I’m over at Word Whores today, talking about my formative influences in celebration of Mother’s Day. And also about the worst thing anyone has done to me on social media.
Social Media Gaffes
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Author: Jeffe Kennedy
//Talon, Castle, Assassins and Sheep
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Look what arrived late last night! Yes, the UPS guy came by around 7:30 with this largesse. Finished copies of THE TALON OF THE HAWK!!! I may have fondled them.
I’m over at the Contemporary Romance Cafe today, for my usual first Thursday post, talking about prickly heroines and mixing it up with Ursula from TALON and Detective Kate Beckett from Castle.
Also, I did a really fun interview with Jennifer Estep over at Magical Musings. It includes a giveaway! In my typical style, after I glommed her terrific Elemental Assassin series, I stalked her on Twitter and made her be my friend. She kindly suggested doing this post, for which we are now both grateful, being equally crazy getting ready for the RT Convention. I get to have brunch with her there and meet for reals – very much looking forward to that!
Finally, the crazy gals at I Smell Sheep also did an interview with me and are hosting a giveaway also. More than you *ever* wanted to know about me?
Possible. Entirely possible.
All The Things! #RT15 Bound
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Yesterday I revealed the cover for UNDER CONTRACT, the third book in my FALLING UNDER series. I’m really loving this one – particularly because this is exactly how I picture my Los Angeles heroine, Celestina Sala. I had the idea/fantasy of this book a long time ago, but when it came to writing it, the execution was not easy. Early reader reports are that I got the power balance and compliance questions just right. Such a relief!
The kinkier the sex, the higher the price tag…
Ryan Black has admired Celestina Sala from afar for years, her lush body and sensual nature calling to the dominant in him. For just as many years, Celestina was off-limits—married, proud and self-sufficient. But all that has changed, and now Celestina is in debt and in need…and available. Ryan proposes a contract: he’ll pay off her debt if she gives herself to him in bed, yielding control in exchange for the pain and pleasure he’ll bring them both.
There are words for women who take money for sex, and none of them are nice ones. Celestina never thought she’d have to sink this low, but giving up control sounds more enticing than ever before. And suddenly it’s not about having to give in to Ryan. It’s about wanting to.
But when Ryan’s dark past comes to light, they may both be in over their heads. The terms of his contract say her body is his…but her heart may be another story.
One thing is for sure—now that Ryan has Celestina, he can never let her go.
This week I’m prepping to leave for the RT Booklovers Convention and, speaking of delicate execution of consent issues, one of the many, many (oh, so many!) things I’ll be doing there is giving a craft workshop on Walking the Line of Consent. I’ve given that workshop online before, but it should be very interesting to do in person.
You can see all of my appearances here. Not on that list is the Giant Book Fair on Saturday, May 16. It runs from 11 to 2 and is open to the public! So, even if you’re not going to the convention, you can still come by the fair! There will be TONS of authors signing both your keeper books and ones for sale. There will be maps, so you can find specific authors easily – including me! If you’re in the Dallas area, come on by and visit. I’ll have prezzies to give away. 🙂
See you in Dallas, I hope!
Cover Reveal for UNDER CONTRACT!
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Under Contract
The kinkier the sex, the higher the price tag…
Ryan Black has admired Celestina Sala from afar for years, her lush body and sensual nature calling to the dominant in him. For just as many years, Celestina was off-limits—married, proud and self-sufficient. But all that has changed, and now Celestina is in debt and in need…and available. Ryan proposes a contract: he’ll pay off her debt if she gives herself to him in bed, yielding control in exchange for the pain and pleasure he’ll bring them both.
There are words for women who take money for sex, and none of them are nice ones. Celestina never thought she’d have to sink this low, but giving up control sounds more enticing than ever before. And suddenly it’s not about having to give in to Ryan. It’s about wanting to.
But when Ryan’s dark past comes to light, they may both be in over their heads. The terms of his contract say her body is his…but her heart may be another story.
One thing is for sure—now that Ryan has Celestina, he can never let her go.
Networking in the Digital Age – Keeping It Fun
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I’m over at Word Whores talking about social media, networking in the digital age and keeping things fun.
Learning My Own Lessons
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A couple of weeks ago, I had the fabulous and fun privilege of flying out to St. Louis to teach a workshop to the Missouri Romance Writers of America (MORWA). They asked me to talk about structuring a serial novel, largely because of this terribly geeky blog post I wrote about it. (I think that’s a data point right there when people ask if writing blog posts is meaningful at all. Just saying.)
In order to explain my method of structuring a serial novel, I started with the basic structure I use to structure any work. We talked quite a bit about the Three-Act Structure, where Act 1 is the first 25%, Act 2 is the middle 50%, going up to 75% through, with Act 3 being the final 25%. As with many RWA chapters – and one of the things I love about RWA – the members ranged from newbie writers stretching their muscles for the first time up to award-winning pros. So, as I was going over this structure pretty fast, in order to lay the foundation for the rest, I threw out that you know you’ve finished Act 1 because all the stakes are set. And that a solid first 25%, done correctly, will prevent the middle of the book from “sagging” or losing momentum. If you’re having problems with the middle 50%, go back and look at the first 25% and make sure you truly set all the stakes.
One of the newbies put up her hand and asked what that meant, to have the stakes set. Always a good reminder to me that stuff I take for granted at this point isn’t second nature to others.
I explained that the first 25% should introduce the characters, who they are, what they want and why they can’t have it. Some talk about the Three-Act Structure being that you get your protagonist up a tree in Act 1, throw rocks at them in Act 2 and get them down again by the end of Act 3. Setting the stakes is getting your hero or heroine firmly up in that tree.
So, I’m back home and fully plunged into writing THE PAGES OF THE MIND, which is Dafne’s book, the fourth in my Twelve Kingdoms series. In order to meet deadline, I’ve set myself what is for me a fairly grueling pace of 2,200 words/day, six days/week. As I have a full-time day job, that’s about the most I can do consistently. Some days I do more in the time I have, some days considerably less. The considerably less days are the ones where I circle back and revise or add to previous scenes. (Adding is nearly *always* involved.) I write my books beginning to end, so I really hate circling back like that. It feels like I’m not making progress.
I was getting all frustrated with myself this week about it.
Guess where I’m at? Yeah – 26,000 words, which for those who don’t speak math, is right at 25% of what will probably be about a 105,000 word book. (Most novels are 80,000-120,000 words. Fantasies like this can be on the longer end of the spectrum.)
It hit me sometime yesterday, that OF COURSE I’m doing a lot of circling back, layering and tweaking. I’m setting the stakes for the rest of the book! Once my Act 1 is solid, the rest will fall into place more easily. I know this. I freaking taught people about this a couple of weeks ago.
How easily we forget.
I’m feeling much better now!
Speaking of The Twelve Kingdoms, we’re kicking off the blog tour (heh – I first typed “bog tour,” which isn’t nearly so fun) for THE TALON OF THE HAWK. Today there’s a very juicy excerpt – one of my favorite scenes! – at the Chosen by You Book Club. Let me know if you like it, too. Hee hee hee.
Also, the Science Fiction and Fantasy Writers of America (SFWA) is starting a bimonthly (every two months, not twice a month) newsletter of members’ new releases. I think it will be great! You can subscribe here.
Have a great weekend everyone!
What Would You Write If You Weren’t Afraid?
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I saw this question go by on Twitter a bit ago and, as things seem to do at certain times, it really struck me. I can’t recall who posted it – if it was you, please say so and I’ll give you credit!
Some of you out there will be shaking your heads at me and joyfully proclaiming that you are not afraid. I know you are because some people said that back to me on Twitter. You write exactly what you want to write and screw the rules! Screw the critics, the gatekeepers and reader feedback!
Good on you!
I mean that seriously. It’s a great place to be. I used to be there and I miss it.
And probably “afraid” isn’t exactly the right word for what I feel at this point in my career. It’s more an umbrella sense of caution, of all the voices in my head, whispering as I write. With newbie authors I’ve often given the advice to throw people out of the room who are metaphorically looking over their shoulders. I think pretty much every one of us has to figure out how to overcome that in the early days – writing sex scenes that would shock your grandmother, expressing opinions your dad would have a fit about, starting a sentence with a conjunction which would have been points off in AP English. That’s a big challenge and not easy to do.
Then you get past that – you have to, if you’re going to free up your writing voice – and you write books and everything goes swimmingly for a while.
Until you find yourself writing book four of a popular series that straddles genres in a way that’s generating a lot of interest and discussion and suddenly new, different and LOUDER people are in the room with you. I’m hearing voices I never heard before about the marketplace, what my agent thinks, what my editor expects, what my author friends are saying, what reviewers identify as ways I need to grow as a writer or how I do or don’t fit within the genre. These voices are in many ways much more difficult to shut up because I have respect for their opinions. This isn’t my grandmother reiterating an uneducated attitude. These are smart people with intelligent things to say.
Things that can get in the way.
I heard this before, when I was a newbie writer, and professional writer friends advised me to enjoy that time. They said there’s a freedom to writing then that you lose later, when you have expectations laid on you from people like editors, agents and so forth. Naturally, I barely listened, caught up in my envy for their book contracts and success. But they were spot on correct.
I think it comes down to this – that I’m not always writing what I would if I didn’t have those expectations. Or rather, more accurately, writing what I would if I didn’t have those voices is more of a battle.
I want to write what I’d write if I wasn’t afraid, if I didn’t anticipate the reactions to the book it will become. So I’m focusing on this question. As I’m spinning the story, when I hit a decision point and the voices rise up, chattering about how other authors did it, what the market wants, what the award-givers will value, I ask myself how I’d do it if I weren’t afraid of their censure.
And I do that.
It’s an ongoing process. A lesson I feel like I’m learning anew every day, with every writing session. Maybe this is part of growing as a writer in this stage of my career – finding ways to stay true to my own storytelling in the face of more and more people having an investment in what I do.
Anyone else out there dealing with this? Any advice on banishing those voices? I’m open to advice!
Today Only! Deep Sale on The Tears of the Rose!
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Amazon is running a special on the Kindle version of The Tears of the Rose on April 26, 2015 only. Get it for $2.99! Especially nice timing if you want to read it before book 3 comes out one month from today!
Your Public Persona (Do You Need One?)
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I’m over at Word Whores talking about the importance of book covers – and of having a good public persona.
Sharing the Love
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One of the fun things about writing in several genres and series is that sometimes exciting things happen in multiple worlds at the same time – a very frisky kind of serendipity!
If you haven’t seen it yet, the USA Today HEA Sci-Fi Encounters Blog has a great write up on Fantasy Romance, with terrific insights from the leading writers of the genre – including me, wow! – along with selections from their TBR (to be read) lists.
Also, Going Under tied for Honorable Mention (3rd Place) for Best Book of 2014 at the Love Romances Cafe! This is a readers’ Yahoo loop, so I don’t *think* there’s any way for me to link to it. That came as a total surprise – a thrilling one!
One of the most fun parts of being a writer – particularly in the romance community – is sharing the love with other authors. I’ve been so privileged in the last year to have developed even more friendships with writers who are writing similar stories and even reading mine. We get to have the great pleasure of talking about each others’ work with sincere enthusiasm. Two authors who I’ve been reading and loving – and who’ve been really great about suggesting my books to their readers – are Grace Draven and Jennifer Estep. Really fabulous ladies.
and the possibilities for collaboration go up.
For example, I’m participating in an anthology with five other amazing authors. We’re calling it DARK SECRETS: A PARANORMAL NOIR ANTHOLOGY. It’s going to be SO delicious, people!! The participating authors are Rachel Caine, Cynthia Eden, Megan Hart, Suzanne Johnson and Mina Khan. I’ve only read Megan Hart’s story – a chilling and sexy deal-with-the-devil tale – but I’ve read everyone’s blurbs. Really excited about this!
Through this anthology – and another weird, random connection – I’ve become quite chatty with Megan lately. Yesterday on IM she suggested an idea for a future project. Did I want to play? Yes, ma’am! I’m already percolating on that one. Her idea is terrific and I love being inspired that way. In a similar vein, I read and loved, loved, loved Rachel Caine’s PRINCE OF SHADOWS. Seriously amazing book. It’s a retelling of Romeo and Juliet, but from Benvolio’s point-of-view. Almost impossible to describe how super good it is. That said, Rachel doesn’t go for the smexy like I do, and I complained to her about the scene we did NOT get. (I don’t want to be spoilery, but if you’ve read it – and if you haven’t, you should! – you’ll know exactly what scene I mean.)
So she wrote it for me.
Ha! How awesome is that? Even better, I get to make it even hotter. I don’t know if she’ll share it publicly, but what a fun thing for me.
At any rate, this is kind of a rambly, gushy post, but that’s my mood today.
Sharing the love, people!