland.

Surf. No thinking. Lots of peace.

Ahhh.

Last night I was treated to a concert by the fabulous Jeri Smith-Ready. No, she didn’t sing for me, alas. Instead I met up with her at the Merriweather Post Pavilion outside of Baltimore to see the Walkmen and Fleet Foxes. Check out this video from Fleet Foxes if you’re interested. I hadn’t heard of them, but I know Jeri has excellent musical taste, so I went with implicit trust. I bought an album today. Jeri described them as having a Crosby, Stills and Nash sound, which I can see. They use close harmonies and lots of acoustic sounds. There’s also a spiraling, circular feel to their songs that’s most stirring. They music winds around through slow, intimate lyrics to crashing crescendos of harmony.

The Walkmen opened for Fleet Foxes and they did a great job, too. Kind of a U2 vibe there. I don’t consider myself all that musically discerning, but I thought the drummer was really excellent. He drove the songs forward, punching through the lead singer’s lovely tenor.

It was a bit of a pain to get there. Work was long and intense. I had to take colleagues to the Baltimore airport in torrential rain and rush hour traffic, then swap rental cars. Jeri and I resorted to Twitter to find each other. But the skies cleared, the night was balmy, the company excellent. I let the music wash over me and take away all the tension.

Plus I got to hear the scoop on Jeri’s new Sekrit Project and it sounds just amazing.

Happy Saturday!

Be Careful What You Wish For: Studenstein Edition!

I’m off in Baltimore this week, so today I’m hosting the fabulous Daisy Harris, with the second book in her Sexy Zombie series. Seriously – no decomposition in sight and a fascinating world. Daisy has a fun, snarky sense of humor – both on Twitter and on the page.

I think you all will like her.

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Hey Jeffe! Thanks for having me on the blog today. I thought I’d talk a little bit about wish fulfillment, and heroes. I love a flawed hero—the bad boys and gruff lost souls. One of my favorite movies of all time is French Kiss, in which Kevin Kline said the famous line, “When people tell me they are happy, my ass begins to twitch.” That sums up my feeling about “happy” people—they make my ass twitch.

It was with this in mind that I created my flawlessly-perfect and yet deeply flawed Studenstein hero, Mr. Royce Harden. A manufactured human, he’s built to fulfill every woman (and man’s) sexual desires. He’s perfect, and content, and equipped with an array of naughty upgrades.

It’s no surprise then, that Royce is a little too-good-to-be-true. His easygoing nature means that he overlooks the horrors of his situation. He’s a slave, and denigrated every day of his life. And still, Mr. Charming’s attitude is, “It’s all good!”

I loved writing a hero like Royce. Much as I adore romance novels, some of the heroes I read are a little too perfect. They’re everything a woman could ever wish for—and yet I can’t believe in them. Perfect people annoy me. And that’s as true to heroes as it is for heroines.

My Studenstein heroine, Shani is a far, far cry from perfect. A former-sex-slave, she’s got a bad attitude and an abrasive manner. But still, I love her. As far as I’m concerned, the best feature of Shani is that when she meets Royce, she’s completely unimpressed.

All the things that make Royce irresistible to other women just piss Shani off. She sees through his practiced façade, scoffs at his leather pants. Always skeptical, Shani even questions whether the bulge at his front is grafted. This tough-as-nails heroine needs a man who’s more than perfect. She needs him to be a real hero, and that means giving up some of the things that made him too-good-to-be-true.

Want to find out more? Check  out my website (www.thedaisyharris.com) for excerpts and other fun stuff. Or buy it today at Ellora’s Cave!

Buffing Up

This is not how Baltimore looks this morning. No, Baltimore is moist and grey. I can’t see the rain, but people are going by with umbrellas. I’m missing my Santa Fe blue skies.

(Yeah, okay, we had a couple weeks of not so blue – here’s my photo contrasting with the same flowers against a stormy sky from a few days ago.)

So, as long-time blog-gobblers know, I’ve been a proponent of the 1K/day. It worked for me to try to write 1,000 words each day, which I do before I start the day job. On Twitter, someone started the #1K1hr, where write either 1,000 words or for an hour, whichever comes first. That’s kind of fun to do, because groups of people sprint together. However, I find that the time pressure interferes and I don’t enjoy the storytelling as much. Then this one gal had to start bragging about doing #2k1hr, saying that 1K is for wimps, which felt all competitive and awful to me.

There’s a reason I didn’t do team sports in school.

Um, besides the fact that I was a klutz and no one would have me. But, funny, no one ever yelled at me to read more books! Faster!

(Now I’m picturing the librarians like the football coaches, with track suits and whistles, veins bulging in their temples. “You’re just not putting effort into it, Kennedy! I want to see 100 pages in thirty minutes – now, go!”)

At any rate, I think I mentioned at some point here that I’ve changed my approach a bit, with drafting The Middle Princess. When I was in my long spell of revising, it naturally didn’t work for me to shoot for 1K and the then switch to the day job. So I was revising for two hours. That worked fine. And I did it long enough that working for two hours became a habit. (And habit becomes ritual which becomes sacred and then you’re golden.) So I started drafting for two hours. My goals are all set up (on spreadsheets) for 1K/day, but now, once I reach my 1K, I keep going until my two hours are up.

And wow.

I don’t want to jinx myself, but I’ve been amazingly productive. Like 10,000 to 12,000 words per week productive. Plus it feels good and not draining or exhausting. I’m at over 60K on Middle Princess and closing in on the Act II climax. I’m a week ahead of my self-imposed deadline.

Which is good, because I’m braced not to get anything much done while I’m on day job travel.

But, maybe that will change, too.

 

Off Into the Violet Skies

Anne Rice is always bragging on the violet skies of New Orleans. Well, Ms. Rice, I see your violet skies and raise you one. New Mexico totally wins.

I’m off to Baltimore this afternoon for the day job. I’ll be there all week, doing writing retreat at the beach over the weekend and in Philadelphia the following week. I’m hoping to see a few people while I’m in the area.

Meanwhile, Sapphire is up on Net Galley already! It’s also up on Amazon for pre-order and two people have added it to their to-read shelves on Goodreads. It’s all very exciting – and more than a little nervous-making. I’m not even sure I can define why. All this build-up gives me butterflies in the stomach. I’m sure once I walk out on stage, it’ll be fine. Right now I’m wondering if I’ll remember my lines.

Deep breaths.

Seeing Through the Fog


Overnight, all those overcast skies that have haunted us dropped down into the valley. I think this is a better photograph, more dramatic. I used the telephoto lens to show you how really neat it looks.

But that perspective is a bit misleading. Here’s how it looks with my other lens, that I usually use for landscapes.

Now it looks a bit less like the fog is billowing up for attack. But you also lose some of the sense of it. This is how our eyes – and brains – are still superior to cameras. I can look out and see both aspects at once. Not even as switching back and forth, but in combination with each other.

I think about this kind of thing a lot.

It seems that writing is a constant decision-process on which lens to use. Do I want to focus on the complex politics of my Twelve Kingdoms? On my heroine’s private pain? When do I back up and give a glimpse of all the tiers of people who make up life in the castle? When my hero and heroine are finally alone, do I leave the room? (It turns out that no, I am apparently incapable of leaving the room.)

There’s all sorts of rules for creating close point-of-view (POV), so the reader feels very involved in the story, but I seldom see advice on when to pan back. When to let the reader see the bigger picture. And yet, from these kinds of choices, extraordinary scenes are created. Sometimes you just have to follow your instincts, I suppose.

Or cheat, and show both.

A Reason to Say No

I’ve started querying agents again.

I know, I know. I said I didn’t think I wanted to. I still don’t think I want to.

But I want to give The Body Gift the best possible chances. So here I go again, go again. (Yes, I’m totally feeling like OK Go on the treadmills.)

So, you all know how it goes. The queries go out. Vast silence ensues. People are reading. Be very, very quiet so they can concentrate.

But, every once-in-a-while I get the insta-reject. Or near instant – within a few hours. I know these are from the readers whose mission it is to say no. They scan the incoming queries and hit the “no” button as soon as they find a reason to. This is how the business works and I totally understand that.

Still, it reminds me of an NYC editor friend. She was a friend of a friend, who came to visit, so I spent some social time with her. She published mainly celebrity tell-alls and kitschy coffee-table books. Once of her favorite rhetorics was “Give me a reason to say no.” Getting a book through all the layers of approval at her mighty publishing house was such an Olympian feat that, if she could at any point find a reason to say no to a project, she would.

I sometimes imagine how it would be if we all approached dating this way. The human race would die out.

But that’s neither here nor there. This is the cutthroat business of Big 6 Publishing.

It got me thinking though, because Jane at Dear Author, a blog I really admire for its forthright honesty, posted the other day about how agents are the unseen gatekeepers to reading. She referring to a daunting story where two successful authors collaborating on a project were told by a major agent that he/she would represent the book if they changed a gay character to straight, or cut him altogether. There was much wailing and gnashing of teeth over this because, thankfully, this sort of thing is just not acceptable to say anymore. At least in certain circles. That’s not to say that this sort of thing hasn’t been going on all along. Jane’s point, and I think it’s a really good one, is that most readers didn’t know it.

Why would an agent suggest such a thing? Right. It’s a reason to say no.

The agent is thinking ahead to the ladder of editors, the marketing folks, the distributors, the booksellers and imagining if anyone in that whole vast chain would say eek, we can’t sell a gay main character.

Not hard to imagine at all.

Maybe the dating analogy is relevant, after all. Agents like to say that they only represent projects that they fall in love with. To some extent I imagine that’s true. But I think it’s more to the point to say that they want projects they think other people will fall in love with. So it’s not so much if their date has a bad habit of slurping his soup or blowing his nose on the napkin, it’s more, will everyone fall in love with that strong jaw and those steely blue eyes.

The agent figures she’ll just keep him away from restaurants until the ring is on his finger.

Volunteer Slut

Another socked-in, stormy day for us. I know if we move down south, we’ll have lots more of this kind of weather, but for here it’s very unusual to have day after day of it. Yesterday afternoon it cleared off, so much so that I put the top down on the convertible and enjoyed the hot autumn sunshine.

I don’t mind the cozy, rainy days, either.

I’m wrestling with not volunteering lately. There’s something going on – a pretty big something – that I’ve been peripherally involved in. Right now the planning is floundering and there are no clear leaders. They desperately need help and I could do it.

I’m trying not to.

I’m a Volunteer Slut, but I’m trying to reform.

Please read that as being someone who can’t stop herself from volunteering, rather than as someone who volunteers to be a slut. Though the latter sounds kind of fun.

See, I was raised with the idea of service. My mom volunteered for political campaigns and charitable organizations. My stepfather was an election judge and started a foundation to encourage kids to graduate from high school. I was in, and was president of, service clubs in school and joined a sorority in college which, as opposed to common (mis)perception, is largely about service, to your sisters and to the larger world. It’s part of my belief system, that we should give of ourselves and our time to improve other people’s lives, both personally and professionally.

However, I tend to overdo.

Yes, I know. You shake your heads in shock. It’s true. I know it. This is why I’m trying to reform.

Once my two-year tenure ended as president of an enormous online chapter, I promised David I wouldn’t be on any boards of anything for at least a year. I’m 3/4 through 2011 and so far, I’m making it. I did not run for regional delegate for RWA. I did not agree to take a board position for my local chapter. I did chair a party and coordinate a contest, but I figure those don’t count.

And it has helped. I’m getting more writing done and am able to focus energy on marketing efforts for it. The day job isn’t killing me. (Sweet peas for the win!) I even get to read books.

I have to remind myself that just because I can help, doesn’t mean I have to. Or even should.

Then I see a plaintive email. I start thinking, how much time would it really take?

My own version of White Knight syndrome.

Help me stay strong!

Aphrodite on Sale

When I was a girl, my housing development had this very nice pool. I was young enough that I spent the majority of my time with my friends in the pool, splashing around, timing how long we could hold our breath, that kind of thing. Around about 6th grade, we noticed that girls just a year or two older than we, spent their time lolling in the sun, slathered in coconut oil, in barely there bikinis. AInd, oh, were they beautiful.

One of these girls was Tina Manfredi.

That’s not her real name. I changed it because this story is about how this girl’s life was so much about how other people perceived her, and I figure she doesn’t need more of that.

At any rate, Tina was gorgeous. She bloomed early and magnificently. She and her brother, Tony, were of blond, blue-eyed Italian heritage. With golden skin. They were like the human version of palominos. Everyone wanted them.

We heard stories about Tina all the time and never thought twice about repeating them. How she wrapped herself naked in Saran Wrap to get an all-over tan for her boyfriend. Who she’d been out with and what she’d done. We spoke about her with envy, fascination and not a little obsessiveness of our own. She moved through the hallways of the school in a cloud of glory. I often thought about what it would be like to be her.

Many years later, like maybe 15 years after high school, I went to a party with my parents. They still lived in the old neighborhood, we’d been out to dinner and we stopped by a house-warming. A daughter of their friends, who’d also gone to school with me, had bought a house in our old neighborhood and a whole bunch of people were there, most of whom I didn’t know.

I got to talking to this one guy who was kind of a computer nerd. Interesting guy and I don’t recall the exact form of his nerdiness, but he was kind of skinny and geeky. At any rate, in the course of tracing why we were both at this party, he mentions that he married Tina Manfredi.

And I was really surprised.

I mean, I hadn’t given her a thought all those years. I don’t think we ever had a conversation – I never rose to those ranks – but I supposed she’d gone on to do exotic things. Like sail off into the sky in a convertible. I didn’t think about it, my adolescent brain kicked in and I blurted out how Tina had been Miss Thing in school and somehow conveyed my shock at her choice of husband.

Instead of being offended, his eyes danced with unholy glee. He starts telling me how much he loves when people react this way. (See? It wasn’t just me.) He went to a school in another state and met Tina years after high school, when they were in their late 20s. He didn’t know until after they married, moved back to the neighborhood and ran into her old classmates, just who she’d been. And he clearly loved this. He was so far under the radar in high school, he confided, that he would never have been able to touch a girl like that.

As he waxed on, I felt worse and worse. Tina wasn’t at the party because they had a new baby, but they lived just a few houses down. I wondered how many of these conversations she’d sat through, where her cohorts recalled her legendary glory and her new husband chortled at having snagged Aphrodite on sale.

I found myself wishing she hadn’t moved back, that she’d gone on to be the new person, who married a guy presumably because he saw her for herself.

I even toyed with stopping by to visit her and her fussy baby. But she wouldn’t have known who I was. And I never ran into either one of them again.

I think about this story sometimes, though. If you’d asked me at twelve if I’d ever feel bad for Tina Manfredi, I would have laughed in your face.

Now I wish I’d tried to be her friend.