Representation in Stories: Intention Matters

I can’t believe that THE ORCHID THRONE releases this week! Feels like it was forever away for so long, and suddenly it’s here. Woo hoo!

Our topic at the SFF Seven is Creating representation in our stories – how do you do it, and make sure you do it well. That last bit is key, right? Because about the only thing worse than not having representation of marginalized groups in our stories is having them in there, but in awful ways. Come on over to read more. 

The RITA® Award – Jeffe’s 2019 Scores

Happy Book Birthday to L.X. Beckett! GAMECHANGER is out in the world and ready to be snorfled up! Those of you who listen to my First Cup of Coffee Podcast will remember L.X. from a guest interview back in July.  I’ve got the book on my Kindle and can’t wait to read it!

It’s become something of a tradition here on my blog for me to share my RITA® Award scores each year. Here’s my post from 2018, which summarizes the previous few years.  I think it’s important to share this information, so that there’s greater transparency in what the scores shake out to be for various books. Of course, I totally respect that some people prefer to keep their scores private, but that’s not a thing for me, so I’m happy to hang them out there.

I entered three books this year – the max I could enter – and for those who say we should only enter one book, our best book from the year, I totally did not expect THE DRAGONS OF SUMMER to be the one that finaled. I think it’s impossible to predict these things. So much depends on which judges you get. Read on for more!

So, these are the scores for THE DRAGONS OF SUMMER, which was a finalist in the novella category. As you can see, it finaled with an average score of just over 9, on a scale of 1.0 to 10.0, with 1.0 being the lowest (poor) and 10.0 being the highest (excellent). (If you’re doing the math at home, remember that the highest and lowest scores are dropped.) So, yeah – Judge 4 *really* didn’t care for the novella. Did it deserve a score 4.5 points below the next lowest score? Opinions are subjective, but that’s a marked gap.

Here are my scores for my Fantasy Romance novel, THE ARROWS OF THE HEART. It got an average score of 8.3, which put it in the top 25% of scores in that category, which means it came pretty damn close to finaling! As you can see, however, Judge 4 Did Not Like. (And no, it’s not the same judge as for DRAGONS – it’s just a coincidence.) And look, they also marked it as not a romance. I get one judge saying this on my Fantasy Romances pretty much every year. I think it’s because some readers have rigid ideas about what romance should be. Also, I do think some judges score out of spite. As impossible as it may be to believe, there are people out there who don’t like me. I know, I know – but it’s true! I’m very interested to see if the new measures RWA is taking to track judges and how they score over time will eliminate some of these kind of wildly different scores.

Finally, I entered my rock star Contemporary Romance SHOOTING STAR, just because I wanted to see how it would do. This book has just never gone the way I thought it would. We couldn’t sell it to a trad publisher, so I self-published it. And it turns out those trad folks predicted well – lol! It has never sold well. Though it does get really good reviews. It scored here much better than I thought. Interestingly, it didn’t get the hate score, but it also didn’t get any love scores. High mediocre, maybe? But I was happy to get this much validation for it.

So, thoughts? Questions? Comments? Hit me up! And any of you who entered and feel the urge, go ahead and share your scores in the comments 🙂

When To Take the Market into Consideration

Our topic at the SFF Seven this week is our most frequent story starter — idea, milieu, character, theme, what-if, trope, editor request, etc. Come on over to find out why this is a practical decision for me.