Why I Needed a Mission Statement

BFqnq3dCQAArYBoOlder kitty and newer kitty are getting to be quite good companions for each other – very pleased to see it!

Recently I’ve been thinking about Mission Statements.

What – you don’t?

No, really. See, a fellow author asked me for a favor. It wasn’t a big favor, but I was feeling cranky about being asked. I was annoyed with this person for other reasons, for an online gaffe that the other person probably never even thought of as being rude. I never said anything about it, just fumed a little and tried to let it go. You all know how it is – you can’t get all worked up about every little thing. And I do think intention matters. It’s one thing for someone to accidentally step on your foot and another for them to deliberately grind their heel in your instep.

So, I *thought* I let it go. Until this person asked me to do something for them and I didn’t want to. And I wasn’t sure of my reasons.

There’s another side of this “helping fellow authors” thing. Julia Quinn recently said at a conference that “No one ever ruined their career helping another author.” Brenda Novak says “A high tide floats all boats.” I believe in both of these things. I think it’s important to help people and, more, I enjoy it. But I think we all know that this can go bad. There are bad apples that will take your help and then abuse you for it. There are vampires who will drain you of everything you have to give. It’s the ugly face of what is supposed to be a good and lovely enterprise. We’ve all been stung by it, I think.

Sure, we have ways of dealing. Most of us know to never give a gift with the expectation of reciprocation or even gratitude. That way the gift is given freely and it’s easier to ignore any less-than-pleasant results.

Still, after this happens a few times, when someone asks you for a favor, you can’t help but weigh it. Especially if that same person recently stepped on your foot.

This is an emotional reaction and I wanted to separate out my emotional reaction.

Thus: a Mission Statement.

When I tweeted about this, someone suggested I pick “Eat Chocolate. Drink Coffee. Write a Lot of Words.”

Which was funny – and largely accurate – but not what I was getting at.

A few years back I did this retreat weekend with some other facilitators and a bunch of sorority and fraternity members from the local campus. They were primarily the presidents and vice-presidents of their chapters. The program proved to be a fascinating one, that worked to move these leaders into focusing on their sorority’s and fraternity’s open and secret mottoes – their Mission Statements, as it were. See, every fraternity and sorority has both. For my sorority, Gamma Phi Beta, our open motto is “Founded Upon a Rock.” The letters of the sorority are an acronym for our secret motto, known only to Gamma Phi initiates.

Despite the sometimes unsavory reputation of the Greek system, these organizations were all founded with bold ideals of integrity, learning, and honor. To help guide these chapter leaders to make decisions in sync with these ideals, the program helped them think about their founding ideals.

One thing we did was work through “hypothetical issues” in small groups, as if we were on the boards of the companies involved. For example, we were the board of a pharmaceutical company and someone dies taking one of our medications. What do we do?

What was cool – all of these turned out to have been actual events. The example above was taken directly from the Tylenol poisonings in the 1980s. Those of you old enough might remember that as one of the first massive product recalls in history. It set a firm precedent. The Johnson & Johnson board members said that, at the time, the decision was easy. They looked at their Credo, which guides them to “do the right thing and act honorably” and knew exactly what to do. You can read all about it here.

The goal of this program with fraternities and sororities was to help them use their founding principles to do the same. Thus the have a compass for making decisions. It’s timely to point out that the kids who participated in/witnessed the Steubenville rape could have used similar guiding principles.

At any rate, this has been a roundabout way of describing how I came to make my own Mission Statement. So, that I would have a compass besides my bruised feelings to guide me.

As I thought about what’s important to me, I recalled a conversation I had recently about an upcoming conference. Some first-timers were nervous and I was reassuring them on details and that they could always hang with me. I remember my very first RWA conference and how I knew not one person – and how lonely I felt eating by myself next to tables full of laughing people. So I declared “Anyone can sit at my lunch table!”

After all, high school is over and in the Cafeteria of Life, we’ve all had our share of eating alone.

Once that gelled, I replied to the author asking me for a favor that amounted to no more than sitting at my table – and said yes.

It was the right thing to do.

Writing What You Read

BFQ6OC9CUAARMjsMy office assistant, Isabel. At least she’s not on the keyboard, right?

The other day, I saw this tweet:

D’ya think it’s poss to write a YA zombie book without ever having read ANY zombie books at all, like ever? Recommendations please folks?

This isn’t anyone I follow or who follows me – I saw it because someone I follow retweeted it. So, Unknown Person who asked this question by flinging it upon the waters of Twitter in good faith, if you see this, please don’t think I’m dissing you here. I had a long answer to your question. Longer than Twitter permits.

Plus I admire this person for asking the question in the first place. So very many people don’t. And I think it hurts them as writers.

See, there’s this idea that there’s an artistic purity in working from a vacuum. I’m not quite sure where it comes from. But people love to tell stories about the guy who never studied painting, ever but produces this amazing, unusual work. Or the young girl who spontaneously starts creating symphonies. We’re fascinated by the idea of this kind of genius, that seems to spring out of nowhere.

It also maybe is alluring, because we get the idea that we can skip a few steps and be successful anyway.

Really, I think this rarely happens. In fact, I suspect it never happens and stories meant to convey that idea are heavily massaged. There’s a reason interviewers ask bands about their influences, why people are forever asking writers who they read. Creativity comes out of richness, not a vacuum. Ideas lead to more ideas. Also, learning your craft means studying others who’ve gone before.

After all, no one really wants to hire an architect who says “Oh, I didn’t go to school because I didn’t want my creativity to be influenced by the establishment.” No CPA should touch your taxes who says she hasn’t read all that IRS stuff.

It’s great to want to be a rulebreaker, but you have to know what the rules are first. For a writer, that means reading. A lot of reading.

A few years back, I had a friend who was writing a vampire book. Only hers was a going to be a special vampire book – not like all the others. In fact, she’d never read a book with vampires in them. She had a fair amount of contempt for the genre. When I suggested a few books or authors who’ve greatly influenced that genre, she dismissed the idea. First of all, she didn’t want to waste her time reading books like that. Secondly, she wanted her book to be unique, untainted by the tropes. She planned to mix it up and do something Fresh, Exciting and New.

Who doesn’t want to do that?

Thing was, because she hadn’t read, she didn’t know which rules she was breaking. So, she would ask me, hoping for the benefit of all the energy I’d invested in reading those stories. I found that, not only was it difficult to answer a question about vampire nature – after all, according to which author, which tradition? Laurell K Hamilton’s vampires are not Charlaine Harris’s vampires are not Anne Rice’s vampires are not Bram Stoker’s vampires are not Stephenie Meyer’s vampires – but I resented that she wanted to write a genre she didn’t care enough about to read.

That’s what it really comes down to. If you’re writing something you don’t love to read, why the hell are you writing it?

This is a kind of literary carpetbagging. The sort of person who swoops in on the lucrative opportunity, with no real investment in the thing itself.

Not that you’re thinking that way, unknown Twitter person. Because you, at least, cared enough to ask. The short answer is sure, it’s possible to do it. There’s no guarantee for how your book would turn out if you do or don’t read. But why wouldn’t you? Take two weeks and read everything you can get your hands on. If you’re feeling the YA zombie love, then it should be a fun assignment for yourself. Spend a little time enriching yourself, creating a nice thick stew of ideas and images and emotions to draw from.

Don’t worry that you’ll be derivative or duplicating – if your creative heart is in the right place, your own story will come out of it. But do spend a little time studying the genre.

It will be an investment you’ll never regret.

Jeffe’s Random Five Bits of Advice for Having a Personality on Twitter

014A break in the Tucson rains allowed a bit of sunset to glow on Pusch Ridge. I swear this lasted maybe three minutes. Just lovely.

Funny how a brief glimpse of light and color catches our attention more than seeing the ridge brilliantly sunlit all day. I often recall a story my stepfather, Leo Kennedy, used to tell. He and some other guys were at a strip club. (Yes, this is absolutely the kind of story he would tell in mixed company. Everything in life was interesting to him.) They were sitting around a table when the waitress delivered the drinks. She bent over to set the drinks on the table and every guy leaned forward to catch a glimpse of her cleavage where her blouse gaped open. Even though there were several naked women dancing ten feet away.

He said it was an example of the hidden having more allure than the fully exposed.

He was also a former Catholic priest, so he may have told this story to encourage me to dress more demurely. At any rate, I think there’s truth in this.

This morning, I saw one of those perennial articles about how writers should handle Twitter, the balance between promo and “other” and yadda yadda yadda. I say all of this with great irony because, although the information is oft-repeated along various themes, clearly I still click on and read the articles.

It’s something we all want to know and still don’t quite understand.

I tweeted about the article (of course!) and snarked about the advice to “have a personality” on Twitter. Terrible advice, right? Terrible as in Utterly Useless. This is like your mother telling you as you leave for a party to just be yourself. Like this is such an easy thing to figure out. Especially when most of us – raging egomaniacs may be excuse from this conversation – harbor the deep conviction that “just ourselves” isn’t very interesting at all. After all, just being myself usually entails things like not wearing a bra or makeup, ignoring everyone and indulging in various bad habits. You people have no idea the lengths I go to, cleaning up my act for you.

Joking aside, most of us are grownups now and have developed, if not personalities, at least socially acceptable personae. We might not go to parties and “just be ourselves,” but we can generally get by without being hated by everyone. (Again, raging egomaniacs? we have a roped-off section in the bar for you!) But just “having a personality” doesn’t mean we know how to show it on Twitter.

The perky @AmaraRoyce, sister Kensington author, replied with:

Okay, I get the “don’t just bombard with promo” but…dammit, I have a personality! How do I show that in 140 char? ๐Ÿ˜‰

And this is always the question, right?

I think it’s all about the striptease.

Twitter is, by nature, suited to the small glimpse. 140 characters is the hint of the curve of a breast through the open blouse. It’s the flash of thigh revealed by the slit in a knee-length skirt.

So, here are Jeffe’s Random Five Bits of Advice for Having a Personality on Twitter:

  • Give fun and brief insights into your life

People like to be snarky that Twitter is all about what you ate for breakfast. It’s not, but the fun things you do – including the meals you enjoy – show who you are. And, like with sex, people are pretty much always interested in food, detractors notwithstanding. People like to hear about funny incidents or amazing sights. Think cocktail party conversation

  • Leave your health and assorted bodily functions out of it

Conversely, people are really not interested in your health problems. Even your friends, when they ask about how you’re doing with Your Horrible Disease, are asking out of concern for you and not because they really want to hear about your latest funky bowel movement. See? You flinched just reading that, right? No one wants to hear about it

  • Don’t show everything

A striptease is about tantalizing, about the hints and intriguing glimpses. Once people have seen everything you have to show, they lose interest. Besides, hanging it all out there is a bad idea. Twitter is not your confessional. People are not there to offer you therapy. A friend of mine somtimes comments that “such and so’s entrails are showing.” You know the image she’s thinking of – the poor wounded animal whose entrails are hanging out, and who the pack will soon turn on. Don’t rely on the kindness of strangers. If you’re wounded, go to your friends. Don’t let the others catch the scent of blood.

  • ย Don’t be a Debbie Downer

A little bit of complaining is okay. Heavens know Erma Bombeck made a career of it. A lot of comedians have. And that’s the key: comedy. If you can make your whine funny – especially if it’s a complaint you know a lot of people share – go for it. But be judicious. People want to be entertained by you, not depressed. It’s fine to tweet about a low moment – @AmandaPalmer did this recently and received an outpouring of support – but not non-stop. Amanda Palmer can get away with that because most of the time she’s upbeat, interesting and gives fascinating glimpses into the life of a rock star.

  • Share the things you like

The things in life that give us joy and rev us up are what make us most interesting. Don’t worry about if it’s deep or will have a lasting impact on the Human Condition. If you’re happy about a new pair of shoes, tweet about it! If you’re in love with a new band, share that. I really believe that, in the end, it’s what we love most that defines us.

And, if all else fails? Just be yourself!

๐Ÿ˜‰

ย 

Breaking News!!

headerI’ve been sitting on this news for a couple of weeks, so I’m SUPER EXCITED to finally get it off my chest!

You all know how I am – not much for keeping interesting news to myself. Ask me to keep a secret and I’ll carry it to my grave. But fun, exciting news like this, that I just have to hold onto until a Specific Day? Gah!

So, what? You haven’t skimmed ahead yet? You have. I know you have.

Okay, okay.

Fabulous Piece of News #1

The amazing Agent Pam has announced today that she and Laurie McLean have left Larsen-Pomada and are forming their own agency!!

FOREWORD LITERARY

When Pam called a couple of weeks ago to tell me their plan, I didn’t hesitate to tell her I would go with her. I have great faith in Pam and Laurie’s abilities and ambitions. They have exciting plans and I’m thrilled to be part of them. I feel so lucky to have signed with Pam when I did and privileged to be part of this grand, new adventure.

Also, now that the agency-thing has been settled and is public and all….

Fabulous Piece of News #2

With Pam’s assistance, I’ve agreed to a two-book deal with Carina Press for the next Covenant of Thorns books!!! Yes, all you Rogue fans – this means two more books to round out the trilogy! Yay! Looks like Rogue’s Possession will come out around the beginning of October. I know, I know – it’s a long time from the first book. ๐Ÿ™ BUT, the plus side is that book 3 should come out about six months after that! Whee!!!

All very exciting, isn’t it?

I think so, too.

Upping the Wordcount and Keeping the Faith

2_27_13Jackson, in a post-breakfast stupor. Not that any of us can relate to this.

Regular readers know I’ve been plugging away on the Phantom e-Serial. I’ve got another month to finish it, which sounds like a lot that way, but when you realize that’s 31 days, it sounds much worse. Still, I have it in hand, I believe. I’ve been working fairly steadily at about 1,675 words/day. That puts me finishing around March 24 – with a week to spare for revising. Fortunately the CPs all took a look at the first half – while I took a week-long break and wrote a new Facets of Passion story for a Christmas anthology (I hope) – and they all liked it! They really liked it!! (Cue Sally Fields Oscar gif.)

For you math whizzes out there, that rate is, yes, around NaNoWriMo levels. A while back, I never thought I could steadily produce at that rate while working full time. Amazing how things change! Last month – ooh, on February 1, even! it’s like a recurring THEME – I posted my cumulative wordcount numbers. I’ve been tracking my weekly and monthly numbers lately, to better understand how I work.

March weekly wordcounts

Here’s the chart of my weekly wordcounts. The first and last “weeks” of February are a bit artificially low, as they were partial weeks. Still, that second to last week of February, I hit 20K, which might be a personal best. (I haven’t been tracking weekly counts long enough to be sure.) I got there via a vacation day and a holiday, plus a solid weekend of work, to write that new Facets of Passion story. I like how I can see my rate increase through the month, however. This week was down, due to dealing with family illness and travel. I was feeling kind of bad about that, until I saw my monthly stats.

March monthly wordcountsYes, I just made 50K for February, which I’ve only done once before. Plus, as the lovely Laura Bickle generously pointed out, it was a short month. It will be interesting to see what March and April bring. I predict March will be another high month and April will drop considerably, because I’ll be revising two novels in that month. Editing time makes for poor metrics – even if you count pages revised and you’re clipping along at 30/day, that looks kind of pitiful. I need a way to weight that. Hmmm…

Oh! And the other fun news is that a spin-off story from the upcoming fantasy trilogy (The Twelve Kingdoms) has been accepted to a sword and sorcery anthology! Former Word Whore James R. Tuck is editing. CP Marcella Burnard will have a story in there, too, so it should be loads of fun. Turns out they’ll do two volumes of the anthology. She and I, of course, wrote very female-centric stories (not usually the thing for sword and sorcery), so we’re curious to see if Tuck divides the volumes by male/female, which would be interesting. It should be out in June, so we’ll keep you apprised!

Fifteen Minutes of Fame, Etc.

060This is the full moon rising over Buffalo, Wyoming – seen from our hotel room. Not fabulous resolution, but decent for taken through the window with my phone.

Since it’s release week for Platinum, I’m in a few places today. There’s a post up at Harlequin on my Top Ten Reasons to Love a Dom Hero. I’m also at the Carina blog, talking about the fun research I did for this book.

If you don’t feel like you already know everything you could possibly want to know about me already, stop on by!

Also, just to be a little braggity, I have to show you all this. Yesterday, Platinum was #1 on Carina and Sapphire was #5. There’s MY 15 minutes!!

Platinum #1