Tag: Allison

And on the Eighth Day…

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Today I decide what to work on next.

It’s an interesting place to be. When I was a reader only I felt this way when I finished a book. I’d turn to my always-towering TBR (to be read) pile and select what came next.

Sometimes the choice was obvious and I would dive into the next in the series. Other times I’d want to switch genres entirely. Every once in a while a book would be so powerful I’d just dream about it for the rest of the day, or a few days even, before I would be ready to move on to another.

I’ve realized recently that I used to identify periods in my life by what I was reading at the time. The auras of those books permeated how I thought and felt. That isn’t so true anymore. Perhaps because I don’t read nearly as much as I used to. Perhaps because I don’t immerse in books the way I did when I was younger. But largely I think it’s because I’m writing instead.

I’m noticing that my thoughts and feelings are now heavily infused with what I’m writing at the time. (I’m also noticing that I’ve started using “now” way too much. Allison pointed it out and it’s like a freaking verbal tic that’s driving me nuts. I tried to use “now” twice in the previous sentence. I need an exorcism…) I’ve finally moved into a place where I’m able to write longer works, by working on them every day. That means I dream about what I’m writing the rest of the time, which is really useful when it comes time to sit at the keyboard again.

But it means I don’t mull over what I’m reading as much. Maybe this is a natural transition.

So, (I so want to type “now” here – argh!) here I am, between works. I finished the novella yesterday and sent it off. Obsidian is off with a couple of agents. After I finish this blog post, I’ll need to work on something. One thing I’ve found, and I resisted this for many years when other writers gave this advice, it’s really much easier if you write every day. I don’t know why, but it’s as if the pipe starts to crud up if you don’t run water through it every day.

How to decide which project to work on next? I have no shortage of ideas and six projects in various stages of completion. If I had an agent or deadlines, I would know what project was jostling up to the front of the queue. I wouldn’t have a choice, really.

So I should enjoy this freedom.

Hmmm. Maybe I’ll switch genres.

Pearls Before Swine

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So. The news from the agent isn’t good.

It’s sad. Not so terrible. But heartfelt and sad.

Dear Jeffe,

Well, this is an unpleasant letter to write. I really do feel that OBSIDIAN is hugely improved with your revisions. You’ve done an enormous amount of work, and I felt that, especially with the ending, the changes were dramatically clear. However, I still have significant reservations about the manuscript, and I honestly don’t know if they can be addressed in yet another edit. Some of this just has to do with your natural way of telling a story, the way that it feels right for you to be telling it. The prose problems that I had in the draft of last spring have persisted. It’s your writing style, and though I know you worked hard on nailing down the nuanced edits I had suggested, you ultimately need to be the writer that you ARE. And who am I to change that in you? Unfortunately, agents tend to have that effect and it’s not always a good thing, certainly isn’t a fair thing. The fact is that we’re just not connecting as reader and writer, you and I, and it’s not something you can change any further from here, I think. Objectively, I can tell you that the manuscript is 200% better now with your revisions– you haven’t wasted time, and I think you can agree with me there. Do you feel that it’s greatly improved? I do believe that. But I’m sorry, I don’t feel confident enough to offer you representation. I don’t personally connect to it enough to think I could sell it effectively. I need that deep passion before I take something on. I do hope that you find it in another agent, and I hope that if and when our paths cross in the future, I will be able to congratulate you on landing a terrific agent
elsewhere.

Yeah, I wept a few tears. And I think I’m over it. She’s right: I believe the book is MUCH better and that I likely can’t change my prose style, even if I wanted to.

There it is.

So, Allison is all about me switching to the sci fi/fantasy agents instead of the romancey ones. The great irony will be that she’s signed (pretty much) with a quintessential paranormal romance agent and she doesn’t really read romance. She digs that my book is full-on fantasy (with big dollops of sex). At least she says so, because she’s sweet to me. 😉

I threw Pearl on here, in tribute to that side of me. That I was the sci fi/fantasy girl from way back. The girl who read Dragonflight long before she read Indigo Nights.

Can I help it that I long for Indigo Dragon Nights?

Pearl, for those who don’t know (which is a lot of people) is my first pubbed speculative fiction story. From Aeon Magazine, Spring 2008. I loved the image they came up with for the story. I like her wistfulness, the hope for something more than her world currently holds. It’s very her.

And yes, it’s very sci fi — with great dollops of sex.

December 1. Never a lucky day for me, the first of the month. Or rather, it’s a day of change.

Which also means opportunity, right?

An Ounce of Prevention Is Worth a Pound of Flesh

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So, the last few days turned out to be crazy.

Par for the course in my life, you say? Yeah yeah yeah.

There’s this idea that the more something is worth doing, the more difficult it is. That the universe makes you pay for what you want, in sweat and pain. The old idea of blood sacrifice: if you truly want something you have to sacrifice your life blood to it. Sacrifice, of course, derived partially from the word for blood, for you word whores out there.

The idea is that if you are trying to do something, the universe will throw obstacles in your path, to see if you can be distracted.

If you can be? Alas, you are unworthy.

I’m not sure I believe this. But I’m so close to finishing the Ruthless Revision. Within ten pages, I think. And every time I think I’m there something happens to stop me.

So Jeffe, you ask, why are you writing this blog post instead of those ten pages?

Because I’ve got to be at full power to wind everything up in the elegant way I envision and the meter is running low today.

After a few days in New Jersey and another day downtown working with new clients, I thought I was in striking distance of finishing. And then a big DC muckety-muck had to call a state muckety-muck and I had to be called in. All very exciting and now people are sending glowing emails about how admirable I am.

It’s great to have the career validation. It truly is. And I’m not just saying that because I know my boss reads this blog.

The invidious thing is, nobody asks if I’ve finished the book yet. At least, not because they need it and are anxiously waiting for me to deliver it.

I’m really the only one who cares that I haven’t.

I’ve talked about this before, haven’t I?

At any rate, Allison has had a crazy few days also, with an offer of a book contract and four agents now circling her juicy self. It’s a great problem to have, no doubt, but she’s overwhelmed, sorting details and doing her best to make the best decision, not just for now, but for her foreseeable career.

Which brings me back to something I’ve also said before, that the most rewarding part of writing really occurs between you and your work. That’s the most uncomplicated thrill. It’s intimate and lovely.

Maybe I’ll finish tomorrow and keep it a secret.

Who the Hell Cares What Posterity Thinks, Anyway?

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Those who check in for the “Where Is Jeffe?” updates know I was in New Jersey last week.

Land of mullets and IROC, I’m reliably informed by Allison, who spent the 80s growing up in that state. I had to ask what IROC meant. “Camaros,” she replied, while someone else said International Race of Champions. No dissent over the meaning of mullets.

Though neither was particularly in evidence.

Of course, evidence to the contrary, the 80s are well and truly over. Ann Taylor might be showing decidedly Madonna-wanna-be fashions –it’s true! think frothy lace and big bangles, possibly fingerless gloves — but theoretically mullets and camaros will just never be hip again.

We had dinner at a great place in Princeton, Mediterra, which was lovely and festive. Just the right amount of shine for early onset holiday season. For a Westerner like me, Princeton is old. The whole quaint colonial thing. Gives me a thrill every time. Cobblestones, narrow buildings, boutiques and bright Ann Taylor windows, with 80s-feel outfits. The eras blend.

We went into the bar at Nashua Inn, famous for the carvings in the wood tables of famous people. On the wall hang black and white framed yearbook photos of notable Princeton alums. It’s amusing to peruse the long wall, to see the politicians and movie stars. Yes, Brooke Shields is there. And Donald Rumsfeld.

Then, below and to the left of Donald — no significance there, I’m sure — was Michelle Obama

Class of ’85. With big 80s hair.

I remember my own youth in the 80s and how we’d have 50s day at school. Apparently 30 years is the magic number, for fashion nostalgia. My mom dressed me in what she wore in the 50s. All the other girls were in bright felt poodle skirts and ankle socks. They turned up their noses at my pencil skirt and white button-down, but all the teachers said I had the look nailed. Through no effort of my own of course.

But I remember thinking at the time, that it would be hard to do 80s dress-up day, because we didn’t really havea fashion. It seemed like non-fashion to me. It’s so difficult to have perspective on a thing, when you’re immersed in it.

Michelle’s hair screamed 80s at me. I would have known in a glance, even without the ’85 identifier. This isn’t exactly the one they had, but it gives you the idea. I wondered if she’d been back to the bar at the Nashua Inn, to see she’s now on the wall. And I wonder if she regrets the hair. Not so much that she had it, but that it’s now part of her definition. She’s leapt to the world stage and this is the moment crystallized from her college days

The sad thing is, my hair was even bigger than hers and I had to perm it to get it that way.

I suppose we don’t get to pick these things, what images end up defining us. Just like you don’t get to pick what will be the defining moments of your life. Small choices resonate it ways we can’t predict. What seems like a good idea at the time becomes a regret later.

I make a lot of choices in order to avoid regret.

I learned early on about loss and missed chances — and drew a lesson from that. So I slept with men I might not have slept with, just in case I might regret bypassing the opportunity. I’ve tried to appreciate every moment of my life, every person in it, so I wouldn’t regret later that I didn’t.

But the thing is: immersion makes it impossible to know what you might regret. You simply can’t see it in the moment. Hindsight makes it crystal clear.

In the end, I suppose all one can do is foresake regret altogether. We make choices. We hope they’re good ones. Whether it’s the person you choose for a life partner or a hairstyle.

Only time will tell.

Deadlines and Lifelines

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So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her.

There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, `Oh dear! Oh dear! I shall be late!’ (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat-pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge.

Of course you all know that’s from the opening of Lewis Carroll’s Alice in Wonderland. It’s a great set-up. Alice, the human, is feeling sleepy, stupid and lazy. The bucolic wildlife is racing around with important appointments.

It’s clearly unnatural, a rabbit with a watch, running late. That’s how we know the world is turning upside-down. If the rabbit was chewing on daisies and Alice running late, that’s perfectly natural.

Or is it?

Allison posted an interesting blog the other day about the struggling writer and spousal support. Not necessarily financial support, though that’s part of it. More the whole “does he support your writing” question.

And, yes, this is going to be totally about women writers and their male companions.

One thing Allison mentioned is the spousal deadline. This is surprisingly common. I can think of five women offhand whose men have “allowed” them to try the writing thing for a given amount of time, after which, if they haven’t succeeded, they must stop.

No, not all of these women are writing instead of working, though some are.

No, not all of these women are unpublished; they just aren’t necessarily raking in the money.

I suspect this comes from a number of things. Our culture and the male members of it, in particular, are heavily fixed on goals and deadlines. It’s possible these guys think they are being supportive, by helping to create an outside deadline, a framework for measuring success. I think there’s also an element of the husbands feeling like they need to curb the frivolous activities of their wives. Don’t tell me that’s not true: I’ve heard men say it.

We do it to ourselves, of course, too. One gal I know gave herself a year to become a successful writer. Yes, that’s from typing her first word. When she didn’t make her goal, in a fit of despondency she asked me how long I’d given myself.

As long as it takes,” I told her.

As I’ve mentioned, everyone right now is about NaNoWriMo. A writing friend asked me if I was participating and I told her I don’t need more pressure in my life. She said she does — she needs the motivation. She is also one who’s published with an epress, has two young children and whose husband has asked her to stop. A big craze right now is a program called Write or Die. It’s a program that monitors how fast you’re typing and buzzes you if you slow down. If you stop, it will actually start deleting your text.

It all comes down to the eternal question of how you measure success, I suppose.

It was funny to me, the friend who asked how long I’d given myself, because I’ve already acheived some writing success by several measures. Not ones that she thought were relevant, but ones that are important to me.

I live my life by deadlines. As most Americans do. My work deadlines are the kind that, if I don’t make them, I can jeopardize a $24 million contract. For me, writing is a different world from that. I can see a day when, if I’m making approximately my salary by delivering a book on time, then that deadline will matter.

Until then, I’m a fan of write and live.

Fiddle-Dee-Dee

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I’m in Fresno.

Which I guess isn’t that bad.

The last time I was here, in 2002 by my electronic file dates, they told us it was the intravenous drug-use capital of the U.S. A dubious distinction. I’ve asked a couple of people now if that’s still the case. They act like they have absolutely no idea what I’m talking about.

Such is the fleeting nature of human perception.

Tonight, I’m hanging back. So many things I could be working on, not the least of which is the Ruthless Revision. And all the emails. I’m not tired, but I’m not feeling the burn tonight. Maybe there’s been enough burn lately. I told Allison maybe I needed a night off and she agreed.

Which meant a lot to me.

I mean, David and my mom both tell me it’s okay to take a break, to relax, that it all doesn’t have to happen right now. But there’s been a trend lately among some of my friends, of them asking me for more than I feel I can give. Some have become angry with me for not meeting their deadlines, for not doing what they thought I should. I feel like I’ve been letting people down. Which is something that doesn’t always show in me, I think, how much I don’t like being that person.

And yet, more, I won’t become what someone else wants me to be.

So, this is a random post. Not meeting any rules or requirements. Probably not advancing anything in particular.

Tonight I’m watching a romantic movie and drinking wine.

Tomorrow is another day.

So Scarlett assures me.

Hope Is a Thing with Feathers

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Allison asked me recently why I thought we do this, the writing thing. If we’re fundamentally insane to think that we could get that brass ring we’re seeking. I said “yes.”

Crazy in a good way maybe. But still crazy.

I recall some of the writers at the UW English Department throwing around the statistic that there are as many writers making a living at writing as there are pro-football players. Which sounds plausible. And no, I didn’t even attempt to fact-check that one.

It’s probably a decent analogy in that the miniscule proportion of football players who make it to the pro ranks does nothing to deter the dream for millions of football-playing young men.

But that doesn’t make it a rational thing.

If you want to play the odds, you become a civil servant. Once in, you’re set forever. And that’s exactly what you get. If you’re willing to work hard and want money, you go for the big money businesses. Those are rational, sane choices.

Which is why most writers have other identities: teachers, professors, HVAC marketers, IT professionals, university book buyers. Even environmental consultants. We’re playing it safe, working the day jobs, keeping the finances in order.

Nobody sees how crazy we are inside. How we obsess and fret. How we nurse our dreams in the dark confines of our hearts. Feeding them little bits of hope now and again. Nursing them back to life when they get crushed and bruised.

The dreams belong only to us, after all.

Getting a Grip

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So, on Friday, I bemoaned my creativity issues.

Okay, I whined.

But only a little. Several of my faithful support network (thanks RML, mom and KAK!) made helpful suggestions. Never mind that I felt rebellious about it.

I even decided later that maybe what I had written was probably okay and didn’t suck that much. So I sent it to my good writing friend, Allison, so she could reassure me.

She said it sucked.

Not in so many words, of course, because she’s a lovely person. She was honest. Not feeling it. Which was no shock cuz neither was I.

So, yesterday, I followed RoseMarie’s advice and pulled the shade. (This house has no non-spectacular view windows.) I put on my writing music (soundtrack to The Mission — no, I don’t know why it works. I absolutely can’t do music with words. Eerie instrumental soundtracks are best. I also like Master & Commander and Billy Joel’s Fantasies & Delusions). I followed Kristine’s advice and didn’t edit. I just started composing the scene.

And out it flowed.

Allison pronounced it “Way Way Better.” High praise indeed.

Now, Where Did I Pack My Writing Career?

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I hoped to get a shot of our covey of quail for you today, but I missed them.

Instead you get Teddy watching the sunset. Or maybe looking for quail in the chamisa.

It could have been that it was sunnier and brighter today. The last two days they all trooped by and pecked around in the gravel around 9:15. You can hear them coming, snooting around in the juniper to the west of the house. They chuckle amongst themselves as they approach. Then they scurry into sight from around the yucca plants.

They don’t stay long. Maybe ten minutes, before they head off in a line again, heading farther east. Sometimes I see them come back through in the evening.

Today dawned bright and clear, however, so they might have started their perambulations earlier. Not like the cool misty mornings of the last two days. I, too, am resuming my schedule. As mine solidifies, I should better learn theirs.

We’ve gone running the last two mornings, though we’re not back to getting up at 5:30. I’ve been productive at the day job. And now I’m going to work on my book revision. A file that has not been open since July 19, over a month ago. And I’m reasonably certain, by the timing of that date, that it was only to send it to an agent I met at RWA National. The outtakes file is dated June 2.

A sinking feeling tells me I haven’t worked on it since June.

Time flies when you’re losing your mind.

I had a little crisis this morning. My friend, Leanna Renee Hieber, celebrated the release of her first book yesterday, The Strangely Beautiful Tale of Miss Percy Parker. In fact, several friends had releases in the last few days. I tried not to be too envious. But then I also received my “royalty statement” from UNM Press for Wyo Trucks, which shows that the book is really dead to the world at this point. Never mind that I haven’t been putting in ANY effort to sell it lately.

Nor into my revision of Obsidian.

Nor into writing anything new.

Thus: my crisis.

But my friend Allison was on the other other end of the IM with the perfect pep talk. She made me realize that all this means is that I have my head above water again, that I’m even thinking about my writing career again, instead of what box my frying pan might be in. It makes me think of Maslow’s Pyramid of Needs, a model that has served me well all my life. Basically the idea is that, if a lower tier on the pyramid isn’t handled, you can’t possibly reach a higher tier. What sucks for us artist types? Creativity is the very top piece. Which basically means you have to have everything else in your life handled first.

So unfair.

But I have my manuscript open. I’ve got some great ideas from Allison on working my way back in.

Wonder-Twin Power? Self-Actualize!

Stranger Danger

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We’re at an interesting point in techno-history. The internet has become a huge part of our lives, intertwined with our daily communications. As someone who works in a home office in Wyoming, the internet IS my place of business. I’m on the ‘net all day long with my colleagues in Boston, Nebraska, New Hampshire, Colorado, Florida, Virginia. We email. We IM. The internet allows us to shout over the virtual cubicle wall.

And my writing network is pretty much all virtual now. No one else in my small, remote town is writing the kind of thing that I am. The gals who are part of my online network form a daily, intimate part of my life also. We blog. We exchange Facebook comments.

It all feels very natural to me. But it’s easy to forget that ten years ago, I didn’t have this kind of virtual network. We had to fight the corporate policy to let us IM each other. Twenty years ago, I was using A-1 Mail on the university system in a DOS environment. I also have to remember that many people aren’t as comfortable online as the rest.

Uncomfortable and new mean scary. And sure, there are bizarre stories of stalking on the internet. Crazies meeting up. Perverts luring young girls and boys to bad ends. But I wonder what the real stats on that are?

My friend, Allison, is rooming with Liz and me at the RT Convention. In her post yesterday she called us strangers. Okay, her husband is in law enforcement, so he’s paranoid. He only sees the worst of humanity. But it’s so funny to me, because I hadn’t thought of her as a stranger. I suppose I could be someone other than who I appear to be online. Or she could. Liz, I’ve met in person, but did that really tell me anything more about her than I knew before? Liz has a sister — maybe she sent the sister to meet me, to masquerade for some kind of nefarious purpose. Maybe “Liz” is really some perverted male serial killer hoping to lure me to a hotel in Orlando, where I’ll meet my terrible fate.

Or Liz, Allison and I are all exactly who we say we are and we’ll have a great time in Florida. Which is more likely?