Tag: CRW

Genre Schizophrenia

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I’m beginning to feel a bit between worlds, as a writer.

Today I head to Evanston, at the behest of Carol Dee at Dee’s Bookstore (& Boutique). I’m meeting with some kind of ladies group at 2 o’clock, to read from and discuss Wyo Trucks. Then there’s a spaghetti dinner at 6, to encourage more folks to come visit with me. You now know pretty much everything I do. The funny thing is, Carol emailed me about this gig a couple of months ago — when I’d initially emailed her back in 2004, when the book came out. I’d contacted most of the Wyoming bookstores and visited many of them for various events. She was going through old emails and found my note. And here we are today.

When the Evanston newspaper called to interview me yesterday, the reporter was surprised that this isn’t a new book. I told her I didn’t know why now. But that the Georgia Review published a review of it in 2006. Things move slowly after publication sometimes, too. I’m expecting Oprah to call in 2012.

It’s funny to me, because I’m doing less and less for Wyo Trucks these days, which is natural, since the book is now five years old. I’ve been doing fiction since, cloistered away writing novels. Then less-cloistered trying to sell at least the first one. Worse, I’m writing genre-fiction — whether you consider it romance or sci-fi/fantasy, so I’m feeling like a bit of a pariah from my erstwhile literary community. I used to be on the university’s Creative Writing MFA email list, but have been dropped. Sometimes I was invited to speak to university classes on writing, but no longer. A lot of this is because people have moved on and times change. But some is also because I’m no longer really investing in the literary nonfiction world. It’s not where the lion’s share of my attention is focused. Instead of hanging with the MFA types, I’ve been going to meetings of the Colorado Romance Writers, the Romance Writers of America national convention, and interacting online with the Fantasy, Futuristic and Paranormal writers.

So, this feels like a distraction, doing this today. And more than a little schizophrenic. Which surprises me, since I made a deliberate decision to publish my speculative fiction under the same name as my essays, believing that all my writing is really of one piece. Clearly I see a split, since my website poses the fundamental dichotomy up front.

Apparently it’s up to me to hold the pieces together.

Time it was, and what a time it was, it was

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I’ve been tracking my time the last few days. Renee Knowles got me going on it when she gave her Career Bootcamp workshop at CRW the other day. Her point was that, if you’re not getting everything done that you want to — like drafting that bestseller — then one approach is to track your time and see where it’s going.

Now, my schedule is pretty tight: I get up much earlier than I like; I go work out; I hit this blog (new activity); write for another hour and a half or two. Then I shower up, practice harp, work my day job. At night I have meetings sometimes or I hang with David, which I believe in as relationship investment time. So I think I have my time pretty well accounted for. But I thought it would be interesting to check.

I made a spreadsheet (it’s the Virgo in me — can’t resist a spreadsheet) with my day listed in 15 minute increments, from 5:30 am to 11 pm. When my mom asked Sunday evening what I’d done that day, I sent her my 15 minute blow by blow list. Every mother should have such a responsive daughter. After she asked why on earth I’d done this, she remarked, “right off, I’d say less computer time.”

No shocker there. Though I defended it as an unusually heavy computer day because I’d been at the workshop the day before and had lots of catch-up to do. But even tracking my work day yesterday, which admittedly involves being on the computer all day, a huge chunk of my day is spent on emailing, instant messaging and looking stuff up on the internet. No, not surfing so much as deliberately going from link to link, reading the daily stuff on my list.

Okay, so there’s networking which, just like relationship investment, takes time. No way around that. And even Renee, like many others before her, exhorts reading blogs if you’re trying to market work as a writer.

The upshot is: what’s dropping out is my reading time. Even though I’m in the middle of a fascinating book (Stolen Innocence: My Story of Growing Up in a Polygamous Sect, Becoming a Teenage Bride, and Breaking Free of Warren Jeffs by Elissa Wall and Lisa Pulitzer) and had time scheduled to read it, that time decreased, wedged up against my looming bed time hour, and I spent more time on the computer. Working on stuff to market my work, so I can sell books to people who have less time to read them.

Huh.

To E-Pub or Not to Be?

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I didn’t post yesterday because I was on short time. After the workout, I grabbed breakfast, cleaned-up and headed down to Brighton, Colorado for the monthly meeting of the Colorado Romance Writers (CRW). I met up with Liz Pelletier in Ft. Collins and we drove the rest of the way together. Meeting Liz in person was great fun, since we’d only ever talked online, via the FFP loop (the Futuristic, Fantasy & Paranormal interest group of RWA).

The CRW folks welcomed me graciously and with great enthusiasm. Renee Hagar, who writes as Renee Knowles, and both writes and is an editor for Wild Rose Press, gave a workshop. Wild Rose Press is interesting because it’s an e-publisher. I confirmed with Renee that they have no bricks and mortar offices. The editors work out of their homes, books are published either electronically or via a print-on-demand service, probably through Amazon.

Wild Rose Press is an up and coming publisher for romance, which continues to be the hottest selling genre. And they have my full manuscript right now. It makes a writer like me feel torn. If Wild Rose Press will have me, how could I turn them down? Yet, electronic publishing still carries a stigma. RWA will not allow ebooks for consideration in the industry’s most prestigous award, the Rita — the romance equivalent of the Hugo or the Nebula. RWA’s stance is that the writer is not valued enough in e-publishing. When few writers make more than $1,000 on an e-book, RWA has a point. Those are hardly professional wages. To provide a contrast, ten years ago Redbook magazine paid me $3,000 for one essay, which was right about the “industry standard rate” of $1 per word.

E-publishing is clearly the future. As the big publishing houses tighten their belts — Houghton Mifflin Harcourt editors were recently told not to acquire new books — as printing materials grow more expensive and less acceptable in the Green Era, shipping and distribution grow more problematic, e-publishing is the answer to so many problems. E-book readers are becoming popular and affordable. And a younger generation is coming up without the resistance so many of us feel to reading electrons on a screen. I think there’s no denying that e-books will eventually lose their stigma and will be the primary, if not exclusive medium, for reading in the future.

And yet, the advent of the internet has clearly devalued the written word. Blogs such as this one, where I write for free, abound. Anyone can pay to have a book published. E-publishers can take risks on new authors because it costs them little investment — a double-edge sword for the writing world as it’s easier for a new author to get published and yet, it implies that the standards have lowered.

And the writing itself? Is inarguably cheaper. Never mind a writer being paid $1/word. From an e-publisher, she may be getting less than 50 cents per book. Which, of course, is better than no book at all.

What a brave new world, and what shall we make of it?