Why Hard Work Is Not Equal to Success

005I had a request for a Jackson pic. Apparently photos of ME doing Interesting Writer Things is ever so yawn. No – you all love Jackson.

I suppose I can’t blame you.

He is full of the charisma and cutie charm.

Release week for Ruby is drawing to a close for me, which feels good. It makes no real sense, but setting a book free into the world can be very draining. I still struggle with understanding this phenomenon. All the real work is done – the drafting, the revising, the developmental edits, the line edits, the copy edits.

On Wednesday, in fact, I got the copy edits for Rogue’s Possession and turned them around in about an hour, they were so minimal. Then my editor sent me the final version, which means the book is officially in the can. I love that feeling – one of the rare moments of total completion on a writing project. It’s now more or less set in stone. You all might be amused, especially knowing me, that the copy editor tagged a sentence in which my intrepid heroine remarks “I could use a good drunk.” The copy editor thought maybe I meant to say “drink.”

Oh no no no.

But isn’t she cute?

She also did a great job, catching an instance of someone “peeing at [my heroine’s] face” instead of peering. Something both my editor and I missed. I should really send her chocolate for saving me from that.

Anyway, by release day, the book has been DONE for months. For example, we finalized Rogue’s Possession on May 15 and it will release on October 7. That’s five months of sitting. It might hit Net Galley for reviewers to read six weeks before that, but still. By release day, even most of my promo stuff is done, because most everyone wants it a week or two in advance at least.

So, really, all my effort is responding to congratulations. This does not sound hard, right?

But somehow it is.

I sometimes imagine a big bubble of myself goes with each book as it launches, like a balloon to carry it through the skies on its journey.

This would be a scarier image if I wasn’t (pretty) sure I replenish that again. Though it occurs to me from time to time that one day I could be this fragile old lady, nothing more than skin over bones and that, with my last book, I’ll send it off and expire while the final piece of myself goes with it.

Is that morbid?

I find it kind of joyful, actually. I should be so lucky to go that way.

At any rate, all this makes me think about the relationship between what is difficult and what has worth to other people. I’m sure many of you are aware of the Author Behaving Badly kerfuffle earlier this week, where a writer posted to a blog lamenting how her painstakingly crafted urban fantasy trilogy that she self-published had not done well and the book she wrote in two months – which she referred to as smut and trash and a sell-out to feed the reader machine – had done astonishingly well.

Yeah – there are so many things wrong with her attitude. If you want to read a really excellent post in response, check out Lauren Dane’s blog post on it.

What I want to respond to is the fallacy where she equates hard work to worth. She refers to the books that took years as art and the one that took two months as trash. Readers embraced the latter, so she questioned their taste and judgement. But I think she’s made a fundamental error in assuming that, just because she worked hard on something, that smart people will know to value it more.

I suspect we develop this idea early in life, from our schools and our families.

“If you work hard, you’ll do well in life.”

“If you study hard for that exam, you’ll pass.”

“If you train hard for the marathon, you’ll make it to the finish line.”

I find myself slipping back into this thinking from time to time, though I’ve repeatedly discovered that it Simply Is Not True. Lots of people work hard and do not do well in life. Other people dance through life and seem to be showered with blessings. You know both kinds of people, right? We also know people who work hard and do well along with people who don’t work hard and don’t do well. Whatever you might believe affects the “doing well” part, it’s not a direct relationship to how hard they work.

I’ve studied my little brains out for exams that I failed and aced ones I blew off. I recall in high school, I took the Advanced Placement (AP) exams for English and Biology on consecutive days, in that order. I prepared for days for the AP English test, certain I could get a good score and thus opt out of Freshman English in college. By the time I finished, I was so tired I barely glanced at my Biology notes. I scored 5’s on both – the highest score.

In grad school, I had a friend who was working on a project with Olympic athletes, studying the phenomenon of over-training. The upshot was, sometimes if you train hard, you’ll perform worse. You might not cross the finish line at all.

Hard work does not equal success.

We might like it to be true, because then we could guarantee success. But it’s not.

There it is.

We simply cannot control the outcome like that. We can’t control what other people find valuable. In the recent housing crisis, over and over I heard people insisting their houses were “worth” X amount of money. No, your house is worth what someone else is willing to pay for it.

Some books write easier than others. I don’t really understand why. Some come out like shooting stars. Others are like pulling teeth every step of the way. Is my experience writing them any indicator of how well they’ll be received?

Nope.

The process just is what it is. Some things that seem like they shouldn’t take much out of me – like days of answering congratulatory tweets and comments about my new release – can be exhausting. Other things, like writing twice as many words in a day as usual, can be invigorating.

It’s a mystery, really.

Why I Don’t Care About Commas

BIQNbrsCIAEUWCUThe ceremony for my 25th college reunion was held in Graham Chapel, one of my favorite places on campus. I saw the Violent Femmes play here, back in the day. They put lights outside that enormous stained-glass window and made it part of the show. Amazing memory.

I thought I’d post about my reunion today, but it turns out I’m still processing what ended up being an unexpectedly emotional experience. On my way there, I was joking about writing a reunion book so I could deduct the trip and now I’m thinking what I have to say might end up being something like that. Perhaps this long-time set-aside-to-ferment narrative nonfiction book.

We’ll see.

Also  on the way there, and while I was there, and on the way back, I worked on my content revisions and line edits for Rogue’s Possession. This is my least favorite round of edits and most hated part of the whole writing gig. It’s painstaking and requires great attention to detail at the point when you’re completely Sick To Death of the story. You’ve been over stuff so many times that it all seems trite and dull.

With edits, too, there’s a constant struggle to determine what the right decision should be. My editor wants it one way. I want it another way. How can I please us both? More – it becomes this internal tug-of-war in sorting out whether I’m just resisting not having it MY WAY or if I have a solid foundation for fighting the alteration of my original text. This is exacerbated by the whole “art” thing, where a lot of times I can’t rationalize or articulate my reasons for sticking to my guns. I just FEEL it and there lies the boggy territory of sounding like a diva and being Difficult To Work With.

So, I do this rarely. But sometimes I feel I have to dig in my heels and say no. I want to keep this character. Or I like this line. The scientist in me hates not providing a logical defense, but the artist is happy. Believe me, Artist Me is much more difficult to placate than Scientist Me.

For this reason, I accept most edits. Especially punctuation and grammar.

You know those things people are always sending around Facebook, showing why commas are important? Never amuse me. Especially the ones championing the Oxford comma. For those who are not punctuation-obsessed, the Oxford comma is the one preceding an “and” in a series. It’s considered optional by most rational people these days. Thus it can be “apples, oranges, and bananas” or “apples, oranges and bananas.”

Yes, Mom, I know what the nuns told you. It’s optional now.

Personally, I like fewer commas. The Oxford comma is a waste of a keystroke in my world. Even other comma games, like those demonstrated in the book Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation, leave me cold. The title is a kind of word play, thus the panda image. The comma placement supposedly differentiates between whether a panda “eats shoots and leaves” of plants or “eats, shoots and leaves,” suggesting it might dine on the plant, then shoot someone and take off for parts unknown. It’s a cute example, but this kind of this drives me crazy. Nobody would seriously believe in that context that the panda is shooting a gun. If they are that easily confused, then they likely have bigger problems. I’ve also got issues with a “zero tolerance approach” to pretty much anything at all.

However.

I do understand that some people care about these things. I have an old friend who’s been a computer coder all his life and it makes him crazy if I fail to close my parentheses. Yes, it’s a careless mistake on my part. For him, that missing parenthesis could mean a week of work sorting through code to determine why a program won’t run. This is more than panda antics to him.

Really, this matches my approach to most things, such as housework: whoever cares the most is responsible for doing it. You want a clean kitchen all the time? Knock yourself out! I don’t mind a few dishes in the sink. You HAVE to have an Oxford comma? Fine, whatever. I will never fight a comma placement. I just don’t care enough.

I save my caring for the REALLY important stuff.

Like keeping “laughed” as a dialogue tag.

I don’t see why I can’t have that.

<end rant

Breaking News!!

headerI’ve been sitting on this news for a couple of weeks, so I’m SUPER EXCITED to finally get it off my chest!

You all know how I am – not much for keeping interesting news to myself. Ask me to keep a secret and I’ll carry it to my grave. But fun, exciting news like this, that I just have to hold onto until a Specific Day? Gah!

So, what? You haven’t skimmed ahead yet? You have. I know you have.

Okay, okay.

Fabulous Piece of News #1

The amazing Agent Pam has announced today that she and Laurie McLean have left Larsen-Pomada and are forming their own agency!!

FOREWORD LITERARY

When Pam called a couple of weeks ago to tell me their plan, I didn’t hesitate to tell her I would go with her. I have great faith in Pam and Laurie’s abilities and ambitions. They have exciting plans and I’m thrilled to be part of them. I feel so lucky to have signed with Pam when I did and privileged to be part of this grand, new adventure.

Also, now that the agency-thing has been settled and is public and all….

Fabulous Piece of News #2

With Pam’s assistance, I’ve agreed to a two-book deal with Carina Press for the next Covenant of Thorns books!!! Yes, all you Rogue fans – this means two more books to round out the trilogy! Yay! Looks like Rogue’s Possession will come out around the beginning of October. I know, I know – it’s a long time from the first book. 🙁 BUT, the plus side is that book 3 should come out about six months after that! Whee!!!

All very exciting, isn’t it?

I think so, too.

Is It Really Harder Writing a Sequel?

These are scarlet gilia blossoms – big favorite with the hummingbirds. Such a vivid color.

It’s interesting how each new book I write is a different experience. Over the years, I’ve heard writers make note of this, but I suspect it’s one of tose things that, when you experience it for yourself and it hits home, you have that big “ohhh” moment.

In some ways it’s a satisfying feeling. “I’m a big girl writer now and I get what all these other long-established writers have been talking about.” But it’s also kind of daunting. Because you suddenly realize that you do not have this gig down. That you will never have this gig down. That each new book brings a new set of challenges.

Which is a good thing, right? All that learning and growing and development of craft and art.

This is on my mind because it came up in comments on yesterday’s post and also because I’ve started the sequel to Rogues Pawn, which will be Book 2 in the Covenant of Thorns series. Kev suggested I call it Rogue’s Spawn, which I am just SO tempted to do, if I didn’t think the Carina marketing team would kill me for it. It wouldn’t be inaccurate since Rogue does want her firstborn child – and that’s not a spoiler because it’s right there in the blurb. So, for now, I’m just calling it RP2.

Thing is, this is the first sequel I’ve written. The other follow-ups are same world, same general idea, but new characters, new story. This is the same characters and a continuing story.

And it’s HARD.

*sniffle*

Usually I love drafting a new story, but this has just been a slog so far. The first chapter has taken forever. I have to keep going back to the first book and my notes to make sure the continuity is right. It’s kind of pissing me off.

So, I did what every good writer does: I whined to my CP Laura Bickle about it. She cheerfully came back with “Oh yeah – writing a sequel sucks.”

Which took me aback. She’d never mentioned.

“The first half is always a slog. I never feel good about it until I get halfway,” she continued, all perky. “You’ll be fine. Just keep slogging.”

So, now I know.

So, how about you all who’ve written sequels? Can you verify Laura’s assessment? Any tips or tricks?

Or chocolate?

That works, too.

Why Pitching is Never a “Make or Break” Deal

Here’s another shot of the eclipse that you can’t tell is an eclipse. Still kind of pretty though.

This week on the group blog I share with other fabulous speculative fiction writers, the Word Whores, we’re talking about the one that got away. It’s the idea that someone or something slipped through your fingers, an opportunity forever lost, the ship sailing away without you.

And I just don’t believe in this.

More, through my career as a writer, I’ve come to see that there really is no such thing as a lost opportunity. You see this advice all the time from editors and agents, e.g., don’t think your pitch appointment is your make or break moment. This is a difficult piece of advice to understand, because it FEELS like it is. Especially at first.

When I was first trying to sell Rogue’s Pawn (Book 1 in the Covenant of Thorns series! Out July 16!! Muppet Flail!!!), and this was several years ago now, I joined RWA expressly so I could go to the National Conference to pitch my book to an agent and editor I couldn’t access otherwise. I signed up, nagged them to give me my PRO status (if you don’t know what that means and you want to, go here), so I could get the early opportunity to snag an appointment. I only went to the conference for a couple of days – flew in from a day job trip and flew out again two days later, right after my pitch appointments. Both requested to see more, the agent 100 pages and the editor the full manuscript. Afterwards, I sat in the bar by myself (because I didn’t know anyone) and drank a glass of champagne, congratulating myself for seizing the opportunity.

Both said no.

I sat on my metaphorical dock, watching that ship sail off into the sunset without me and wondered what to do. Should I sit there for another year, until the next National conference? What if that ship sailed, too.

Clearly that’s just not an option if you’re not the type who’s fond of sitting on her butt, doing nothing.

So I dug up other opportunities, found many avenues to pursue. I can talk about those sometime, if anyone wants me to. But the point I’m attempting to make today is, I’ve talked to SO MANY editors and agents now, that it’s no longer a big deal. Some of them I count as friends. They’re interesting people with jobs relevant to my field. Some I work with directly, some I don’t.

But there’s no longer this huge charge over pitching a project to them. Maybe it will be a hit with them, maybe not. One agent has now read three of my novels and I know that each time she hopes it will be something she can fall in love with. Maybe that will happen. Possibly it will happen with someone else first. But I’ve talked with her about projects for years now. None of those conversations were make or break.

That’s the thing: ships don’t really sail away, never to return. If you frequent a busy port, there are ships coming and going all the time. The idea that just one is for you is ridiculous and self-limiting. We live in the modern era. There are lots of ways to get to India.

And lots of fish in the sea.

Introducing: Rogue’s Pawn

http://browse.deviantart.com/?q=thorns&order=9&offset=24#/dl15xhI’m thrilled to announce that The Novel Formerly Known as Obsidian has been officially retitled!

Please welcome into the world:

 

Rogue’s Pawn

 

This title is really just so perfect that I’ve been giddy with delight.

AND… even better. I have a series title, too!

Rogue’s Pawn will be the first book in

 

A Covenant of Thorns

 

I’m over the moon about having a series title and have been twirling and dancing in my head ever since.

So, join me in celebrating!  Champagne all around!!