One reason I love the cover of THE TALON OF THE HAWK – and what readers always say, too – is that you can’t go wrong with a big, mother-effing sword. Thus, I’m over at Word Whores today, talking about arming your characters – how do you choose, from what do you choose, and why?
What’s that? Oh, just Ruby as a recommended read at USA Today. 😀
Okay, I might be a little THRILLED AND GIDDY!
This has been a bit of a transition week for me. On Saturday I finished making the additions to Oro that Carina asked for and sent that off. That one will be in the Erotic Holiday Anthology (which I’ve been referring to as the Ero Ho Ho Antho), scheduled to release November 21. With that production deadline looming, the Carina team has been busy with getting cover ideas and, sadly, retitling the story. Apparently a surprising number of people out there don’t know that Oro means gold in Spanish.
~drums nails on desk, looking mean~
I haven’t ever dug in my heels on a title before – and, now that the ever-patient Carolyn Crane talked me out of my tree – I won’t now. But that story will always be Oro in my heart.
So, I’m also aware that, after ORO, I don’t have anything contemporary or erotic romancey lined up for next year. Thus I spent a few days this week working up new project ideas. With the brainstorming and insightful feedback of my lurvly CPs, Carolyn and Marcella, I’ve now got concepts for six novels. One would be a contemporary romance trilogy and the other three would be new installments in the Facets of Passion series – but longer stories. And now all six are sketched out.
I know, I know. Can this really be me? Is the non-plotter actually pre-plotting?
Noooo… Don’t be silly. These are just overall road maps. But I am getting better at preconceiving how a story will go. It takes a different kind of writer muscle, but I think I’m developing it. Fabulous Agent Pam will take those out on the road, so I’ll keep you posted!
Then yesterday, I started in on Book 2 of The Twelve Kingdoms. This is the sequel to The Middle Princess, which I’ve been calling The Flower Princess. Those names will change, but that’s what they are to me until then. I set up my storyboard for Flower Princess – which meant retiring all the notes for Master of the Opera, which is pretty much done now, except for line edits, etc. – and dug into the opening scene.
It feels less huge now, but it’s always interesting to start a project I know I’ll be working on for the next three months or so. I expect developmental edits for Middle Princess during that time, but those two should dovetail nicely. In fact, I’m delighted by that timing as it will let me really submerge in that world.
It also occurred to me yesterday that, with turning in Flower Princess by November 1 and with the Book 3, The Sword Princess, due May 1, that I’ll have the whole trilogy written before most readers ever see the first book (out in June). In some ways I think that’s a really good thing for me. I’ll have less of a sense of anyone looking over my shoulder. I felt a lot of that in the Covenant of Thorns cycle, when I wrote Rogue’s Possession, with Rogue’s Pawn being out for so long. Twelve Kingdoms will be in more of a bubble. I’ll be interested in the difference.
What I am noticing is that I’m also getting much better at compartmentalizing projects. A very useful skill to have, the way I’m wanting to get these different stories out there.
So, that’s a rambly recap of where I’m at right now. Apropos of nothing, really.
You all have a fab weekend!