Tag: ruthless revision

Being Mindful

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I notice the way my mind works has changed over time.

Is that odd? And no, it’s not a dementia thing, as some snarky individuals have suggested. I notice it mostly with writing and I suspect it’s a product of the last two years of concentrated fiction writing. Not just fiction but the fantastic kind. (As in fantasy, though I hope it’s also excellent.)

What I notice is I have homonym issues more lately. I type “no” instead of “know.” I recently did “knight” instead of “night.” Bizarre replacements where I know perfectly well what the word is, but something in my head replaces it as I type. This always happens when I’m creating, typing in a blur of speed to get the scene on the page.

There’s an amazing book that my mother discovered and gave to me. (There, that makes up for saying I only planted St. Joseph to shut you up!) It’s called My Stroke of Insight by Jill Bolte Taylor and is about a brain scientist’s experience with a devastating left hemisphere stroke. The book is easily the best I’ve ever read for a firsthand account of the difference between left and right brain thinking. I’m a brain scientist myself, in my winding educational/career path, and Taylor made me understand all the rules I knew about division of labor in the brain.

What the book affirmed for me, is that creativity comes out of the dreamy right brain. That side is timeless, non-linear, unconcerned with rules and boundaries. The left brain is the one that tracks how long it takes to cook a hamburger and reminds me of my lists of things to do, and what order they should be in.

I was discussing the revision process with two writing friends lately. The essayist proposed that revision is simply like refining a grocery list, such as moving items in similar parts of the store into the same group. The fiction writer agreed somewhat, but emailed me a picture of her dining room table arrayed with notecards for her current novel: her book in spatial form.

I stymied all further discussion by trying to describe how it felt to me these days. Lately my novel feels like a glass globe I hold in my head. I tweak the colors inside, moving the shapes and swirls around.

Very right brain, I suspect.

Thus, the homonym thing. My right brain doesn’t care for the letters, only the sounds and shapes. My essayist’s left brain writing gets engaged more now in revision. Even then I find myself sinking into the globe’s spell. I’m supposed to be reading out loud, to hear the voices. Sometimes pages go by and I realize I’m altering in silence, absorbed in the colors.

Dreaming.

Letting Go

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No, we haven’t sold our house yet.

Amazing how many people ask us that. On an astonishingly regular basis. I’m getting to the point where I want to say, BELIEVE ME, I will announce it to the world when we get an offer! I really feel for those women whose family and friends ask “Are you pregnant, yet?” We know you love us, support us, want only the best for us. But really, you are not helping.

At some point you’re doing everything you can and you just have to wait.

Here we are: waiting.

Today we stopped by our real estate agent’s office though. Dropped in on her after lunch. She’s so fabulous that she doesn’t care. She’s the best in town. I implicity trust in everything she’s doing.

“We just came to nag,” I tell her. “So you can tell us not to worry.”

And Donna hesitates at this point. I’m sure she’s going to tell us to worry. That she’s lost confidence. Maybe stopping in to see her wasn’t such a good idea.

“I don’t want you to think this is freaky,” she says, and hesitates.

Okay, “freaky” isn’t “you’ll never sell your house in this market.” I’m betting she’s going to suggest we bury the St. Joseph upside down in the back yard and I’m opening my mouth to tell her we already did, if only to shut my mother up.

“But there is no reason your house isn’t selling,” she says. “The gardens are gorgeous right now. When we show the house, it just shines. Everything is perfect. You should have an offer by now.”

She takes a breath.

“What I want you to do is think about letting go.”

She goes on to tell us a few stories: the woman whose house wouldn’t sell in the hottest market ever, until her dog died and she confessed relief, because she’d been sure the dog would never survive the move; another woman whose completely updated house could not be sold and who emailed or called Donna every day telling her how no one would want it and it would never sell.

“I can’t explain it,” she says, “but I’ve seen it happen, over and over.”

Donna, freaky theory or no, is likely right on. When we first put the house on the market, I wrote a blog about how much I hated it. We have loved this house. Loved, loved, loved it. (Note my dutiful use of past tense.) We knew it was our ideal house the first time we saw it. We loved every minute of living here. We wouldn’t sell it, if we weren’t moving away.

But we ARE moving away. Away to Canada, to British Columbia, to Victoria. To a beautiful new house that we’ll love living in. It’s time to let this one go. It belongs to someone else now — we just don’t know who yet.

To prove it, this weekend we’ll start seriously packing. We’ll take our favorite stuff down off the walls and box it up. I’m depersonalizing. Withdrawing myself from the lathe and plaster, from the original wood trim and leaded glass. The reflecting pond we made, with its carefully balanace ecosystem, will delight someone else. I’m trading it all in for our new life. My pound of flesh. It’s a price I’m willing to pay, a sacrifice I’m willing to make.

My life lately is all about cutting, have you noticed? Not my forte at all.

But I’m getting good at it. Let it all go. What remains is the best part.

Outtakes

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Sometimes I think saving stuff is just a way to soothe ourselves.

It becomes an intermediary step between the immediate decision and the final decision. Should I get rid of this dress? This dress that I’ve loved, that I wore to Suzie’s wedding and first kissed Harry in? I’ll put it in this trunk, with other old clothes and use it in a quilt someday.

Now what’s happening is, I’m faced with moving bags and boxes and trunks full of old clothes I’ve been saving. Sure, I sometimes use them in quilts, which is nice. But I never have made picnic blankets from all those old jeans. Never touched most of those beautiful fabrics I couldn’t resist buying. If civilization collapses, however, I can make blankets for all of you.

I give David a hard time (part of my job description) about his not-dirty, not-clean clothes. He has several intermediate stations for them. The chest by the bed is for clothes clean enough to be worn again, but too dirty to hang up. The bathroom floor clothes pile is for another level of dirtiness, though not quite to the point of being committed to the laundry room.

That’s part of it — the unwillingness to commit to the final choice. To be without the thing.

When I started the great Ruthless Revision, I also created an outtakes file. Which I hadn’t done in a number of years. As a young writer, I kept an ongoing outtakes file. Any time I cut even the smallest phrase, I attentively pasted it into this document that I saved. Kind of a living morgue. A museum of brilliant prose that could work somewhere, someday. But really it was just to soothe the pain of deletion. Much easier to cut, paste and save, than send it into oblivion. When you’re a young writer, it’s tempting to think that these wonderful words you weave together can somehow be lost forever. That you’ll never recover them.

This is, of course, utter nonsense.

Which is something I learned, when I discovered that I revisited my outtakes file about as often as I dig into my trunks of quilt fabrics. I admit it: often if I make a new quilt, I just go buy exactly the color and pattern I need. And often it’s easier just to compose something new than fidget with some old fragments, to finagle them to fit.

But, I created an outtakes file for the Ruthless Revision, because I was feeling that pained about it. It’s especially redundant because I’m saving the entire original draft. Enshrined, as it were. That first morning, though, it made me feel better to save the HUGE CHUNKS I was cutting out. After a while, I wanted to check for a bit of information from a section I’d cut. I discovered my outtakes document wasn’t even open. Not only that, I’d failed to paste that bit into it. I hadn’t pasted cuts in for pages and pages. It was easy enough to go look it up in the museum draft.

Apparently I didn’t need my little crutch anymore. I’d just been deleting away.

This ruthless mode can be liberating. Cathartic, even. I’m planning to sell my sewing machine and I’m moving no fabric to British Columbia.

Someone else can make the quilts when civilization collapses. I’ll be busy writing. And deleting.