This week at the SFF Seven we’re discussing Cover Trends. We’re asking “What was, is, and will be “hot” in cover art/style for your sub-genre? If you have a say in your covers, will you chase the trend or will you stick with the image in your mind?”
There’s a lot to be said on this topic, too much for even a week of blog posts. When I’m asked for advice on covers, which is a frequent request, I tell authors to keep in mind that a cover has two jobs: to attract positive attention and convey genre. This has to be emphasized because authors – both in trad and in self-publishing – tend to get caught up in wanting the cover to adhere to the story. One first-time author who was very upset with the cover her publisher gave her and came to me for advice said “but the cover doesn’t illuminate the story.” I had to tell her that the story’s job is to illuminate the story. The cover does different work: attract the eye and convey genre.
It’s that second that’s most relevant for this week’s discussion. Because trends change and a cover that accurately conveyed genre six years ago may find itself conveying something else entirely to a current audience.
These were among the first book covers I ever commissioned and I particularly adore the cover for book one, LONEN’S WAR. It does come straight from a scene in the book – a pivotal scene that was, in part, the genesis image for the story – and the artist (Louisa Gallie) exactly nailed what I had in mind.
I will always be grateful for Louisa’s gorgeous art and I will always love this cover.
But, recently, people have been pointing out that these covers no longer convey what kind of story these books tell. The fantasy romance genre has moved on. If I want to tell readers that this IS the kind of thing they’re looking for, then I should consider updating to match current trends.
I contracted with BZN Studio Designs to design new covers for all six books. Right now the series isn’t available, but once I have all six covers, I’ll re-launch the series with some fanfare. I’m super excited to see how they do with the new covers. I’ve heard some people (including my own assistant!) say scathingly that these look like all the other covers out there in this subgenre, and there’s truth to that.
AND THAT’S THE POINT.
The content is what makes the stories unique. The covers are doing the job they’re supposed to do. Caught your eye, did it? I hope so! And I’m hoping you also know exactly what kind of story you’ll get.
Transcript
00:00.60
jeffekennedy
Good morning everyone this is Jeffe Kennedy author of fantasy romance and romantic fantasy I’m here with my first cup of coffee.
00:16.40
jeffekennedy
It’s not bad I’m going off lattes again I decided that I was disrupting the sixteen eight fasting alas and sharp viewers will notice I did not yet fix my chimes that came apart in my hands yesterday. Ah, get to that. So today is Tuesday March Eighth snowy day here in Santa Fe revving a very snowy spring which is great. That’s great. Lots of snow on the mountains which boats well for. Water reserves come summer. So yeah, it’s supposed to be snowy all week and it’s very pretty very picturesque. Good cozy day to be inside to write. Um I am delighted to report that I got writing done yesterday. Woo. I got my 3000 words I got it got them even in a reasonable amount of time. Um, 2 hours two and a half hours basically get my 2000 words 3041 um, 3 hours and a three and a half hours total elapse time ah put a relief. So um, yeah I apparently just needed the rest. So yeah. Um, you know cross fingers knock on wood. But um, it flowed reasonably well yesterday. So hopefully I can get keep getting back into the groove the groove as it were.
02:14.67
jeffekennedy
I am a little sleepy this morning though. Well but I’m still on my first cup of coffee. So um, so yeah, yesterday was productive that way. Um, and then it kind of got away from me. But whatever, somebody asked me 1 of the many emails I sent out on Sunday and reply to people 1 person asked me how inbox 0 had gone and I said inbox 0 achieved the problem with inbox 0 is that it does not last and. When I looked on yesterday afternoon I was like back up to 46 emails fortunately, a whole lot of them were people see seeing me on things and so I did not need to um, did not need to worry about them other than to file them. I file all my emails so yesterday um I did stop into a couple of the chats and checked in with people and stuff and so hi lizette and Stephanie. Asked me a question about because I shared some of my progress counts spreadsheets which you guys know are scary. Um, and I shared my gamp charts that I used to plan releases I used to use the gant charts I didn’t have a lot of time to explain because I did need to run out but i. Used to use the gantt charts to plan more of my drafting and revising I used to have them all plotted out on that. Um, for for those who don’t know a Gantt chart is basically it’s one those ones with the horizontal bars and it just shows you. Timelines of stuff now it shows where things are overlapping so when I first started making gantt charts I did make them for like drafting revising overlapping stuff of I used to have in. And want to say a more intense schedule but that’s probably not true. Um, it was a different kind of intensity look of the little wayward curl sticking up there because I had a lot of traad books going on at the same time. And I was for a little while there I was working with 3 different publishers and so stuff would come in from them that was you know they all like would want their one week turnaround or two month turnaround or you know what have you and so I would have to.
05:05.36
jeffekennedy
Stop working on what I was doing and switch over to the thing that had the most pressing deadline. Whatever just come in the nice thing about doing largely self publishing at this point and right now I’m out of contract and. But agent’s trying to fix that but you know I kind of like know she’s like I know you want to be back under your contract I’m like do I though know that I really do um there. There’s good and bad. There are things that are great about tried publishing. Getting a whole trunk of money up front is good having a team working with you is good, um, having other people worry about stuff like covers and the back cover copy and all of that stuff. That’s good. Um, but I definitely ah have a much more even paced life when I am primarily self- publishing because I I decide what I’m working on at any given time. They don’t have to be pulled into anybody else’s timeline or schedule. So anyway and I do use gantt charts to plan out releases to get a sense of how regularly my book releases are coming out and I have instead gone to mapping out. By day. Um I only showed you guys this really small part of my spreadsheets because I have this enormous excel workbook in which I plot out pretty much my entire life and what I’m doing at any given time. But this is not what you asked me what they asked me was and I wrote down your questions so I would know is how do you deal with having multiple series at once and the concern was is that. If they start a second series and they’re already feeling overwhelmed which is a thing and scared that they’ll enjoy another one so much more that they’ll forget about the other and then never finish any of the series. So how do you do all of this. Because I do show on my spreadsheet that I showed them a piece of all of the different series and books that I have working on and I have them in different groupings right? So um, you know like.
07:44.80
jeffekennedy
I have in my court in someone else’s court in the pipeline which needs doing on submission planned tabled potential. Um, there may not be a lot of difference between planned and potential. But. I also have one that’s interstitial. Oh I know what that was and that’s kind of gone away I think I’m I’m not doing the interstitial stuff. It was like that was like projects I was trying to work on like intermittently between other projects and that did not work for me I’m I’ll tell you what. I don’t know if it counts as a secret is this a bug or a feature. We don’t know. Um I I work on 1 thing at a time I and I do really well at that. That’s why I think it kind of counts as a feature. Ah 1 thing about me is that I’m good at concentrating and i. Do best if I concentrate on 1 thing and just work on that 1 thing and keep the whole book in my mind and that’s one way when people ask me how I’m able to write books as quickly as I do I think that’s 1 reason because I just work on that I don’t piddle around. Like I used to have this friend who used to like watch movies while she was writing and stuff and I was like how can you do that I can’t even listen to music while I’m writing I want it silent but that’s because for me bug or feature i. Don’t like any kind of destruction I want to immerse fully in that one book. So I would say that’s one trick to balancing multiple series is that whichever book you are working on you just think about that book. You don’t think about anything else you don’t think about the other series. So I did do this layering last year of releasing the bonds of magic books and the errors of magic books unrelated except that they’re both of magic that was a mistake. Um. Um, the only one who ever mentions it though I should probably stop mentioning you so I would release one book and then work on the next and I I interwove those 2 series the releases for them. Um, and I feel like it worked pretty well. I used to I think part of this is because I started out doing it this way because as I mentioned I was working for like 3 different publishers at the same time I was writing contemporary erotic romance and epic fantasy romance at the same time.
10:30.61
jeffekennedy
And 1 thing I discovered was that switching between the 2 worked really well is kind of a palette cleanser for my brain. So I would finish a big epic fantasy romance and then I would write an erotic contemporary romance which yes felt very different to write. And and I think I’m trying to figure out how to phrase this for me the contemporary romances the erotic romances always felt much easier to write part of that’s because I like writing sex scenes. Um. I think they’re also in some way simpler now arguably I’m not as good at this because those books have never sold as well. So it could be that I like am not putting the effort into them that I could be I always wonder that’s like oh maybe I should be writing them differently that they you know that they feel easy. Maybe I’m not working hard enough to be I’ve written one in a long time. So now. It’s hard to say so um I just thought of something hold on. Okay, sorry about that I am going to. Try to get rights for reversion on some of those old books and I was just thinking about something I needed to remember to do along those lines. Yeah I was gonna start talking about that. But I won’t because I’m gonna stay on topic for Lisa to and Stephanie. See how devoted I am so multiple series. Um, so I think that’s one way to look at it and I think even still even though both bonds and bonds of magic and errors of magic are epic fantasy romances. There’s. Enough difference between the world that it does work in a way to finish one obviously take my breather since I clearly needed a little bit of time to decompress and refill the well and then start in on the. Book in another series because it’s it does work. Well so one thing Deronda Jones and I talk about a whole lot is that we we have this this dream I dreamed a dream of. Writing an entire series like a trilogy probably we wouldn’t try to do more than a trilogy to write all 3 books at once one after the other um, revise them all at once be able to go back and tweak book one to match. Whatever.
13:18.64
jeffekennedy
Book 3 ends up being and not have that the breakup of time in there. The main reason we don’t do that. Actually the only reason we don’t do that is money because you really have to be swimming pretty well. A good income to take that long off between releases right? Whether it’s for your traditional publisher or self-p publishing but that’s the that’s the ideal is to be able to do it that way and then I wonder. Would we really like it. We’ve never gotten to do that. So maybe it wouldn’t work so now focusing back on on the question scared that you’ll enjoy one so much more than you’ll forget about the other this is a thing it really is um. And I think it’s inevitable also regardless of enjoying one more than the other like I really enjoy the airs of magic books I have a lot of fun writing them It’s it’s fun getting back into writing this one I’m also glad it’s the last one because this series hasn’t sold as well. As bonds of magic by like like 20% of sales for errors of magic compared to bonds of magic I mean it’s it’s remarkable the difference and that was something that. Megan Sienna Deutsche and I were talking about because I did ask her I’m like is did I do something weird on these books. Another friend of mine told me that she thought maybe the titles weren’t right and she’s not someone who self-publishes and she doesn’t know a lot about bookmark and she only tre publishes and then it’s more on the artistic. Literature is hard and she’s like well maybe the titles don’t convey enough tension because it implies the two are equal so like right now I’m writing the storm princess on the Raven King you know she’s like maybe it needs to imply more conflict I’m like I don’t think that’s it. But I’m got a second opinion for Megan. And she had some good suggestions for just how I can set up the you know marketing the complete series there. There is a very distinct arc and errors of magic that is set up from the very beginning daddy is um, it’s not going to be. Finished being told until the end and there are readers who will wait until they know that’s going to end because they know we do this you guys they know that we start a series and then we get bored and we go running after the new shiny plot bunny which is a mixed metaphor but who cares and that we may not finish it.
15:59.70
jeffekennedy
So 1 thing that happened to me is sorcess moons. My six book series which I am is going into audio now and I am putting new covers on I have a new cover felon and swo and I’m waiting on the rest. Should probably start rereleasing these soon but I don’t have all the new covers and I’ve been going back and forth should I like just start releasing book one and then release the books as I get the covers or should I wait till I have all 6 feel free to weigh in. So. What happened with sorceers Moons was I originally thought it was gonna be a trilogy. It wasn’t I always do this. My series are longer than I think they’ll be I also this was the first series that I selfpublished from the very beginning and so I didn’t entirely. Plan out what I was doing I didn’t have I wasn’t working with a tread editor who was sort of guiding my steps on it I didn’t have a contract where I had like book 1 2 3 so that you know that I I ran wild with that freedom. So I ended up writing the first 4 books and then. A traditional publishing contract got in the way I got I sold 2 3 book deals at the same time rebel base and st martins and I ended up putting off writing those books 5 and 6 for a fucking year. You guys an entire year. Before I got back to writing book five and it was a problem and I confess freely that if I did not have a lot of readers saying when are you finishing this series I probably would not have so. That is a consideration. Um, if you don’t have the readers clamoring for you to finish the series then you might not do it. Another example cautionary tale as these contemporary romances that I wrote missed connections. Really love those books last dance with the prince since last christmas and it’s about 5 girls living together after college young women. And yeah I totally planned on books four and five in that series and those books if not sold well and. Every once a while somebody will ask me now. It’s been long enough that like nobody asks me anymore. But every once while someone would ask me saying are you gonna write books 4 and 5 in this and I only recently earn out these are self- publishled too I only recently earned out my investment on those books.
18:51.54
jeffekennedy
So at least now I’m making money on this series. Ah not much but so I’ve like 0 incentive to finish it and I don’t sell well in contemporary romance. So I don’t know well ever finish it. Maybe not so the reader pressure helps. It was really really hard for me to go back and finish books 5 and 6 of sorceress moons not only getting my head back in the world but I had written so many books in that interim that I had changed as a writer and so how I approached the story. And how I thought about it characterization world building everything I’d I kind of moved past what I was doing in that series. So I would say be very wary of taking a long break between books in a series because. The odds that you will not come back to It are very high. Yeah and so Stephanie said what if I can’t make my brain behave and I mean some of that’s the writing habit some of that’s being ritualized and I think that having my schedules and my charts and so forth. Make a difference there because like I’ve known that storm princess and the Raven King was coming next for a long time I had that set up with my cover artist. The covers already. Um, put on the show notes today because I haven’t shared that widely yet because I got the cover right? as gray magic was coming out and it was It’s hard to promo a couple of things at once and I’m trying to get better at staggering my my promo. So. I don’t know does that answer the question gals. Um I think really having a schedule. That’s why I love excel you know I’ve got my dates figured I know releases. Um, it’s not something you can control but having people. Really wanting that next book makes a difference I would say with series keep them short. You know plan short series to begin with until you know you can commit to longer ones ah like with bonds of magic I was really planning to do 3 but then that world is so big that by the time I was writing book two and people were loving it so much that I realized I needed to expand that and keep it going and and I’m loving it so much so all right? So those are thoughts ask me more questions. Sorry i.
21:37.68
jeffekennedy
Be on typing all this out but it was much easier to talk it out. So um, hope you all have a fabulous Tuesday and a fabulous Wednesday too because I will be back to talk to you all on Thursday morning take care bye bye.
Our topic at the SFF Seven this week is the item from your books you most want to own and why. In mulling this topic, I’ve come to an interesting realization: I rarely have interesting “items” in my books. But let me tell you what I *do* have and long for! Come on over.
LA GUERRE DE LONEN, the French translation of LONEN’S WAR, the first in my six-book fantasy romance series, Sorcerous Moons, is live! I’m eager to see how my University French holds up to attempting a read.
At the SFF Seven this week, we’re discussing author fan groups – whether we have them, like them, how they work, and we’re interested in what the readers think about them. Do you belong to any fan groups and what do you like about them, which are your favorites and why? Come on over to weigh in!
And we have the cover for LONEN’S REIGN! The sixth and final book in the Sorcerous Moons series will release on March 20, 2019. Woo hoo and whew!
I’m so glad to finally tie up this series, as I know many of you are, too, having waited so long. I had a lot of fun writing this final battle and hooking back to some of the images and challenges from the very first book, LONEN’S WAR. So, even though I think of the series as being mostly about Oria, it seemed right to put Lonen – and Buttercup! – front and center for this final book.
Oria and Chuffta are there, too. Can you spot them?
A Looming Threat
The sorceress Oria has finally come into her own—able to wield the power of her birthright and secure in the marriage she once believed would bring her only misery. But the past she escaped still chases her, and the certainty of war promises to destroy everything she’s fought to have.
An Impossible War
Once before Lonen led an army in a desperate attempt to stop the powerfully murderous sorcerers of Bára—and he nearly lost everything. Now he must return to the battlefield that took the lives of so many of his people. Only this time he has more to risk than ever.
The Final Conflict
With guile, determination—and unexpected allies—Oria and Lonen return to the place where it all began… and only hope that it won’t also be the end of them.