At What Point Do You Dig In to Protect Your Writing Process?

025A shot from Los Angeles last week and lunch with the delightful Lynda Ryba (@fishwithsticks). She’s going to be helping out with my Facebook Author Page, so we should see VAST improvements in that! (Really, it couldn’t get worse…)

What with it being NaNoWriMo (National Novel Writing Month, if you live under a rock – basically you commit to writing 50,000 new words during November), I’ve been thinking a lot about the writing process. Quite a few people wanted me to participate in NaNoWriMo. I could, because I’m seriously drafting book 3 in Covenant of Thorns right now. (I think it will be called Rogue’s Paradise.) I’m almost 20K into it and will almost certainly write at least 50K during this month. And I’d like to be supportive – I really would. Some of the newbie writers in my local chapter are doing it and I can see it would be helpful of me to join in. I like being supportive that way.

Except I said no.

Why? Because I *have* to turn in this book – complete and polished – by December 31, according to my contract. Worse, my editor is going on this long trip to New Zealand (yes, we hate her) and really wants the manuscript by December 25, so she can take it with her. Really a week doesn’t make that much difference, but it makes the deadline ever so slightly tighter. I cannot miss this deadline.

But Jeffe, you say – isn’t that all the more reason to do NaNo, to crank on getting those words down?

See, it’s really not.

Over the past several years, I’ve put a lot of effort and concentration into learning and refining my writing process. I say “learning” because I really believe we all have an organic process that we have to discover and love. It’s rough to go against that. I’ve now written six novels and novellas according to the method I’m using now. I know how much I can do each day (right now, about 2,250 words in 2-3 hours) and how long it will take me to complete the draft and then to revise. Being able to reliably create on a schedule is crucial for being a professional writer. This process is delivering for me. That makes it precious.

Which means I’m not going to mess with it.

No way.

Call me superstitious, but I’m not changing a thing.

I’m feeling much the same about workshops and classes. Now, I’m a huge believer in continuing education, lifelong learning – all that stuff. I was the girl in college who took 21 credits every semester, just because there were so many interesting classes to take. That said, I don’t have a writing degree of any sort – no English major, no MFA. I’ve taken tons of writing workshops, etc., over the years, but for the time being, I’m feeling like I want to stay away from them.

This isn’t the hip thing to say these days. Particularly not in the romance-writing community. (In fact, I don’t recall seeing this perspective much at all in the literary community. Those writers are much more apt to be protective of their process and to be vocal about it.) People love to point out when established writers come to workshops. They say things like “I’m never done learning!” and “not taking workshops can lead to stagnation.”

In fact, someone said that last to me just the other day. I threw the question out to Twitter (of course). I framed the question carefully, asking if any of the writers – especially well-established ones – found themselves staying away from classes and workshops, to protect their method. I tried to phrase it to weed out the happy “I love to take classes!” answers. Even so, I still received those responses.

 

 

and

 Another author, who preferred to remain anonymous, told me about an experience early in her writing career about “you can’t do that” that stopped her flat. She didn’t write for almost a year.

I think if I cast my net wider, I’d hear more of this kind of feedback. Because it sounds better to be enthusiastic about learning and growing, those writers who feel protective of their process might be less likely to speak up. But, I think it’s an important point – and speaks to the gal who said that not learning could lead to stagnation, a very common view – to remember that growing isn’t necessarily derived from taking workshops. There are thousands of ways to learn and grow as a writer, not the least of which is reading!

It’s certainly a fine line to walk. And it’s not that I think my process or my art is perfect. I do feel, however, that it’s working for me. I’m continuing to improve as a writer and that’s important to me.

More, I’m protective of it.

Upping the Wordcount and Keeping the Faith

2_27_13Jackson, in a post-breakfast stupor. Not that any of us can relate to this.

Regular readers know I’ve been plugging away on the Phantom e-Serial. I’ve got another month to finish it, which sounds like a lot that way, but when you realize that’s 31 days, it sounds much worse. Still, I have it in hand, I believe. I’ve been working fairly steadily at about 1,675 words/day. That puts me finishing around March 24 – with a week to spare for revising. Fortunately the CPs all took a look at the first half – while I took a week-long break and wrote a new Facets of Passion story for a Christmas anthology (I hope) – and they all liked it! They really liked it!! (Cue Sally Fields Oscar gif.)

For you math whizzes out there, that rate is, yes, around NaNoWriMo levels. A while back, I never thought I could steadily produce at that rate while working full time. Amazing how things change! Last month – ooh, on February 1, even! it’s like a recurring THEME – I posted my cumulative wordcount numbers. I’ve been tracking my weekly and monthly numbers lately, to better understand how I work.

March weekly wordcounts

Here’s the chart of my weekly wordcounts. The first and last “weeks” of February are a bit artificially low, as they were partial weeks. Still, that second to last week of February, I hit 20K, which might be a personal best. (I haven’t been tracking weekly counts long enough to be sure.) I got there via a vacation day and a holiday, plus a solid weekend of work, to write that new Facets of Passion story. I like how I can see my rate increase through the month, however. This week was down, due to dealing with family illness and travel. I was feeling kind of bad about that, until I saw my monthly stats.

March monthly wordcountsYes, I just made 50K for February, which I’ve only done once before. Plus, as the lovely Laura Bickle generously pointed out, it was a short month. It will be interesting to see what March and April bring. I predict March will be another high month and April will drop considerably, because I’ll be revising two novels in that month. Editing time makes for poor metrics – even if you count pages revised and you’re clipping along at 30/day, that looks kind of pitiful. I need a way to weight that. Hmmm…

Oh! And the other fun news is that a spin-off story from the upcoming fantasy trilogy (The Twelve Kingdoms) has been accepted to a sword and sorcery anthology! Former Word Whore James R. Tuck is editing. CP Marcella Burnard will have a story in there, too, so it should be loads of fun. Turns out they’ll do two volumes of the anthology. She and I, of course, wrote very female-centric stories (not usually the thing for sword and sorcery), so we’re curious to see if Tuck divides the volumes by male/female, which would be interesting. It should be out in June, so we’ll keep you apprised!

One Tool for NaNoWriMo

A big shout out today to long-time writer buddy Allison Pang for the release today of the third book in her Abby Sinclair series, A Trace of Moonlight. Makes me all nostalgic because it seems like just a short time ago that I was reading the first chapters of what became the first book, A Brush of Darkness, and giving her feedback.

Also, Carolyn Crane’s Mr. Real is out today! You read all about her cover trials before here.

I know a lot of you are heading into NaNoWriMo, the national novel-writing month, where people attempt to write 50,000 words in November. I don’t really like to do NaNoWriMo, because I find I’m happier if I can create and sustain a more regular writing schedule than a big one-month push. But a lot of people love it – especially the camaraderie and feeling like part of a team.

Me? I love my spreadsheets. And, because I’m sometimes asked, I decided to share a whittled-down version of my Progress Count spreadsheet. (I hope the sharing works – I *think* I uploaded it correctly.) Here it is:

Jeffe Kennedy Progress Count template

I say this is whittled down because my actual workbook has 15 tabs, with various works in progress. So, for template’s sake, I included just Rogue’s Possession, which I just finished drafting, and Ruby, which is underway.

On the first tab, the Overall page, is where I track all the words I do for each week. I recently decided to start tracking by month and year, too, just for grins. However, I just added that last week, so the October count is likely a little short. But it’s a close estimate. The Overall tab also adds in my blog post writing for each day, which I think totally counts. My minimum effort for any week is 7,000 words.

Ruby is the next tab because that’s the one actively underway. I pretty much only work on one thing at a time – unless a deadline interferes. For example, if my editor sends me edits and says “can I have these back  by Tuesday?” or if Agent Pam says “they’d like to see a sample chapter.” And yes, in those cases, I absolutely move that book’s tab into the space of honor.

That’s just how I roll.

Ruby’s tab is still set for yesterday, because I haven’t dug in for today’s wordcount.Rogue’s Possession is empty because it’s done for now.

But feel free to play with this. I have lots of formulas and conditional formatting, because I love to see things turn green. Ask me questions here, if you like, and I’ll try to explain my reasoning.

Happy Word Counts!