RITA ® Award-Winning Author of Fantasy Romance
Author: Jeffe Kennedy
//How to write a synopsis – or, at least, fake it the way the pros do! Great news on BANDITS and next steps there. Also, why agents/editors ask for partials, why you should include your profession in your query, and other crazy checks.
//About the evolution of recognizing oneself as a writer, claiming the name, and other steps newbies can take to move from the furtive phase of writing to feeling confident in that skin. Also, it’s FaRoFeb!
//
If you preordered ROGUE FAMILIAR on the Zon, you will have gotten a notice that I’ve postponed the release to March 25. Alas! The good news is that I don’t think it will really be that long. I picked that date because it was the full 30 days out that Amazon allows me to postpone, just to give myself some breathing room. I expect I’ll be ready ahead of that date and will keep you all informed. Better to release ahead of that than push again! I know you all understand, which I greatly appreciate.
//I’m back! Talking about the amazing VIP tour of NASA’s JPL facility, the visit from Darynda and our upcoming talk on Twilight, plus reflections on how my business and leisure travel are so intertwined now.
//RUBY is out in the world, completing my re-release of the Facets of Pasion books. Otherwise I’m waxing on about Buffy the Vampire Slayer and my love for Spike, including thoughts on whether their relationship was “abusive.”
//
ROGUE FAMILIAR has a cover!! I’ve been loving the enthusiasm for it, too. It’s a great inspiration to me as I write Selly’s hunt for Jadren.
This week at the SFF Seven we’re talking tools for writers who aren’t beginners. I seem to be hearing a lot of interest in this topic lately. I’ve been contemplating setting up some online classes and not long ago I asked for input on what kinds of classes people would like to see from me. (Feel free to comment or message me if you have ideas or requests!) One of the suggestions that came up often was a desire for classes for more advanced writers, targeting those who’ve written several books but want to learn how to keep getting better at it.
So, I’ve been working up some lists of more advanced topics I could teach – and thinking back to where I learned the intermediate and higher stuff. Some of it is always going to be self-study. Reading other authors. Listening to other writers talk about their process. Re-reading favorites to study how those writers accomplished what they did. I think those are the best tools.
But I’d also like to see more craft-focused workshops, classes, and discussions out there. For quite a few years, it seems, the bulk of information offered to writers seems to focus on business. There are countless opportunities to learn Facebook ads, newsletter marketing, keywords, BookBub ads, Amazon ads, ad infinitum, ad nauseam. Why? Because those are easy to teach. Teaching craft is a much more daunting prospect. In fact, I’ve heard debates among creative-writing professors about whether the craft of writing can be taught at all.
At any rate, this isn’t a very informative post, I know. I’m not offering any good tools here (other than the above), but rather food for thought. Improving craft is something we all (well, most of us) want to do. I’m thinking up some ways to get at it. Suggestions welcome!
//How my day went all to hell yesterday with several pieces of bad luck. More importantly, I’m talking about my bestie Grace Draven, some stuff she’s dealing with, and her upcoming Go Fund Me.
//On husbands and their Opinions™ and other thoughts on women as writing and publishing professionals. (Yes, this particular dynamic is a binary, IMO.) Also maybe my new author headshot?
//Cover reveal for ROGUE FAMILIAR today! I’m also talking more about finances for creatives, monetizing creativity and why there’s a fundamental problem with it, and other aspects of being a professional creative that aren’t widely discussed.
//Financial emergencies and other downsides of earning one’s living as a creative. How the demands of monetization affect creativity – and how being a fulltime writer isn’t the idyllic, dreamy, artsy life we envision.
