Sorting out why I felt so hurt by the author who slammed on the Romantasy genre as “amuse bouche” compared to her books, some experiences I’ve had with older female writers in fantasy, and thoughts on drafting vs revising.
RITA ® Award-Winning Author of Fantasy Romance
Sorting out why I felt so hurt by the author who slammed on the Romantasy genre as “amuse bouche” compared to her books, some experiences I’ve had with older female writers in fantasy, and thoughts on drafting vs revising.
Sorting reasons to be a writer, how you CAN make a living at it, and what it means to treat this profession like a business. Also, why age and dry wit isn’t an excuse to insult other authors and genres.
Several pieces of good news here, including that the Jennifer K. Lambert website is now live! Also, a discussion of being aware of changing social media expectations and why you don’t diss other authors’ books. Like, ever.
A continuation of my intensive breakdown of the language “coaches” use to entice you to spend your money, why their “guarantees” mean nothing, truth and lies about passive income, and sustaining a career as an author.
My very productive week, the problem with writing dialect, and the first part of an intensive breakdown of the language “coaches” use to entice you to spend your money and simultaneously erode your self-confidence.
How not to lose your mind about typos, proofing, and addressing corrections at various stages of editing. Also endorsement quotes, ARCs, and what the expectations are. Plus Jennifer Aniston or Angelina Jolie?
Breaking the gridlock of chronology in a story – when it’s a useful tool and why, and when it can be a crutch. Also, how process changes with every book, indicating a good stretch, and the ravages of book brain.
On celebrating and taking a break, and I’m sharing some great new endorsement quotes for NEVER THE ROSES! Also, internalized misogyny, Taylor Swift & Blake Lively, and why I’m shifting away from search engines and back to bookmarking websites like it’s 2004.
And yes, I realize I said “Age of Adaline” when I meant “It Ends with Us.” I watched both. I got confused. *sigh*
On the story structure that utilizes characters that represent heart, mind, and body. Also, how to know when to listen to critique and then making the judgment call of folding information into a story without slowing pace.
How sometimes we stop caring about things that were once meaningful and that it’s okay to let them go. Some insights on my Achiever and Intellection Clifton Strengths, celebrating wins, and connecting with friends.