Reclaiming derogatory terms and owning them as an expression of power. Also, updates on release date changes, along with insights on ways to (hopefully) workaround some of Amazon's restrictions.
Down time and how access to the internet has changed that for me. Also thoughts on going pantsless, misogyny, and another subtrope of "not like other girls" that annoys me.
About trusting the subconscious and intuition - but why it's important to remember that we have a critical, conscious brain also for a reason. Also the MAGIC of story devices like ticking clocks and firm rules.
Why I think "Kill Your Darlings" isn't actually useful writing advice. Also I'm discussing how to write novellas, and I'm introducing the Watch Phrase of the Day! Today's is: prevent the proliferation of secondary characters.
This week at the SFF Seven we’re throwing out some promo to other creatives in our community. I’d like to give a shoutout to two people who’ve been a huge help and source of insight and calm guidance to me in the last week, P.H. Lee and Phoebe Barton.
Lee, who prefers not to be gendered, is a writer of mostly fantasy and science fiction, and is a member of SFWA. Lee has a number of stories you can check out, but I recommend starting with Your Own Undoing. It’s a haunting and compelling take on the wizard-familiar relationship, and explores a fall from power with gut-wrenching and unflinching empathy. Lee told me it’s a metaphor for an abusive relationship, which I absolutely can see. So, fair warning on that content, but if you can take that, absolutely give it a read.
Phoebe Barton is a queer trans science fiction writer who serves on the SFWA Board of Directors as a Director at Large. You can check out her stories, games, and nonfiction. The one I’m recommending today is The Mathematics of Fairyland. This is a delightful and mind-bending mashup of fantasy and science fiction that explores how Martians handle faeries and how a princess can access Fairyland from a space station in order to rescue her princess. It’s a heartbreaking and deftly woven glimpse into the madness of grief.
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In news from my world, I’m sorry to say that we’ll be delaying release of FIRE OF THE FROST. Not by much! It will still release in December, just a couple of weeks later. Ish. As soon as we set the new release date, we’ll let you know!
Sliding release dates (so sorry!) on GREY MAGIC and FIRE OF THE FROST, though everything is otherwise going well and on track. And some thoughts on community and people wanting to be good and right.
Why this has been a crazy week for me, more schedule disruptions, and how I'm not happy if I'm not actually producing words, even though I know that even when I'm not writing, I'm writing. Also: Mikhail Baryshnikov
This week at the SFF Seven, we’re posing the question: How do you answer when people at parties ask “have I heard of you?”
I confess that I posed this question of the group, since I get this question frequently and I’m usually at a loss as to how to answer. So for a while there I was going around asking other authors how they handle this.
My friend, Jim Sorenson, master of the witty comeback, suggested Sam Malone’s line from Cheers, “Not many people know this, but I’m kind of a big deal.” I couldn’t find a gif of that one though. The line is a good litmus test for how much someone is paying attention.
But in actuality, I’ve ended up going with a tiered response, much like KAK suggested yesterday, only a bit less… snarky. Most of the time, I’ve found, people are asking the question as a rote response to discovering the person they’re talking to just might be famous in some way. Where writers are concerned, the answer is almost always “no.”
I have, however, found another litmus test response. I return the question by asking if they’re a reader. This small-talk gambit works for a multitude of scenarios. Most of the time, the person is NOT a reader, and asking this question will elicit a – sometimes long – explanation of why they don’t read. It works really well for the principle that the easiest way to engage someone in conversation is to ask about themselves. People who don’t read will often talk about the last book they DID read, or how they hated being forced to read in school, or how busy their lives are. This gives rich fodder for letting them talk about their lives. If they’re not actually interested in the fact that I’m a writer, this lets them gracefully never return to the topic and saves me the painful sorting of the fact that, no, they haven’t heard of me.
If they ARE a reader, well! Now the conversation gets interesting. I can what genres they read and we talk books. We drill down pretty quickly to whether they read my genre and, if they haven’t read my books, they usually end up by whipping out their phone and buying one. Happy outcome!
Speaking of buying books, I’m happy to report that I’ve finished the draft of my novella for the upcoming FIRE OF THE FROST anthology! I still need to settle on a title, but it takes place at Convocation Academy in my Bonds of Magic world, taking place at roughly the same time as DARK WIZARD. You can preorder the anthology now to have it slip into your eReader in December! (Print will be available, but you can only preorder through my website right now. Print will be available via the usual retailers on release day, just not for preorder.)
Understanding rejection of our work and how it can mean different things at different times in our careers, ego checks, how kill fees work, why editing is key, and general rhapsodizing on autumn colors.
