Why Hard Work Is Not Equal to Success

005I had a request for a Jackson pic. Apparently photos of ME doing Interesting Writer Things is ever so yawn. No – you all love Jackson.

I suppose I can’t blame you.

He is full of the charisma and cutie charm.

Release week for Ruby is drawing to a close for me, which feels good. It makes no real sense, but setting a book free into the world can be very draining. I still struggle with understanding this phenomenon. All the real work is done – the drafting, the revising, the developmental edits, the line edits, the copy edits.

On Wednesday, in fact, I got the copy edits for Rogue’s Possession and turned them around in about an hour, they were so minimal. Then my editor sent me the final version, which means the book is officially in the can. I love that feeling – one of the rare moments of total completion on a writing project. It’s now more or less set in stone. You all might be amused, especially knowing me, that the copy editor tagged a sentence in which my intrepid heroine remarks “I could use a good drunk.” The copy editor thought maybe I meant to say “drink.”

Oh no no no.

But isn’t she cute?

She also did a great job, catching an instance of someone “peeing at [my heroine’s] face” instead of peering. Something both my editor and I missed. I should really send her chocolate for saving me from that.

Anyway, by release day, the book has been DONE for months. For example, we finalized Rogue’s Possession on May 15 and it will release on October 7. That’s five months of sitting. It might hit Net Galley for reviewers to read six weeks before that, but still. By release day, even most of my promo stuff is done, because most everyone wants it a week or two in advance at least.

So, really, all my effort is responding to congratulations. This does not sound hard, right?

But somehow it is.

I sometimes imagine a big bubble of myself goes with each book as it launches, like a balloon to carry it through the skies on its journey.

This would be a scarier image if I wasn’t (pretty) sure I replenish that again. Though it occurs to me from time to time that one day I could be this fragile old lady, nothing more than skin over bones and that, with my last book, I’ll send it off and expire while the final piece of myself goes with it.

Is that morbid?

I find it kind of joyful, actually. I should be so lucky to go that way.

At any rate, all this makes me think about the relationship between what is difficult and what has worth to other people. I’m sure many of you are aware of the Author Behaving Badly kerfuffle earlier this week, where a writer posted to a blog lamenting how her painstakingly crafted urban fantasy trilogy that she self-published had not done well and the book she wrote in two months – which she referred to as smut and trash and a sell-out to feed the reader machine – had done astonishingly well.

Yeah – there are so many things wrong with her attitude. If you want to read a really excellent post in response, check out Lauren Dane’s blog post on it.

What I want to respond to is the fallacy where she equates hard work to worth. She refers to the books that took years as art and the one that took two months as trash. Readers embraced the latter, so she questioned their taste and judgement. But I think she’s made a fundamental error in assuming that, just because she worked hard on something, that smart people will know to value it more.

I suspect we develop this idea early in life, from our schools and our families.

“If you work hard, you’ll do well in life.”

“If you study hard for that exam, you’ll pass.”

“If you train hard for the marathon, you’ll make it to the finish line.”

I find myself slipping back into this thinking from time to time, though I’ve repeatedly discovered that it Simply Is Not True. Lots of people work hard and do not do well in life. Other people dance through life and seem to be showered with blessings. You know both kinds of people, right? We also know people who work hard and do well along with people who don’t work hard and don’t do well. Whatever you might believe affects the “doing well” part, it’s not a direct relationship to how hard they work.

I’ve studied my little brains out for exams that I failed and aced ones I blew off. I recall in high school, I took the Advanced Placement (AP) exams for English and Biology on consecutive days, in that order. I prepared for days for the AP English test, certain I could get a good score and thus opt out of Freshman English in college. By the time I finished, I was so tired I barely glanced at my Biology notes. I scored 5’s on both – the highest score.

In grad school, I had a friend who was working on a project with Olympic athletes, studying the phenomenon of over-training. The upshot was, sometimes if you train hard, you’ll perform worse. You might not cross the finish line at all.

Hard work does not equal success.

We might like it to be true, because then we could guarantee success. But it’s not.

There it is.

We simply cannot control the outcome like that. We can’t control what other people find valuable. In the recent housing crisis, over and over I heard people insisting their houses were “worth” X amount of money. No, your house is worth what someone else is willing to pay for it.

Some books write easier than others. I don’t really understand why. Some come out like shooting stars. Others are like pulling teeth every step of the way. Is my experience writing them any indicator of how well they’ll be received?

Nope.

The process just is what it is. Some things that seem like they shouldn’t take much out of me – like days of answering congratulatory tweets and comments about my new release – can be exhausting. Other things, like writing twice as many words in a day as usual, can be invigorating.

It’s a mystery, really.

Why I Don’t Care About Commas

BIQNbrsCIAEUWCUThe ceremony for my 25th college reunion was held in Graham Chapel, one of my favorite places on campus. I saw the Violent Femmes play here, back in the day. They put lights outside that enormous stained-glass window and made it part of the show. Amazing memory.

I thought I’d post about my reunion today, but it turns out I’m still processing what ended up being an unexpectedly emotional experience. On my way there, I was joking about writing a reunion book so I could deduct the trip and now I’m thinking what I have to say might end up being something like that. Perhaps this long-time set-aside-to-ferment narrative nonfiction book.

We’ll see.

Also  on the way there, and while I was there, and on the way back, I worked on my content revisions and line edits for Rogue’s Possession. This is my least favorite round of edits and most hated part of the whole writing gig. It’s painstaking and requires great attention to detail at the point when you’re completely Sick To Death of the story. You’ve been over stuff so many times that it all seems trite and dull.

With edits, too, there’s a constant struggle to determine what the right decision should be. My editor wants it one way. I want it another way. How can I please us both? More – it becomes this internal tug-of-war in sorting out whether I’m just resisting not having it MY WAY or if I have a solid foundation for fighting the alteration of my original text. This is exacerbated by the whole “art” thing, where a lot of times I can’t rationalize or articulate my reasons for sticking to my guns. I just FEEL it and there lies the boggy territory of sounding like a diva and being Difficult To Work With.

So, I do this rarely. But sometimes I feel I have to dig in my heels and say no. I want to keep this character. Or I like this line. The scientist in me hates not providing a logical defense, but the artist is happy. Believe me, Artist Me is much more difficult to placate than Scientist Me.

For this reason, I accept most edits. Especially punctuation and grammar.

You know those things people are always sending around Facebook, showing why commas are important? Never amuse me. Especially the ones championing the Oxford comma. For those who are not punctuation-obsessed, the Oxford comma is the one preceding an “and” in a series. It’s considered optional by most rational people these days. Thus it can be “apples, oranges, and bananas” or “apples, oranges and bananas.”

Yes, Mom, I know what the nuns told you. It’s optional now.

Personally, I like fewer commas. The Oxford comma is a waste of a keystroke in my world. Even other comma games, like those demonstrated in the book Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation, leave me cold. The title is a kind of word play, thus the panda image. The comma placement supposedly differentiates between whether a panda “eats shoots and leaves” of plants or “eats, shoots and leaves,” suggesting it might dine on the plant, then shoot someone and take off for parts unknown. It’s a cute example, but this kind of this drives me crazy. Nobody would seriously believe in that context that the panda is shooting a gun. If they are that easily confused, then they likely have bigger problems. I’ve also got issues with a “zero tolerance approach” to pretty much anything at all.

However.

I do understand that some people care about these things. I have an old friend who’s been a computer coder all his life and it makes him crazy if I fail to close my parentheses. Yes, it’s a careless mistake on my part. For him, that missing parenthesis could mean a week of work sorting through code to determine why a program won’t run. This is more than panda antics to him.

Really, this matches my approach to most things, such as housework: whoever cares the most is responsible for doing it. You want a clean kitchen all the time? Knock yourself out! I don’t mind a few dishes in the sink. You HAVE to have an Oxford comma? Fine, whatever. I will never fight a comma placement. I just don’t care enough.

I save my caring for the REALLY important stuff.

Like keeping “laughed” as a dialogue tag.

I don’t see why I can’t have that.

<end rant

Nourishing Creativity – an Ode to Polton Elementary School and My Mother

BGtv6rUCUAEdv_PWith the Phantom book finished, I spent time in the garden this weekend. Most restorative to work with my hands and body, to clear away the old detritus, coax the perennials into shape and plant new flowers. And clean up the gargoyle. She’s watching over the pansies for me.

And, as of yesterday, I started in on developmental edits for Rogue’s Possession. For those who aren’t familiar with the lingo, those are the first round of edits. My editor just sends me an email describing some global changes she’s looking for. Add tension to the beginning, tighten the ending. Here are some suggestions. That sort of thing. Some of you may recall she’d originally asked for April 3 on those (dies laughing), but now we’re trying for April 15. I think I can do that.

My mom complains that I make my childhood sound awful when I reflect on my growing up. I suspect this is because our painful experiences are the ones that really spur us to change – or, at least, that’s how we remember it.

Yesterday one of my crit partners sent me the TED talk by Elizabeth Gilbert on the creative spark. You might remember it from early 2009, when it was really making the rounds on the internet. My friend, however, must have been under a rock at the time and missed it. The talk really resonated with her – as it did for many of us – and I watched it again, to be able to discuss some of the finer points. Surprising to me: I heard very different things in it this time, after dedicating so much of the last four years to my own writing.

My friend had come across the talk because I’d sent her this one, by Ken Robinson on how schools kill creativity. One story he tells is about Gillian Lynne, who was failing out of school at age 8 – until her principal recognized that she was a natural dancer. Her mother sent her to dance school instead, and Gillian became a success instead of an academic failure. My friend asked me if I thought my schooling had killed or nurtured my creativity.

Something I’d never once thought about.

I mean, I’ve mentioned my early schooling from time to time. How I went to an experimental school in the early 70s, with team teaching, no desks and open space classrooms. Mostly I have made fun of it (Magic Circle where we shared our feelings) or criticized it (the famous ordeal of my stepfather having to teach me the multiplication tables because I’d been pulled out into a special program and then plunged back into long division without knowing how to multiply). My stepfather was a vice-principal in a neighboring school district that was not experimental and he often complained about the gaps in my traditional education. 

But thinking back now… wow.

That special program that caused me to miss multiplication? (Which, by the way, took less than a week for me to make up.) I spent that third grade year with fourth, fifth and sixth graders, traveling around Colorado and learning about western history. Now I realize how much that year opened my mind to the range of human experience. Women like Baby Doe Tabor and Molly Brown became larger than life to me. That time instilled in me an appreciation for the concept of the frontier, of struggle, of the desire for wealth and success and the crushing effects of defeat.

My teachers were good to me at that school. They let me read in class when I was bored with the assignment. They gave me special projects to work on. Instead of smacking me down for being a smart ass (because, oh yes, I was one even then), they encouraged me to channel that energy. I found it funny, often, that they were always concerned that I not get bored, but now I see – I was never bored. My teachers found ways to challenge, stimulate and open my mind.

And my creativity.

I sometimes joke that I have such an eclectic approach to life. In college I double-majored in biology and religious studies, with enough credits to minor in theater. I ended up in grad school for neurophysiology, work as an environmental consultant and now write fantasy and romance novels.

I’m realizing now that this is their gift to me. That my early schooling did nourish my creativity. My mom bought a house near this school so I could go there and it made an amazing difference for me.

What a wonderful gift this was.

Breaking News!!

headerI’ve been sitting on this news for a couple of weeks, so I’m SUPER EXCITED to finally get it off my chest!

You all know how I am – not much for keeping interesting news to myself. Ask me to keep a secret and I’ll carry it to my grave. But fun, exciting news like this, that I just have to hold onto until a Specific Day? Gah!

So, what? You haven’t skimmed ahead yet? You have. I know you have.

Okay, okay.

Fabulous Piece of News #1

The amazing Agent Pam has announced today that she and Laurie McLean have left Larsen-Pomada and are forming their own agency!!

FOREWORD LITERARY

When Pam called a couple of weeks ago to tell me their plan, I didn’t hesitate to tell her I would go with her. I have great faith in Pam and Laurie’s abilities and ambitions. They have exciting plans and I’m thrilled to be part of them. I feel so lucky to have signed with Pam when I did and privileged to be part of this grand, new adventure.

Also, now that the agency-thing has been settled and is public and all….

Fabulous Piece of News #2

With Pam’s assistance, I’ve agreed to a two-book deal with Carina Press for the next Covenant of Thorns books!!! Yes, all you Rogue fans – this means two more books to round out the trilogy! Yay! Looks like Rogue’s Possession will come out around the beginning of October. I know, I know – it’s a long time from the first book. 🙁 BUT, the plus side is that book 3 should come out about six months after that! Whee!!!

All very exciting, isn’t it?

I think so, too.

Directing Creativity – Managing an Infinite Resource in Finite Ways

So, the big news is, I officially finished the draft of RP2, now officially dubbed “Rogue’s Possession.”

Exciting, yes – but the above pic truly encapsulates how we celebrate around here. Ahhh….

It’s so interesting to me how creativity works. We often talk about it like it’s a well, where the water flows at a certain rate, can be drawn down, needs time to replenish, and – horror of horrors – could maybe run dry. But I wonder if this is really an accurate metaphor? After all, creativity is a kind of energy, but it’s not subject to the physical laws of the universe. It almost belongs to the spiritual realm. My physical body might tire – the brain that translates the story, the hands that type it – but it seems to me the creativity itself should be endless.

Yet, it never feels that way.

Here it is, October 26, and I haven’t put up my Halloween decorations. I *love* Halloween. I have two great big bins of decorations sitting in the garage. I’d thought maybe I’d put them up last weekend, but I spent my time writing 10,000 words on Rogue’s Possession.

I know that’s not my usual thing, but I was experimenting. David was out of town for the weekend and I really wanted to finish Possession so I can get started on Ruby (book 3 in Facets of Passion) which is due to fabulous editor Deb at the end of November. So, I tried writing five 60-minute blocks each day. In between, I walked the dog, cooked meals, did dishes, that sort of thing.

Did not put up decorations.

It just felt like too much. Though it would have taken very little time, really.

And I did it! I wrote a little over 5K each day, did not feel exhausted and it let me finish the book early. The ending can be like that for me – I just have to keep going with it, because if I stop, I can lose the threads. Somehow, though, that extra bit of tangential creativity, putting up some decorations, seemed absolutely impossible.

I’ve done this at other times in my life, when things going on just absorbed so much of my personal energy that other stuff just had to be dropped, totally and completely. Shut the door and sever the cord. I used to quilt and loved it, but finally faced that I had to stop and divert that energy into writing. That choice made a huge difference in my writing productivity.

Now that the book is finished, I feel that energy bubbling within. Which is great news for Ruby!

Maybe I’ll get those decorations up this weekend…

Also, if you’re online this weekend, I’ll be participating in Coyote Con – an online free writing conference. I’ll be on a panel for Fantasy Romance, 6-7pm Eastern Time tonight. Tomorrow, 2:30-3:30pm ET, I’ll be on a panel with some fab friends “THE GOOD, THE BAD, THE GIRLY & THE MANLY” and another panel tomorrow night (Saturday 10/27), 9:30-10:30pm ET, on erotica and erotic romance.

Next weekend, I’ll be in Toronto for World Fantasy Con – provided Frankenstorm doesn’t raze the city. And, while I’m in Toronto, I’ll be signing cover flats at the Ellora’s Cave booth at the Everything to Do with Sex Show on Saturday evening, November 3, 7-9 pm.